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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB8D28 it is the complementary color #1472D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB8D28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB8D28 shade: #F08D23, #FF9F36, #FFB149, #FFC35C and #FFD56F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB8D28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB8D28 shade: #EB8D28, #DA7B15, #C96902, #B85700 and #A74500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB8D28 shade: #EB8D28, #EB5828 and #EB2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB8D28 shade: #EB8D28, #EBC128, #DFEB28, #ABEB28 and #76EB28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB8D28 shade matches the following richer shades: #EB8D28 and #FE8D15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB8D28 shade: #EB8D28, #D88C3B, #C58B4E, #B28B61 and #9F8A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB8D28 shade: #EB282B, #EB5928, #EB8C28, #EBC028 and #E1EB28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB8D28 shade: #B06310, #D67813, #EB8D28, #EEA14E and #F2B573

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB8D28 shade: #EB8D28, #5FEB28 and #3F28EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB8D28 shade: #EB8D28, #28EB8C and #8C28EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB8D28 shade: #EB8D28, #5FEB28, #2886EB and #B328EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB8D28 shade: #EB8D28, #28EB2B, #2886EB and #EB28E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

Complementary color

CMYK 91 / 47 / 0 / 16

HEX #1472D7

RGB 20 114 215

HSL 211.08, 0.83%, 0.46%

LAB 48.37, 12.67, -58.79

 

CMYK 0 / 41 / 85 / 6

HEX #F08D23

RGB 240 141 35

HSL 31.02, 0.87%, 0.54%

LAB 67.8, 30.7, 66.49

 

CMYK 0 / 38 / 79 / 0

HEX #FF9F36

RGB 255 159 54

HSL 31.34, 1%, 0.61%

LAB 73.75, 28.02, 65.83

 

CMYK 0 / 31 / 71 / 0

HEX #FFB149

RGB 255 177 73

HSL 34.29, 1%, 0.64%

LAB 77.98, 19.39, 62.3

 

CMYK 0 / 24 / 64 / 0

HEX #FFC35C

RGB 255 195 92

HSL 37.91, 1%, 0.68%

LAB 82.41, 11.04, 58.69

 

CMYK 0 / 16 / 56 / 0

HEX #FFD56F

RGB 255 213 111

HSL 42.5, 1%, 0.72%

LAB 86.99, 3.04, 55.16

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 0 / 44 / 90 / 15

HEX #DA7B15

RGB 218 123 21

HSL 31.07, 0.82%, 0.47%

LAB 60.89, 30.77, 63.8

 

CMYK 0 / 48 / 99 / 21

HEX #C96902

RGB 201 105 2

HSL 31.06, 0.98%, 0.4%

LAB 54.58, 32.96, 62.18

 

CMYK 0 / 53 / 100 / 28

HEX #B85700

RGB 184 87 0

HSL 28.37, 1%, 0.36%

LAB 48.27, 35.35, 57.51

 

CMYK 0 / 59 / 100 / 35

HEX #A74500

RGB 167 69 0

HSL 24.79, 1%, 0.33%

LAB 41.96, 37.66, 52.46

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 0 / 63 / 83 / 8

HEX #EB5828

RGB 235 88 40

HSL 14.77, 0.83%, 0.54%

LAB 56.87, 54.66, 55.08

 

CMYK 0 / 83 / 83 / 8

HEX #EB2828

RGB 235 40 40

HSL 0, 0.83%, 0.54%

LAB 51.07, 70.64, 49.87

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 0 / 18 / 83 / 8

HEX #EBC128

RGB 235 193 40

HSL 47.08, 0.83%, 0.54%

LAB 79.59, 1.36, 74.64

 

CMYK 5 / 0 / 83 / 8

HEX #DFEB28

RGB 223 235 40

HSL 63.69, 0.83%, 0.54%

LAB 89.51, -24.64, 82.58

 

CMYK 27 / 0 / 83 / 8

HEX #ABEB28

RGB 171 235 40

HSL 79.69, 0.83%, 0.54%

LAB 86.12, -45.11, 78.34

 

CMYK 50 / 0 / 83 / 8

HEX #76EB28

RGB 118 235 40

HSL 96, 0.83%, 0.54%

LAB 83.66, -62.66, 75.23

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 0 / 44 / 92 / 0

HEX #FE8D15

RGB 254 141 21

HSL 30.9, 0.99%, 0.54%

LAB 69.59, 36.12, 72.32

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 0 / 35 / 73 / 15

HEX #D88C3B

RGB 216 140 59

HSL 30.96, 0.67%, 0.54%

LAB 64.7, 22.06, 53.3

 

