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Friedrich Brentel (1580–1651) was a German printmaker in engraving and etching, and miniature painter. He was born in Lauingen and became a citizen of Strasbourg in 1601. His principal work is a set of plates for The Funeral of Charles III, Duke of Lorraine and the Royal entry of his son as the new duke, published at Nancy in 1611. They are from the designs of and Jean La Hire, and are etched in a slight, spirited manner. One plate has a single horse and rider, out of a large group in a procession, done in a very different style, which is thought to be the first venture into etching of the Nancy court painter Jacques Bellange, now known mainly for his prints. Other notable plates of his are a View of the large Hall at Stuttgart (1619) and John Frederick I., Elector of Saxony (1609).

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  • Friedrich Brentel (im französischsprachigen Sprachraum bekannt auch als Frédéric Brentel; * 9. Juli 1580 in Lauingen; † 17. Mai 1651 in Straßburg) war ein künstlerisch bedeutender deutscher Kupferstecher, Radierer, Zeichner und Miniaturmaler, der die wichtigste Radiererwerkstatt im Großraum Straßburg am Anfang des 17. Jahrhunderts betrieb. Brentel bekam zahlreiche Aufträge vom hohen und niederen Adel im Gebiet zwischen Nancy und Stuttgart. Seine Werke wurden gesammelt von den Liebhabern und später von den staatlichen Institutionen, doch verhältnismäßig wenig wurde in die heutige Zeit überliefert – vieles verbrannte z. B. bei dem Brand der Straßburger Bibliothek 1870. In seiner Werkstatt bildete Friedrich Brentel zahlreiche Schüler, darunter Matthäus Merian, aus. Friedrich Brentel war ein Sohn des Miniatur- und Georg Brentel der Älteren sowie ein Halbbruder der Maler David und Elias Brentel. (de)
  • Friedrich Brentel (1580–1651) was a German printmaker in engraving and etching, and miniature painter. He was born in Lauingen and became a citizen of Strasbourg in 1601. His principal work is a set of plates for The Funeral of Charles III, Duke of Lorraine and the Royal entry of his son as the new duke, published at Nancy in 1611. They are from the designs of and Jean La Hire, and are etched in a slight, spirited manner. One plate has a single horse and rider, out of a large group in a procession, done in a very different style, which is thought to be the first venture into etching of the Nancy court painter Jacques Bellange, now known mainly for his prints. Other notable plates of his are a View of the large Hall at Stuttgart (1619) and John Frederick I., Elector of Saxony (1609). The prints of Brentel are etched with a very light point; and his monogram is found on a series of landscapes ornamented with historical subjects and rich borders, and bearing the dates 1617 and 1619. There are proofs of these borders without the landscapes and figures. Brentel died in Strasbourg in 1651. (en)
  • Friedrich Brentel, né en 1580 à Lauingen et mort en 1651 à Strasbourg (Alsace), est un graveur et un peintre miniaturiste bavarois. (fr)
  • Friedrich Brentel noto anche come Friederich o Frédéric (Lauingen, 1580 – Strasburgo, 1651) è stato un incisore e pittore tedesco specializzato in miniature. (it)
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  • Brentel, Friedrich (en)
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  • Friedrich Brentel, né en 1580 à Lauingen et mort en 1651 à Strasbourg (Alsace), est un graveur et un peintre miniaturiste bavarois. (fr)
  • Friedrich Brentel noto anche come Friederich o Frédéric (Lauingen, 1580 – Strasburgo, 1651) è stato un incisore e pittore tedesco specializzato in miniature. (it)
  • Friedrich Brentel (im französischsprachigen Sprachraum bekannt auch als Frédéric Brentel; * 9. Juli 1580 in Lauingen; † 17. Mai 1651 in Straßburg) war ein künstlerisch bedeutender deutscher Kupferstecher, Radierer, Zeichner und Miniaturmaler, der die wichtigste Radiererwerkstatt im Großraum Straßburg am Anfang des 17. Jahrhunderts betrieb. (de)
  • Friedrich Brentel (1580–1651) was a German printmaker in engraving and etching, and miniature painter. He was born in Lauingen and became a citizen of Strasbourg in 1601. His principal work is a set of plates for The Funeral of Charles III, Duke of Lorraine and the Royal entry of his son as the new duke, published at Nancy in 1611. They are from the designs of and Jean La Hire, and are etched in a slight, spirited manner. One plate has a single horse and rider, out of a large group in a procession, done in a very different style, which is thought to be the first venture into etching of the Nancy court painter Jacques Bellange, now known mainly for his prints. Other notable plates of his are a View of the large Hall at Stuttgart (1619) and John Frederick I., Elector of Saxony (1609). (en)
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  • Friedrich Brentel (de)
  • Friedrich Brentel (en)
  • Friedrich Brentel (it)
  • Friedrich Brentel (fr)
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