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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8B149 it is the complementary color #074EB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8B149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8B149 shade: #FDB144, #FFC357, #FFD56A, #FFE77D and #FFF990

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8B149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8B149 shade: #F8B149, #E79F36, #D68D23, #C57B10 and #B46900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8B149 shade: #F8B148, #F88148, #F85248 and #F84848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8B149 shade: #F8B148, #F8E048, #E0F848, #B1F848 and #82F848

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8B149 shade matches the following richer shades: #F8B148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8B149 shade: #F8B148, #E9AE58, #D9AB67, #CAA876 and #BBA585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8B149 shade: #F85148, #F88048, #F8AF48, #F8DE48 and #E3F848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8B149 shade: #E68C08, #F6A021, #F8B148, #F9C270 and #FBD398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8B149 shade: #F8B149, #6EF848 and #6948F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8B149 shade: #F8B149, #48F8AF and #AF48F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8B149 shade: #F8B149, #6EF848, #4892F8 and #D248F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8B149 shade: #F8B149, #48F857, #4892F8 and #F848E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 71 / 3

HEX #F8B149

RGB 248 177 73

HSL 35.66, 0.93%, 0.63%

LAB 77.21, 16.49, 61.26

 

Complementary color

CMYK 96 / 57 / 0 / 29

HEX #074EB6

RGB 7 78 182

HSL 215.66, 0.93%, 0.37%

LAB 35.74, 22.54, -60.19

 

CMYK 0 / 30 / 73 / 1

HEX #FDB144

RGB 253 177 68

HSL 35.35, 0.98%, 0.63%

LAB 77.72, 18.34, 64.05

 

CMYK 0 / 24 / 66 / 0

HEX #FFC357

RGB 255 195 87

HSL 38.57, 1%, 0.67%

LAB 82.37, 10.74, 60.87

 

CMYK 0 / 16 / 58 / 0

HEX #FFD56A

RGB 255 213 106

HSL 43.09, 1%, 0.71%

LAB 86.94, 2.67, 57.42

 

CMYK 0 / 9 / 51 / 0

HEX #FFE77D

RGB 255 231 125

HSL 48.92, 1%, 0.75%

LAB 91.64, -4.98, 54.08

 

CMYK 0 / 2 / 44 / 0

HEX #FFF990

RGB 255 249 144

HSL 56.76, 1%, 0.78%

LAB 96.42, -12.19, 50.91

 

CMYK 0 / 29 / 71 / 3

HEX #F8B149

RGB 248 177 73

HSL 35.66, 0.93%, 0.63%

LAB 77.21, 16.49, 61.26

 

CMYK 0 / 31 / 77 / 9

HEX #E79F36

RGB 231 159 54

HSL 35.59, 0.79%, 0.56%

LAB 70.91, 18.02, 62.14

 

CMYK 0 / 34 / 84 / 16

HEX #D68D23

RGB 214 141 35

HSL 35.53, 0.72%, 0.49%

LAB 64.54, 19.77, 62.45

 

CMYK 0 / 38 / 92 / 23

HEX #C57B10

RGB 197 123 16

HSL 35.47, 0.85%, 0.42%

LAB 58.11, 21.77, 61.67

 

CMYK 0 / 42 / 100 / 29

HEX #B46900

RGB 180 105 0

HSL 35, 1%, 0.35%

LAB 51.62, 24.02, 59.25

 

CMYK 0 / 29 / 71 / 3

HEX #F8B148

RGB 248 177 72

HSL 35.8, 0.93%, 0.63%

LAB 77.2, 16.44, 61.68

 

CMYK 0 / 48 / 71 / 3

HEX #F88148

RGB 248 129 72

HSL 19.43, 0.93%, 0.63%

LAB 66.62, 41.33, 50.47

 

CMYK 0 / 67 / 71 / 3

HEX #F85248

RGB 248 82 72

HSL 3.41, 0.93%, 0.63%

LAB 58.47, 62.54, 41.35

 

CMYK 0 / 71 / 71 / 3

HEX #F84848

RGB 248 72 72

HSL 0, 0.93%, 0.63%

LAB 57.13, 66.21, 39.81

 

CMYK 0 / 29 / 71 / 3

HEX #F8B148

RGB 248 177 72

HSL 35.8, 0.93%, 0.63%

LAB 77.2, 16.44, 61.68

 

CMYK 0 / 10 / 71 / 3

HEX #F8E048

RGB 248 224 72

HSL 51.82, 0.93%, 0.63%

LAB 88.8, -7.75, 73.29

 

CMYK 10 / 0 / 71 / 3

HEX #E0F848

RGB 224 248 72

HSL 68.18, 0.93%, 0.63%

LAB 93.21, -29.15, 76.95

 

CMYK 29 / 0 / 71 / 3

HEX #B1F848

RGB 177 248 72

HSL 84.2, 0.93%, 0.63%

LAB 90.3, -46.98, 73.11

 

CMYK 48 / 0 / 71 / 3

HEX #82F848

RGB 130 248 72

HSL 100.23, 0.93%, 0.63%

LAB 88.14, -62.24, 70.23

 

CMYK 0 / 29 / 71 / 3

HEX #F8B148

RGB 248 177 72

HSL 35.8, 0.93%, 0.63%

LAB 77.2, 16.44, 61.68

 

CMYK 0 / 29 / 71 / 3

HEX #F8B148

RGB 248 177 72

HSL 35.8, 0.93%, 0.63%

LAB 77.2, 16.44, 61.68

 

