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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 111 40 it is the complementary color RGB 40 144 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 111 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 111 40 shade: RGB 220 111 35, RGB 237 129 54, RGB 254 147 73, RGB 255 165 92 and RGB 255 183 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 111 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 111 40 shade: RGB 215 111 40, RGB 198 93 21, RGB 181 75 2, RGB 164 57 0 and RGB 147 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 111 40 shade: RGB 215 110 39, RGB 215 63 39 and RGB 215 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 111 40 shade: RGB 215 110 39, RGB 215 158 39, RGB 215 205 39, RGB 177 215 39 and RGB 130 215 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 111 40 shade matches the following richer shades: RGB 215 110 39 and RGB 236 107 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 111 40 shade: RGB 215 110 39, RGB 194 114 60, RGB 174 118 80, RGB 153 122 101 and RGB 132 126 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 111 40 shade: RGB 215 39 62, RGB 215 62 39, RGB 215 109 39, RGB 215 156 39 and RGB 215 203 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 111 40 shade: RGB 145 75 26, RGB 180 92 33, RGB 215 110 39, RGB 221 134 74 and RGB 228 157 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 111 40 shade: RGB 215 111 40, RGB 109 215 39 and RGB 39 39 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 111 40 shade: RGB 215 111 40, RGB 39 215 109 and RGB 109 39 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 111 40 shade: RGB 215 111 40, RGB 109 215 39, RGB 39 145 215 and RGB 145 39 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 111 40 shade: RGB 215 111 40, RGB 57 215 39, RGB 39 145 215 and RGB 197 39 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 81 / 16

HEX #D76F28

RGB 215 111 40

HSL 24.34, 0.69%, 0.5%

LAB 58.01, 36.26, 54.93

 

Complementary color

CMYK 81 / 33 / 0 / 16

HEX #2890D7

RGB 40 144 215

HSL 204.34, 0.69%, 0.5%

LAB 57.37, -4.16, -44.42

 

CMYK 0 / 50 / 84 / 14

HEX #DC6F23

RGB 220 111 35

HSL 24.65, 0.73%, 0.5%

LAB 58.7, 38.1, 57.78

 

CMYK 0 / 46 / 77 / 7

HEX #ED8136

RGB 237 129 54

HSL 24.59, 0.84%, 0.57%

LAB 64.94, 36.27, 56.64

 

CMYK 0 / 42 / 71 / 0

HEX #FE9349

RGB 254 147 73

HSL 24.53, 0.99%, 0.64%

LAB 71.16, 34.58, 55.13

 

CMYK 0 / 35 / 64 / 0

HEX #FFA55C

RGB 255 165 92

HSL 26.87, 1%, 0.68%

LAB 75.42, 26.69, 50.8

 

CMYK 0 / 28 / 56 / 0

HEX #FFB76F

RGB 255 183 111

HSL 30, 1%, 0.72%

LAB 79.77, 18.59, 46.56

 

CMYK 0 / 48 / 81 / 16

HEX #D76F28

RGB 215 111 40

HSL 24.34, 0.69%, 0.5%

LAB 58.01, 36.26, 54.93

 

CMYK 0 / 53 / 89 / 22

HEX #C65D15

RGB 198 93 21

HSL 24.41, 0.81%, 0.43%

LAB 51.71, 38.19, 55.62

 

CMYK 0 / 59 / 99 / 29

HEX #B54B02

RGB 181 75 2

HSL 24.47, 0.98%, 0.36%

LAB 45.44, 40.21, 55.1

 

CMYK 0 / 65 / 100 / 36

HEX #A43900

RGB 164 57 0

HSL 20.85, 1%, 0.32%

LAB 39.27, 42.21, 50.74

 

CMYK 0 / 73 / 100 / 42

HEX #932700

RGB 147 39 0

HSL 15.92, 1%, 0.29%

LAB 33.25, 43.72, 45.82

 

CMYK 0 / 49 / 82 / 16

HEX #D76E27

RGB 215 110 39

HSL 24.2, 0.69%, 0.5%

LAB 57.79, 36.74, 55.14

 

CMYK 0 / 71 / 82 / 16

HEX #D73F27

RGB 215 63 39

HSL 8.18, 0.69%, 0.5%

LAB 49.68, 57.98, 47.69

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 49 / 82 / 16

HEX #D76E27

RGB 215 110 39

HSL 24.2, 0.69%, 0.5%

LAB 57.79, 36.74, 55.14

 

CMYK 0 / 27 / 82 / 16

HEX #D79E27

RGB 215 158 39

HSL 40.57, 0.69%, 0.5%

LAB 68.79, 11.16, 64.88

 

CMYK 0 / 5 / 82 / 16

HEX #D7CD27

RGB 215 205 39

HSL 56.59, 0.69%, 0.5%

LAB 80.88, -13.37, 75.27

 

CMYK 18 / 0 / 82 / 16

HEX #B1D727

RGB 177 215 39

HSL 72.95, 0.69%, 0.5%

LAB 80.79, -33.97, 74.08

 

CMYK 40 / 0 / 82 / 16

HEX #82D727

RGB 130 215 39

HSL 88.98, 0.69%, 0.5%

LAB 78.17, -51.39, 70.76

 

CMYK 0 / 49 / 82 / 16

HEX #D76E27

RGB 215 110 39

HSL 24.2, 0.69%, 0.5%

LAB 57.79, 36.74, 55.14

 

CMYK 0 / 55 / 92 / 7

HEX #EC6B12

RGB 236 107 18

HSL 24.5, 0.86%, 0.5%

LAB 60.24, 45.94, 65.26

 

