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Infringing Use as a Path to Legal Consumption: Evidence from a Field Experiment. (2018). Mortimer, Julie ; Luo, Hong.
In: Boston College Working Papers in Economics.
RePEc:boc:bocoec:971.

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Cocites

Documents in RePEc which have cited the same bibliography

  1. Promotional Effects of Recorded Music and Superstars on Concert Financial Outcomes. (2024). Hogue, Eric.
    In: Journal of Interdisciplinary Economics.
    RePEc:sae:jinter:v:36:y:2024:i:2:p:166-203.

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  2. Displacement and complementarity in the recorded music industry: evidence from France. (2024). Verboven, Frank ; Nicolle, Ambre ; Ivaldi, Marc ; Zhang, Jiekai.
    In: Journal of Cultural Economics.
    RePEc:kap:jculte:v:48:y:2024:i:1:d:10.1007_s10824-023-09471-0.

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  3. .

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  4. The impact of licensed and unlicensed free goods: an empirical analysis of music, video, and book industries in Japan. (2023). Tanaka, Tatsuo ; Oshima, Hidetaka ; Iyanaga, Kotaro ; Sakaguchi, Hirohide ; Yamaguchi, Shinichi.
    In: SN Business & Economics.
    RePEc:spr:snbeco:v:3:y:2023:i:3:d:10.1007_s43546-023-00439-y.

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  5. The impact of user-generated content authorization on demand in the game industry. (2023). Yamaguchi, Shinichi ; Oshima, Hidetaka.
    In: SN Business & Economics.
    RePEc:spr:snbeco:v:3:y:2023:i:11:d:10.1007_s43546-023-00573-7.

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  6. Consequences of platforms remuneration models for digital content: initial evidence and a research agenda for streaming services. (2023). Clement, Michel ; Albers, Sonke ; Kandziora, Michael ; Meyn, Janek.
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  7. It Was 50 Years Ago Today: Recording Copyright Term and the Supply of Music. (2023). McKeon, John ; MacGarvie, Megan ; Watson, Jeremy.
    In: Management Science.
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  8. Displacement and Complementary in the recorded music industry: evidence from France. (2023). Zhang, Jiekai ; Verboven, Frank ; Nicolle, Ambre ; Ivaldi, Marc.
    In: Post-Print.
    RePEc:hal:journl:hal-04020859.

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  9. Revenue sharing at music streaming platforms. (2023). Moreno-Ternero, Juan ; Bergantinos, Gustavo.
    In: Papers.
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  10. Frontiers: Virus Shook the Streaming Star: Estimating the COVID-19 Impact on Music Consumption. (2022). Telang, Rahul ; Hwang, Youngdeok ; Cho, Daegon ; Sim, Jaeung.
    In: Marketing Science.
    RePEc:inm:ormksc:v:41:y:2022:i:1:p:19-32.

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  11. Online and offline retailing: What we know and directions for future research. (2022). Gauri, Dinesh K ; Zentner, Alejandro ; Soysal, Gonca ; Ratchford, Brian.
    In: Journal of Retailing.
    RePEc:eee:jouret:v:98:y:2022:i:1:p:152-177.

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  12. Bestseller lists and product discovery in the subscription-based market: Evidence from music streaming. (2022). Jung, Jaemin ; Smith, Michael D ; Cho, Daegon ; Park, Jea Gon ; Sim, Jaeung.
    In: Journal of Economic Behavior & Organization.
    RePEc:eee:jeborg:v:194:y:2022:i:c:p:550-567.

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  13. Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2022). Christensen, Finn.
    In: International Journal of Industrial Organization.
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  14. Exclusive content and platform competition in Latin America. (2022). Bergquist, Kyle ; Cuntz, Alexander.
    In: Information Economics and Policy.
    RePEc:eee:iepoli:v:60:y:2022:i:c:s0167624522000282.

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  15. Whatever you want, whatever you like: How incumbents respond to changes in market information regimes. (2022). Verona, Gianmario ; Cillo, Paola ; Zanella, Paola.
    In: Strategic Management Journal.
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  16. Is music piracy over? Comparing music piracy attitudes and behaviors between young generations. (2022). Dieringer, Suzanne ; Borja, Karla.
    In: Journal of Consumer Affairs.
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  17. “I will survive”: Online streaming and the chart survival of music tracks. (2021). Tanneberg, Ilka ; Kaimann, Daniel ; Cox, Joe.
    In: Managerial and Decision Economics.
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  18. The impacts of counterfeiting on corporate investment. (2021). Qian, YI ; Cuntz, Alexander.
    In: WIPO Economic Research Working Papers.
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  19. Displacement and Complementary in the recorded music industry: evidence from France. (2021). Nicolle, Ambre ; Zhang, Jiekai ; Verboven, Frank ; Ivaldi, Marc.
    In: TSE Working Papers.
    RePEc:tse:wpaper:125467.

