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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 243 89 it is the complementary color RGB 134 12 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 243 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 243 89 shade: RGB 126 243 84, RGB 143 255 103, RGB 160 255 122, RGB 177 255 141 and RGB 194 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 243 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 243 89 shade: RGB 121 243 89, RGB 104 225 70, RGB 87 207 51, RGB 70 189 32 and RGB 53 171 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 243 89 shade: RGB 120 243 88, RGB 162 243 88, RGB 204 243 88, RGB 243 240 88 and RGB 243 198 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 243 89 shade: RGB 120 243 88, RGB 88 243 97, RGB 88 243 139, RGB 88 243 181 and RGB 88 243 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 243 89 shade matches the following richer shades: RGB 120 243 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 243 89 shade: RGB 120 243 88, RGB 128 228 102, RGB 137 214 116, RGB 145 200 131 and RGB 154 185 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 243 89 shade: RGB 204 243 88, RGB 163 243 88, RGB 121 243 88, RGB 88 243 95 and RGB 88 243 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 243 89 shade: RGB 61 232 16, RGB 89 240 49, RGB 120 243 88, RGB 151 246 126 and RGB 182 248 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 243 89 shade: RGB 121 243 89, RGB 88 243 240 and RGB 243 88 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 243 89 shade: RGB 121 243 89, RGB 88 121 243 and RGB 243 88 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 243 89 shade: RGB 121 243 89, RGB 88 243 240, RGB 209 88 243 and RGB 243 88 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 243 89 shade: RGB 121 243 89, RGB 88 199 243, RGB 209 88 243 and RGB 243 132 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 63 / 5

HEX #79F359

RGB 121 243 89

HSL 107.53, 0.87%, 0.65%

LAB 86.45, -61.54, 61.92

 

Complementary color

CMYK 19 / 93 / 0 / 35

HEX #860CA6

RGB 134 12 166

HSL 287.53, 0.87%, 0.35%

LAB 34.16, 64.66, -52.77

 

CMYK 48 / 0 / 65 / 5

HEX #7EF354

RGB 126 243 84

HSL 104.15, 0.87%, 0.64%

LAB 86.59, -60.6, 64.12

 

CMYK 44 / 0 / 60 / 0

HEX #8FFF67

RGB 143 255 103

HSL 104.21, 1%, 0.7%

LAB 90.93, -58.55, 61.35

 

CMYK 37 / 0 / 52 / 0

HEX #A0FF7A

RGB 160 255 122

HSL 102.86, 1%, 0.74%

LAB 91.86, -51.4, 54.26

 

CMYK 31 / 0 / 45 / 0

HEX #B1FF8D

RGB 177 255 141

HSL 101.05, 1%, 0.78%

LAB 92.92, -43.7, 46.88

 

CMYK 24 / 0 / 37 / 0

HEX #C2FFA0

RGB 194 255 160

HSL 98.53, 1%, 0.81%

LAB 94.11, -35.56, 39.37

 

CMYK 50 / 0 / 63 / 5

HEX #79F359

RGB 121 243 89

HSL 107.53, 0.87%, 0.65%

LAB 86.45, -61.54, 61.92

 

CMYK 54 / 0 / 69 / 12

HEX #68E146

RGB 104 225 70

HSL 106.84, 0.72%, 0.58%

LAB 80.31, -61.11, 62.62

 

CMYK 58 / 0 / 75 / 19

HEX #57CF33

RGB 87 207 51

HSL 106.15, 0.62%, 0.51%

LAB 74.12, -60.41, 62.89

 

CMYK 63 / 0 / 83 / 26

HEX #46BD20

RGB 70 189 32

HSL 105.48, 0.71%, 0.43%

LAB 67.87, -59.33, 62.42

 

CMYK 69 / 0 / 92 / 33

HEX #35AB0D

RGB 53 171 13

HSL 104.81, 0.86%, 0.36%

LAB 61.58, -57.72, 60.71

 