CMYK 0 / 49 / 82 / 16

HEX #D76E27

RGB 215 110 39

HSL 24.2, 0.69%, 0.5%

LAB 57.79, 36.74, 55.14

 

CMYK 0 / 41 / 69 / 24

HEX #C2723C

RGB 194 114 60

HSL 24.18, 0.53%, 0.5%

LAB 55.92, 26.93, 42.59

 

CMYK 0 / 32 / 54 / 32

HEX #AE7650

RGB 174 118 80

HSL 24.26, 0.37%, 0.5%

LAB 54.59, 17.72, 29.7

 

CMYK 0 / 20 / 34 / 40

HEX #997A65

RGB 153 122 101

HSL 24.23, 0.2%, 0.5%

LAB 53.63, 8.91, 16.07

 

CMYK 0 / 5 / 8 / 48

HEX #847E7A

RGB 132 126 122

HSL 24, 0.04%, 0.5%

LAB 53.2, 1.51, 2.98

 

CMYK 0 / 82 / 71 / 16

HEX #D7273E

RGB 215 39 62

HSL 352.16, 0.69%, 0.5%

LAB 47.3, 66.16, 32.47

 

CMYK 0 / 71 / 82 / 16

HEX #D73E27

RGB 215 62 39

HSL 7.84, 0.69%, 0.5%

LAB 49.54, 58.35, 47.57

 

CMYK 0 / 49 / 82 / 16

HEX #D76D27

RGB 215 109 39

HSL 23.86, 0.69%, 0.5%

LAB 57.59, 37.25, 54.96

 

CMYK 0 / 27 / 82 / 16

HEX #D79C27

RGB 215 156 39

HSL 39.89, 0.69%, 0.5%

LAB 68.29, 12.23, 64.45

 

CMYK 0 / 6 / 82 / 16

HEX #D7CB27

RGB 215 203 39

HSL 55.91, 0.69%, 0.5%

LAB 80.35, -12.36, 74.82

 

CMYK 0 / 48 / 82 / 43

HEX #914B1A

RGB 145 75 26

HSL 24.71, 0.7%, 0.34%

LAB 39.79, 25.94, 40.38

 

CMYK 0 / 49 / 82 / 29

HEX #B45C21

RGB 180 92 33

HSL 24.08, 0.69%, 0.42%

LAB 48.84, 31.74, 47.6

 

CMYK 0 / 49 / 82 / 16

HEX #D76E27

RGB 215 110 39

HSL 24.2, 0.69%, 0.5%

LAB 57.79, 36.74, 55.14

 

CMYK 0 / 39 / 67 / 13

HEX #DD864A

RGB 221 134 74

HSL 24.49, 0.68%, 0.58%

LAB 64.09, 28.15, 45.67

 

CMYK 0 / 31 / 52 / 11

HEX #E49D6D

RGB 228 157 109

HSL 24.2, 0.69%, 0.66%

LAB 70.67, 21.27, 35.65

 

CMYK 0 / 48 / 81 / 16

HEX #D76F28

RGB 215 111 40

HSL 24.34, 0.69%, 0.5%

LAB 58.01, 36.26, 54.93

 

CMYK 49 / 0 / 82 / 16

HEX #6DD727

RGB 109 215 39

HSL 96.14, 0.69%, 0.5%

LAB 77.28, -57.99, 69.63

 

CMYK 82 / 82 / 0 / 16

HEX #2727D7

RGB 39 39 215

HSL 240, 0.69%, 0.5%

LAB 31.32, 59, -86.7

 

CMYK 0 / 48 / 81 / 16

HEX #D76F28

RGB 215 111 40

HSL 24.34, 0.69%, 0.5%

LAB 58.01, 36.26, 54.93

 

CMYK 82 / 0 / 49 / 16

HEX #27D76D

RGB 39 215 109

HSL 143.86, 0.69%, 0.5%

LAB 76.15, -64.92, 40.34

 

CMYK 49 / 82 / 0 / 16

HEX #6D27D7

RGB 109 39 215

HSL 263.86, 0.69%, 0.5%

LAB 37.13, 64.86, -76.91

 

CMYK 0 / 48 / 81 / 16

HEX #D76F28

RGB 215 111 40

HSL 24.34, 0.69%, 0.5%

LAB 58.01, 36.26, 54.93

 

CMYK 49 / 0 / 82 / 16

HEX #6DD727

RGB 109 215 39

HSL 96.14, 0.69%, 0.5%

LAB 77.28, -57.99, 69.63

 

CMYK 82 / 33 / 0 / 16

HEX #2791D7

RGB 39 145 215

HSL 203.86, 0.69%, 0.5%

LAB 57.64, -4.83, -43.99

 

CMYK 33 / 82 / 0 / 16

HEX #9127D7

RGB 145 39 215

HSL 276.14, 0.69%, 0.5%

LAB 41.81, 69.76, -69.06

 

CMYK 0 / 48 / 81 / 16

HEX #D76F28

RGB 215 111 40

HSL 24.34, 0.69%, 0.5%

LAB 58.01, 36.26, 54.93

 

CMYK 73 / 0 / 82 / 16

HEX #39D727

RGB 57 215 39

HSL 113.86, 0.69%, 0.5%

LAB 75.83, -69.79, 67.78

 

CMYK 82 / 33 / 0 / 16

HEX #2791D7

RGB 39 145 215

HSL 203.86, 0.69%, 0.5%

LAB 57.64, -4.83, -43.99

 

CMYK 8 / 82 / 0 / 16

HEX #C527D7

RGB 197 39 215

HSL 293.86, 0.69%, 0.5%

LAB 49.77, 78.33, -55.79

 

Description

Color code: RGB 215 111 40 | qconv.com Color code: RGB 215 111 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 111 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 111 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 81% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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