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  20. It takes two, baby! Feature artist collaborations and streaming demand for music. (2021). Mckenzie, Jordi ; Lenten, Liam ; Crosby, Paul.
    In: Journal of Cultural Economics.
    RePEc:kap:jculte:v:45:y:2021:i:3:d:10.1007_s10824-020-09396-y.

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  21. The Impacts of Counterfeiting on Corporate Investment. (2021). Qian, YI ; Cuntz, Alexander.
    In: Journal of Economic Development.
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  22. Attracting artists to music streaming platforms. (2021). Geylani, Tansev ; Gal-Or, Esther ; Bender, Mark.
    In: European Journal of Operational Research.
    RePEc:eee:ejores:v:290:y:2021:i:3:p:1083-1097.

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  23. Exclusive content and platform competition in Latin America. (2020). Bergquist, Kyle ; Cuntz, Alexander.
    In: WIPO Economic Research Working Papers.
    RePEc:wip:wpaper:63.

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  24. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. (2020). Qian, YI ; Koschmann, Anthony.
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  25. Why would artists favor free streaming?. (2020). MOREAU, François ; Bourreau, Marc ; Aly Tovar, Ramadan ; Bacache-Beauvallet, Maya ; Aly-Tovar, Ramadan.
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  26. Friends or foes? A meta-analysis of the link between online piracy and sales of cultural goods. (2020). Tyrowicz, Joanna ; Krawczyk, Michal ; Hardy, Wojciech.
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  27. Friends or foes? A meta-analysis of the relationship between “online piracy” and the sales of cultural goods. (2020). Tyrowicz, Joanna ; Hardy, Wojciech ; Krawczyk, Michal.
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  28. Business models for streaming platforms: Content acquisition, advertising and users. (2020). Carroni, Elias ; Paolini, Dimitri.
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  29. Airbnb, Hotels, and Localized Competition. (2020). Tran, Kevin Ducbao ; Schafer, Maximilian.
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  30. Business models for streaming platforms: content acquisition, advertising and users. (2020). Carroni, Elias ; Paolini, D.
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  31. Illegal Content Monitoring on Social Platforms. (2020). Hazra, Jishnu ; Jain, Tarun ; Edwin, T C.
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  32. A Survey on Data Pricing: from Economics to Data Science. (2020). Pei, Jian.
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  33. Infringing Use as a Path to Legal Consumption: Evidence from a Field Experiment. (2019). Mortimer, Julie ; Luo, Hong.
    In: NBER Working Papers.
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  34. Experimental evidence on demand for “on-demand” entertainment. (2019). Crosby, Paul ; McKenzie, Jordi ; Collins, Alan ; Cox, Joe.
    In: Journal of Economic Behavior & Organization.
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  35. International heterogeneity in the associations of new business models and broadband Internet with music revenue and piracy. (2019). Papies, Dominik ; Wlomert, Nils.
    In: International Journal of Research in Marketing.
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  36. The business model of a streaming platform. (2019). Paolini, Dimitri ; Carroni, Elias.
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  37. Recent or Free? An Experimental Study of the Motivations for Pirating Movies. (2019). Bourreau, Marc ; da Cruz, Jordana Viotto ; Moreau, Francois ; Lumeau, Marianne.
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  38. The Effect of Subscription Video-on-Demand on Piracy: Evidence from a Household-Level Randomized Experiment. (2018). Smith, Michael D ; Ferreira, Pedro ; de Matos, Miguel Godinho.
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  39. Catch Me If You Can: Effectiveness and Consequences of Online Copyright Enforcement. (2018). Peukert, Christian ; Claussen, Jörg ; Aguiar, Luis.
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  40. Social media followers as music fans: Analysis of a music poll event. (2018). Mckenzie, Jordi ; Lenten, Liam ; Crosby, Paul.
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  41. Infringing Use as a Path to Legal Consumption: Evidence from a Field Experiment. (2018). Mortimer, Julie ; Luo, Hong.
    In: Boston College Working Papers in Economics.
    RePEc:boc:bocoec:971.

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  42. The Rise of Streaming Music and Implications for Music Production. (2017). Walter, Jason ; Jason, Walter ; Scott, Hiller R.
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  43. .

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