CMYK 0 / 29 / 60 / 23

HEX #C58B4E

RGB 197 139 78

HSL 30.76, 0.51%, 0.54%

LAB 62.41, 15.68, 40.94

 

CMYK 0 / 22 / 46 / 30

HEX #B28B61

RGB 178 139 97

HSL 31.11, 0.34%, 0.54%

LAB 60.6, 9.32, 28.09

 

CMYK 0 / 13 / 27 / 38

HEX #9F8A74

RGB 159 138 116

HSL 30.7, 0.18%, 0.54%

LAB 58.8, 4.4, 14.71

 

CMYK 0 / 83 / 82 / 8

HEX #EB282B

RGB 235 40 43

HSL 359.08, 0.83%, 0.54%

LAB 51.1, 70.71, 48.37

 

CMYK 0 / 62 / 83 / 8

HEX #EB5928

RGB 235 89 40

HSL 15.08, 0.83%, 0.54%

LAB 57.04, 54.23, 55.22

 

CMYK 0 / 40 / 83 / 8

HEX #EB8C28

RGB 235 140 40

HSL 30.77, 0.83%, 0.54%

LAB 66.95, 29.29, 63.88

 

CMYK 0 / 18 / 83 / 8

HEX #EBC028

RGB 235 192 40

HSL 46.77, 0.83%, 0.54%

LAB 79.34, 1.88, 74.43

 

CMYK 4 / 0 / 83 / 8

HEX #E1EB28

RGB 225 235 40

HSL 63.08, 0.83%, 0.54%

LAB 89.66, -23.82, 82.76

 

CMYK 0 / 44 / 91 / 31

HEX #B06310

RGB 176 99 16

HSL 31.13, 0.83%, 0.38%

LAB 49.73, 25.81, 54.17

 

CMYK 0 / 44 / 91 / 16

HEX #D67813

RGB 214 120 19

HSL 31.08, 0.84%, 0.46%

LAB 59.69, 30.66, 63.16

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 0 / 32 / 67 / 7

HEX #EEA14E

RGB 238 161 78

HSL 31.13, 0.82%, 0.62%

LAB 72.37, 21.03, 53.53

 

CMYK 0 / 25 / 52 / 5

HEX #F2B573

RGB 242 181 115

HSL 31.18, 0.83%, 0.7%

LAB 77.97, 14.71, 42.02

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 60 / 0 / 83 / 8

HEX #5FEB28

RGB 95 235 40

HSL 103.08, 0.83%, 0.54%

LAB 82.91, -68.62, 74.28

 

CMYK 73 / 83 / 0 / 8

HEX #3F28EB

RGB 63 40 235

HSL 247.08, 0.83%, 0.54%

LAB 35.15, 65.62, -91.77

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 83 / 0 / 40 / 8

HEX #28EB8C

RGB 40 235 140

HSL 150.77, 0.83%, 0.54%

LAB 82.79, -66.34, 33.49

 

CMYK 40 / 83 / 0 / 8

HEX #8C28EB

RGB 140 40 235

HSL 270.77, 0.83%, 0.54%

LAB 42.9, 73.05, -78.71

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 60 / 0 / 83 / 8

HEX #5FEB28

RGB 95 235 40

HSL 103.08, 0.83%, 0.54%

LAB 82.91, -68.62, 74.28

 

CMYK 83 / 43 / 0 / 8

HEX #2886EB

RGB 40 134 235

HSL 211.08, 0.83%, 0.54%

LAB 55.58, 9.21, -58.43

 

CMYK 24 / 83 / 0 / 8

HEX #B328EB

RGB 179 40 235

HSL 282.77, 0.83%, 0.54%

LAB 48.39, 78.61, -69.53

 

CMYK 0 / 40 / 83 / 8

HEX #EB8D28

RGB 235 141 40

HSL 31.08, 0.83%, 0.54%

LAB 67.18, 28.77, 64.08

 

CMYK 83 / 0 / 82 / 8

HEX #28EB2B

RGB 40 235 43

HSL 120.92, 0.83%, 0.54%

LAB 81.86, -77.57, 72.2

 

CMYK 83 / 43 / 0 / 8

HEX #2886EB

RGB 40 134 235

HSL 211.08, 0.83%, 0.54%

LAB 55.58, 9.21, -58.43

 

CMYK 0 / 83 / 2 / 8

HEX #EB28E7

RGB 235 40 231

HSL 301.23, 0.83%, 0.54%

LAB 57.03, 87.36, -52.9

 

Description

Color code: HEX #EB8D28 | qconv.com Color code: HEX #EB8D28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 141 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 141 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 83% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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