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- ألان شنايدر (بالإنجليزية: Alan Schneider) هو معلم موسيقى ومخرج أمريكي، ولد في 12 ديسمبر 1917 في خاركيف في أوكرانيا، وتوفي في 3 مايو 1984 في لندن في المملكة المتحدة بسبب حادث مرور. (ar)
- Alan Schneider (December 12, 1917 – May 3, 1984) was an American theatre director responsible for more than 100 theatre productions. In 1984 he was honored with a Drama Desk Special Award for serving a wide range of playwrights. He directed the 1956 American premiere of Samuel Beckett's Waiting for Godot, Edward Albee's Who's Afraid of Virginia Woolf? and Tiny Alice; the American première of Joe Orton's Entertaining Mr Sloane, Harold Pinter's The Birthday Party, as well as Pinter's The Dumb Waiter, The Collection, and a trilogy of Pinter's plays under the title Other Places (including One for the Road, Family Voices, and A Kind of Alaska); Bertolt Brecht's The Caucasian Chalk Circle; You Know I Can't Hear You When the Water's Running; and Michael Weller's Moonchildren and Loose Ends. Schneider also directed Samuel Beckett's only direct foray into the world of film, entitled Film. The short subject starred Buster Keaton and its direction is often misattributed to Samuel Beckett himself, notably during an exhibit at the Louvre in November 2006. "Film" is a silent exploration of Bishop Berkeley's principle 'esse est percipi' (to be is to be perceived). One of a select group of non-actors awarded membership in The Actors Studio, Schneider taught at Catholic University, City College of the City University of New York, The Juilliard School (where he was director of the theatre program), the University of California, Riverside, and the University of California, San Diego, whose library maintains an archive of his papers. He was associated with Arena Stage for 30 years. He was also the co-artistic director of The Acting Company. At the time of his death, he served as president of the board of directors for Theatre Communications Group (TCG). (en)
- Alan Schneider, eigentlich Abram Leopoldowitsch Schneider, (* 29. Novemberjul. / 12. Dezember 1917greg. in Charkiw, Russland; † 3. Mai 1984 in London, Vereinigtes Königreich) war ein russisch-US-amerikanischer Theater- und Filmregisseur. (de)
- Alan Schneider (12 de diciembre de 1917 – 3 de mayo de 1984), nacionalizado estadounidense, fue un director y productor teatral de más de 100 obras. (es)
- Alan Schneider, né le 12 décembre 1917 à Kharkov et mort le 3 mai 1984 à Londres, est un metteur en scène de théâtre américain d'origine russe. Il arrive avec sa famille aux États-Unis en 1923 où il met en scène des pièces de Bertolt Brecht. À partir de 1956, avec En attendant Godot, et jusqu'à sa mort, il sera le metteur en scène des premières américaines de Samuel Beckett. En 1964 il tourne avec celui-ci l'unique projet cinématographique de l'écrivain : Film (1965). Alan Schneider était par ailleurs professeur de théâtre. (fr)
- Alan Schneider (Charkiv, 28 novembre 1917 – Londra, 3 maggio 1984) è stato un regista statunitense. Regista teatrale di origine russa, fu il primo ad avvertire, nell'immediato dopoguerra, la necessità di un rinnovamento del teatro americano, e quindi di proporre nuovi autori e nuove tendenze. I lavori drammatici di Arthur Miller, di Samuel Beckett, di Edward Albee, di Harold Pinter, ecc., hanno trovato in Schneider un realizzatore di eccezione, capace di mettere in risalto tutte le nuove forme espressive, e quindi di interessare ed avvicinare al teatro moderno il grosso pubblico. Per il cinema ha realizzato, nel 1965, il cortometraggio Film, su soggetto di Samuel Beckett, interpretato da Buster Keaton e fotografato da Boris Kaufman, fratello di Dziga Vertov. (it)
- Alan Schneider (ur. 28 listopada 1917 w Charkowie, zm. 3 maja 1984 w Londynie) – amerykański reżyser teatralny. (pl)
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- ألان شنايدر (بالإنجليزية: Alan Schneider) هو معلم موسيقى ومخرج أمريكي، ولد في 12 ديسمبر 1917 في خاركيف في أوكرانيا، وتوفي في 3 مايو 1984 في لندن في المملكة المتحدة بسبب حادث مرور. (ar)
- Alan Schneider, eigentlich Abram Leopoldowitsch Schneider, (* 29. Novemberjul. / 12. Dezember 1917greg. in Charkiw, Russland; † 3. Mai 1984 in London, Vereinigtes Königreich) war ein russisch-US-amerikanischer Theater- und Filmregisseur. (de)
- Alan Schneider (12 de diciembre de 1917 – 3 de mayo de 1984), nacionalizado estadounidense, fue un director y productor teatral de más de 100 obras. (es)
- Alan Schneider, né le 12 décembre 1917 à Kharkov et mort le 3 mai 1984 à Londres, est un metteur en scène de théâtre américain d'origine russe. Il arrive avec sa famille aux États-Unis en 1923 où il met en scène des pièces de Bertolt Brecht. À partir de 1956, avec En attendant Godot, et jusqu'à sa mort, il sera le metteur en scène des premières américaines de Samuel Beckett. En 1964 il tourne avec celui-ci l'unique projet cinématographique de l'écrivain : Film (1965). Alan Schneider était par ailleurs professeur de théâtre. (fr)
- Alan Schneider (ur. 28 listopada 1917 w Charkowie, zm. 3 maja 1984 w Londynie) – amerykański reżyser teatralny. (pl)
- Alan Schneider (December 12, 1917 – May 3, 1984) was an American theatre director responsible for more than 100 theatre productions. In 1984 he was honored with a Drama Desk Special Award for serving a wide range of playwrights. He directed the 1956 American premiere of Samuel Beckett's Waiting for Godot, Edward Albee's Who's Afraid of Virginia Woolf? and Tiny Alice; the American première of Joe Orton's Entertaining Mr Sloane, Harold Pinter's The Birthday Party, as well as Pinter's The Dumb Waiter, The Collection, and a trilogy of Pinter's plays under the title Other Places (including One for the Road, Family Voices, and A Kind of Alaska); Bertolt Brecht's The Caucasian Chalk Circle; You Know I Can't Hear You When the Water's Running; and Michael Weller's Moonchildren and Loose Ends. (en)
- Alan Schneider (Charkiv, 28 novembre 1917 – Londra, 3 maggio 1984) è stato un regista statunitense. Regista teatrale di origine russa, fu il primo ad avvertire, nell'immediato dopoguerra, la necessità di un rinnovamento del teatro americano, e quindi di proporre nuovi autori e nuove tendenze. I lavori drammatici di Arthur Miller, di Samuel Beckett, di Edward Albee, di Harold Pinter, ecc., hanno trovato in Schneider un realizzatore di eccezione, capace di mettere in risalto tutte le nuove forme espressive, e quindi di interessare ed avvicinare al teatro moderno il grosso pubblico. (it)
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