CMYK 0 / 25 / 62 / 9

HEX #E9AE58

RGB 233 174 88

HSL 35.59, 0.77%, 0.63%

LAB 75.01, 12.67, 51.62

 

CMYK 0 / 21 / 53 / 15

HEX #D9AB67

RGB 217 171 103

HSL 35.79, 0.6%, 0.63%

LAB 72.8, 8.75, 41.17

 

CMYK 0 / 17 / 42 / 21

HEX #CAA876

RGB 202 168 118

HSL 35.71, 0.44%, 0.63%

LAB 70.78, 5.66, 30.46

 

CMYK 0 / 12 / 29 / 27

HEX #BBA585

RGB 187 165 133

HSL 35.56, 0.28%, 0.63%

LAB 68.87, 3.1, 19.55

 

CMYK 0 / 67 / 71 / 3

HEX #F85148

RGB 248 81 72

HSL 3.07, 0.93%, 0.63%

LAB 58.33, 62.93, 41.19

 

CMYK 0 / 48 / 71 / 3

HEX #F88048

RGB 248 128 72

HSL 19.09, 0.93%, 0.63%

LAB 66.41, 41.83, 50.25

 

CMYK 0 / 29 / 71 / 3

HEX #F8AF48

RGB 248 175 72

HSL 35.11, 0.93%, 0.63%

LAB 76.73, 17.49, 61.19

 

CMYK 0 / 10 / 71 / 3

HEX #F8DE48

RGB 248 222 72

HSL 51.14, 0.93%, 0.63%

LAB 88.29, -6.75, 72.8

 

CMYK 8 / 0 / 71 / 3

HEX #E3F848

RGB 227 248 72

HSL 67.16, 0.93%, 0.63%

LAB 93.42, -27.95, 77.23

 

CMYK 0 / 39 / 97 / 10

HEX #E68C08

RGB 230 140 8

HSL 35.68, 0.93%, 0.47%

LAB 66.21, 26.65, 70.68

 

CMYK 0 / 35 / 87 / 4

HEX #F6A021

RGB 246 160 33

HSL 35.77, 0.92%, 0.55%

LAB 72.79, 23.19, 71.41

 

CMYK 0 / 29 / 71 / 3

HEX #F8B148

RGB 248 177 72

HSL 35.8, 0.93%, 0.63%

LAB 77.2, 16.44, 61.68

 

CMYK 0 / 22 / 55 / 2

HEX #F9C270

RGB 249 194 112

HSL 35.91, 0.92%, 0.71%

LAB 81.78, 10.49, 48.35

 

CMYK 0 / 16 / 39 / 2

HEX #FBD398

RGB 251 211 152

HSL 35.76, 0.93%, 0.79%

LAB 86.68, 6.21, 34.44

 

CMYK 0 / 29 / 71 / 3

HEX #F8B149

RGB 248 177 73

HSL 35.66, 0.93%, 0.63%

LAB 77.21, 16.49, 61.26

 

CMYK 56 / 0 / 71 / 3

HEX #6EF848

RGB 110 248 72

HSL 107.05, 0.93%, 0.63%

LAB 87.44, -67.58, 69.3

 

CMYK 58 / 71 / 0 / 3

HEX #6948F8

RGB 105 72 248

HSL 251.25, 0.93%, 0.63%

LAB 44.82, 58.56, -83.02

 

CMYK 0 / 29 / 71 / 3

HEX #F8B149

RGB 248 177 73

HSL 35.66, 0.93%, 0.63%

LAB 77.21, 16.49, 61.26

 

CMYK 71 / 0 / 29 / 3

HEX #48F8AF

RGB 72 248 175

HSL 155.11, 0.93%, 0.63%

LAB 87.78, -60.6, 22.54

 

CMYK 29 / 71 / 0 / 3

HEX #AF48F8

RGB 175 72 248

HSL 275.11, 0.93%, 0.63%

LAB 52.43, 69.94, -70.29

 

CMYK 0 / 29 / 71 / 3

HEX #F8B149

RGB 248 177 73

HSL 35.66, 0.93%, 0.63%

LAB 77.21, 16.49, 61.26

 

CMYK 56 / 0 / 71 / 3

HEX #6EF848

RGB 110 248 72

HSL 107.05, 0.93%, 0.63%

LAB 87.44, -67.58, 69.3

 

CMYK 71 / 41 / 0 / 3

HEX #4892F8

RGB 72 146 248

HSL 214.77, 0.93%, 0.63%

LAB 60.53, 10.17, -57.66

 

CMYK 15 / 71 / 0 / 3

HEX #D248F8

RGB 210 72 248

HSL 287.05, 0.93%, 0.63%

LAB 57.19, 76.65, -62.37

 

CMYK 0 / 29 / 71 / 3

HEX #F8B149

RGB 248 177 73

HSL 35.66, 0.93%, 0.63%

LAB 77.21, 16.49, 61.26

 

CMYK 71 / 0 / 65 / 3

HEX #48F857

RGB 72 248 87

HSL 125.11, 0.93%, 0.63%

LAB 86.6, -74.04, 62.51

 

CMYK 71 / 41 / 0 / 3

HEX #4892F8

RGB 72 146 248

HSL 214.77, 0.93%, 0.63%

LAB 60.53, 10.17, -57.66

 

CMYK 0 / 71 / 6 / 3

HEX #F848E9

RGB 248 72 233

HSL 305.11, 0.93%, 0.63%

LAB 62.06, 82.04, -45.91

 

Description

Color code: HEX #F8B149 | qconv.com Color code: HEX #F8B149 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 177 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 177 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 71 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 71% 3% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Life and Code : The ...
Link: http://me.karlockhart.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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