Allyson Mitchell is a Toronto-based maximalist artist, working predominantly in sculpture, installation and film. Her practice melds feminism and pop culture to trouble contemporary representations of women, sexuality and the body largely through the use of reclaimed textile and abandoned craft. Throughout her career, Mitchell has critiqued socio-historical phobias of femininity, feminine bodies and colonial histories, as well as ventured into topics of consumption under capitalism, queer feelings, queer love, fat being, fatphobia, genital fears and cultural practices. Her work is rooted in a Deep Lez methodology, which merges lesbian feminism with contemporary queer politics.