CMYK 51 / 0 / 64 / 5

HEX #78F358

RGB 120 243 88

HSL 107.61, 0.87%, 0.65%

LAB 86.4, -61.9, 62.26

 

CMYK 33 / 0 / 64 / 5

HEX #A2F358

RGB 162 243 88

HSL 91.35, 0.87%, 0.65%

LAB 88.2, -49.02, 64.74

 

CMYK 16 / 0 / 64 / 5

HEX #CCF358

RGB 204 243 88

HSL 75.1, 0.87%, 0.65%

LAB 90.62, -33.72, 68.04

 

CMYK 0 / 1 / 64 / 5

HEX #F3F058

RGB 243 240 88

HSL 58.84, 0.87%, 0.65%

LAB 92.61, -16.86, 70.99

 

CMYK 0 / 19 / 64 / 5

HEX #F3C658

RGB 243 198 88

HSL 42.58, 0.87%, 0.65%

LAB 81.92, 4.26, 59.6

 

CMYK 51 / 0 / 64 / 5

HEX #78F358

RGB 120 243 88

HSL 107.61, 0.87%, 0.65%

LAB 86.4, -61.9, 62.26

 

CMYK 64 / 0 / 60 / 5

HEX #58F361

RGB 88 243 97

HSL 123.48, 0.87%, 0.65%

LAB 85.52, -68.51, 57.27

 

CMYK 64 / 0 / 43 / 5

HEX #58F38B

RGB 88 243 139

HSL 139.74, 0.87%, 0.65%

LAB 86.03, -62.79, 38.37

 

CMYK 64 / 0 / 26 / 5

HEX #58F3B5

RGB 88 243 181

HSL 156, 0.87%, 0.65%

LAB 86.76, -54.91, 18.09

 

CMYK 64 / 0 / 8 / 5

HEX #58F3DF

RGB 88 243 223

HSL 172.26, 0.87%, 0.65%

LAB 87.73, -45.12, -2.38

 

CMYK 51 / 0 / 64 / 5

HEX #78F358

RGB 120 243 88

HSL 107.61, 0.87%, 0.65%

LAB 86.4, -61.9, 62.26

 

CMYK 51 / 0 / 64 / 5

HEX #78F358

RGB 120 243 88

HSL 107.61, 0.87%, 0.65%

LAB 86.4, -61.9, 62.26

 

CMYK 44 / 0 / 55 / 11

HEX #80E466

RGB 128 228 102

HSL 107.62, 0.7%, 0.65%

LAB 82.4, -52.44, 51.77

 

CMYK 36 / 0 / 46 / 16

HEX #89D674

RGB 137 214 116

HSL 107.14, 0.54%, 0.65%

LAB 78.85, -42.08, 40.91

 

CMYK 28 / 0 / 35 / 22

HEX #91C883

RGB 145 200 131

HSL 107.83, 0.39%, 0.65%

LAB 75.43, -30.91, 28.95

 

CMYK 17 / 0 / 22 / 27

HEX #9AB991

RGB 154 185 145

HSL 106.5, 0.22%, 0.65%

LAB 71.97, -18.13, 16.89

 

CMYK 16 / 0 / 64 / 5

HEX #CCF358

RGB 204 243 88

HSL 75.1, 0.87%, 0.65%

LAB 90.62, -33.72, 68.04

 

CMYK 33 / 0 / 64 / 5

HEX #A3F358

RGB 163 243 88

HSL 90.97, 0.87%, 0.65%

LAB 88.25, -48.68, 64.81

 

CMYK 50 / 0 / 64 / 5

HEX #79F358

RGB 121 243 88

HSL 107.23, 0.87%, 0.65%

LAB 86.44, -61.63, 62.31

 

CMYK 64 / 0 / 61 / 5

HEX #58F35F

RGB 88 243 95

HSL 122.71, 0.87%, 0.65%

LAB 85.51, -68.73, 58.1

 

CMYK 64 / 0 / 44 / 5

HEX #58F389

RGB 88 243 137

HSL 138.97, 0.87%, 0.65%

LAB 86, -63.12, 39.31

 

CMYK 74 / 0 / 93 / 9

HEX #3DE810

RGB 61 232 16

HSL 107.5, 0.87%, 0.49%

LAB 81.15, -75.04, 76.66

 

CMYK 63 / 0 / 80 / 6

HEX #59F031

RGB 89 240 49

HSL 107.43, 0.86%, 0.57%

LAB 84.31, -71.17, 73.22

 

CMYK 51 / 0 / 64 / 5

HEX #78F358

RGB 120 243 88

HSL 107.61, 0.87%, 0.65%

LAB 86.4, -61.9, 62.26

 

CMYK 39 / 0 / 49 / 4

HEX #97F67E

RGB 151 246 126

HSL 107.5, 0.87%, 0.73%

LAB 88.92, -50.01, 48.74

 

CMYK 27 / 0 / 33 / 3

HEX #B6F8A5

RGB 182 248 165

HSL 107.71, 0.86%, 0.81%

LAB 91.59, -35.68, 33.44

 

CMYK 50 / 0 / 63 / 5

HEX #79F359

RGB 121 243 89

HSL 107.53, 0.87%, 0.65%

LAB 86.45, -61.54, 61.92

 

CMYK 64 / 0 / 1 / 5

HEX #58F3F0

RGB 88 243 240

HSL 178.84, 0.87%, 0.65%

LAB 88.19, -40.69, -10.59

 

CMYK 0 / 64 / 25 / 5

HEX #F358B7

RGB 243 88 183

HSL 323.23, 0.87%, 0.65%

LAB 61.18, 68.25, -19.04

 

CMYK 50 / 0 / 63 / 5

HEX #79F359

RGB 121 243 89

HSL 107.53, 0.87%, 0.65%

LAB 86.45, -61.54, 61.92

 

CMYK 64 / 50 / 0 / 5

HEX #5879F3

RGB 88 121 243

HSL 227.23, 0.87%, 0.65%

LAB 54.26, 26, -64.92

 

CMYK 0 / 64 / 50 / 5

HEX #F35879

RGB 243 88 121

HSL 347.23, 0.87%, 0.65%

LAB 59.36, 61.69, 14.25

 

CMYK 50 / 0 / 63 / 5

HEX #79F359

RGB 121 243 89

HSL 107.53, 0.87%, 0.65%

LAB 86.45, -61.54, 61.92

 

CMYK 64 / 0 / 1 / 5

HEX #58F3F0

RGB 88 243 240

HSL 178.84, 0.87%, 0.65%

LAB 88.19, -40.69, -10.59

 

CMYK 14 / 64 / 0 / 5

HEX #D158F3

RGB 209 88 243

HSL 286.84, 0.87%, 0.65%

LAB 58.98, 69.27, -56.73

 

CMYK 0 / 64 / 63 / 5

HEX #F3585A

RGB 243 88 90

HSL 359.23, 0.87%, 0.65%

LAB 58.76, 59.48, 31.41

 

CMYK 50 / 0 / 63 / 5

HEX #79F359

RGB 121 243 89

HSL 107.53, 0.87%, 0.65%

LAB 86.45, -61.54, 61.92

 

CMYK 64 / 18 / 0 / 5

HEX #58C7F3

RGB 88 199 243

HSL 197.03, 0.87%, 0.65%

LAB 75.69, -18.6, -31.11

 

CMYK 14 / 64 / 0 / 5

HEX #D158F3

RGB 209 88 243

HSL 286.84, 0.87%, 0.65%

LAB 58.98, 69.27, -56.73

 

CMYK 0 / 46 / 64 / 5

HEX #F38458

RGB 243 132 88

HSL 17.03, 0.87%, 0.65%

LAB 66.72, 38.77, 42.26

 

Description

Color code: RGB 121 243 89 | qconv.com Color code: RGB 121 243 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 243 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 243 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 63 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 63% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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