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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E78CC3 it is the complementary color #18733C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E78CC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E78CC3 shade: #EC8CBE, #FD9ED1, #FFB0E4, #FFC2F7 and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E78CC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E78CC3 shade: #E78CC3, #D67AB0, #C5689D, #B4568A and #A34477

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E78CC3 shade: #E68DC3, #E68DAB, #E68D93 and #E68D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E78CC3 shade: #E68DC3, #E68DDB, #DA8DE6, #C18DE6 and #A98DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E78CC3 shade matches the following richer shades: #E68DC3, #F282C5 and #FD77C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E78CC3 shade: #E68DC3, #DB98C1, #D0A3BE, #C5AEBC and #BAB9BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E78CC3 shade: #D98DE6, #E68DDC, #E68DC4, #E68DAC and #E68D94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E78CC3 shade: #D8499F, #DF6BB1, #E68DC3, #EEAFD5 and #F5D1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E78CC3 shade: #E78CC3, #E6C18D and #8DE6E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E78CC3 shade: #E78CC3, #C4E68D and #8DC4E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E78CC3 shade: #E78CC3, #E6C18D, #8DE6AF and #8DB2E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E78CC3 shade: #E78CC3, #E6DC8D, #8DE6AF and #8D97E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 16 / 9

HEX #E78CC3

RGB 231 140 195

HSL 323.74, 0.65%, 0.73%

LAB 69.24, 41.98, -13.78

 

Complementary color

CMYK 79 / 0 / 48 / 55

HEX #18733C

RGB 24 115 60

HSL 143.74, 0.65%, 0.27%

LAB 42.43, -39.11, 23.16

 

CMYK 0 / 41 / 19 / 7

HEX #EC8CBE

RGB 236 140 190

HSL 328.75, 0.72%, 0.74%

LAB 69.69, 42.88, -10.27

 

CMYK 0 / 38 / 17 / 1

HEX #FD9ED1

RGB 253 158 209

HSL 327.79, 0.96%, 0.81%

LAB 76.03, 42.11, -11.08

 

CMYK 0 / 31 / 11 / 0

HEX #FFB0E4

RGB 255 176 228

HSL 320.51, 1%, 0.85%

LAB 80.69, 36.41, -14.4

 

CMYK 0 / 24 / 3 / 0

HEX #FFC2F7

RGB 255 194 247

HSL 307.87, 1%, 0.88%

LAB 85.28, 30.2, -17.67

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 39 / 16 / 9

HEX #E78CC3

RGB 231 140 195

HSL 323.74, 0.65%, 0.73%

LAB 69.24, 41.98, -13.78

 

CMYK 0 / 43 / 18 / 16

HEX #D67AB0

RGB 214 122 176

HSL 324.78, 0.53%, 0.66%

LAB 62.8, 42.76, -12.98

 

CMYK 0 / 47 / 20 / 23

HEX #C5689D

RGB 197 104 157

HSL 325.81, 0.44%, 0.59%

LAB 56.29, 43.55, -12.07

 

CMYK 0 / 52 / 23 / 29

HEX #B4568A

RGB 180 86 138

HSL 326.81, 0.39%, 0.52%

LAB 49.73, 44.3, -10.99

 

CMYK 0 / 58 / 27 / 36

HEX #A34477

RGB 163 68 119

HSL 327.79, 0.41%, 0.45%

LAB 43.14, 44.94, -9.66

 

CMYK 0 / 39 / 15 / 10

HEX #E68DC3

RGB 230 141 195

HSL 323.6, 0.64%, 0.73%

LAB 69.34, 41.13, -13.65

 

CMYK 0 / 39 / 26 / 10

HEX #E68DAB

RGB 230 141 171

HSL 339.78, 0.64%, 0.73%

LAB 68.62, 37.58, -1.31

 

CMYK 0 / 39 / 36 / 10

HEX #E68D93

RGB 230 141 147

HSL 355.96, 0.64%, 0.73%

LAB 68.01, 34.48, 11.27

 

CMYK 0 / 39 / 39 / 10

HEX #E68D8D

RGB 230 141 141

HSL 0, 0.64%, 0.73%

LAB 67.87, 33.78, 14.43

 

CMYK 0 / 39 / 15 / 10

HEX #E68DC3

RGB 230 141 195

HSL 323.6, 0.64%, 0.73%

LAB 69.34, 41.13, -13.65

 

CMYK 0 / 39 / 5 / 10

HEX #E68DDB

RGB 230 141 219

HSL 307.42, 0.64%, 0.73%

LAB 70.17, 45.11, -25.71

 

CMYK 5 / 39 / 0 / 10

HEX #DA8DE6

RGB 218 141 230

HSL 291.91, 0.64%, 0.73%

LAB 69.23, 43.44, -33.32

 

CMYK 16 / 39 / 0 / 10

HEX #C18DE6

RGB 193 141 230

HSL 275.06, 0.64%, 0.73%

LAB 66.6, 35.97, -37.62

 

CMYK 27 / 39 / 0 / 10

HEX #A98DE6

RGB 169 141 230

HSL 258.88, 0.64%, 0.73%

LAB 64.32, 29.01, -41.35

 

CMYK 0 / 39 / 15 / 10

HEX #E68DC3

RGB 230 141 195

HSL 323.6, 0.64%, 0.73%

LAB 69.34, 41.13, -13.65

 

CMYK 0 / 46 / 19 / 5

HEX #F282C5

RGB 242 130 197

HSL 324.11, 0.81%, 0.73%

LAB 68.66, 50.93, -15.64

 

CMYK 0 / 53 / 21 / 1

HEX #FD77C8

RGB 253 119 200

HSL 323.73, 0.97%, 0.73%

LAB 68.2, 60.01, -17.87

 

CMYK 0 / 39 / 15 / 10

HEX #E68DC3

RGB 230 141 195

HSL 323.6, 0.64%, 0.73%

LAB 69.34, 41.13, -13.65

 

CMYK 0 / 31 / 12 / 14

HEX #DB98C1

RGB 219 152 193

HSL 323.28, 0.48%, 0.73%

LAB 70.43, 31.26, -11.03

 

CMYK 0 / 22 / 9 / 18

HEX #D0A3BE

RGB 208 163 190

HSL 324, 0.32%, 0.73%

LAB 71.77, 20.95, -7.49

 

CMYK 0 / 12 / 5 / 23

HEX #C5AEBC

RGB 197 174 188

HSL 323.48, 0.17%, 0.73%

LAB 73.4, 10.72, -4.1

 

CMYK 0 / 1 / 0 / 27

HEX #BAB9BA

RGB 186 185 186

HSL 300, 0.01%, 0.73%

LAB 75.25, 0.54, -0.39

 

CMYK 6 / 39 / 0 / 10

HEX #D98DE6

RGB 217 141 230

HSL 291.24, 0.64%, 0.73%

LAB 69.12, 43.14, -33.5

 

CMYK 0 / 39 / 4 / 10

HEX #E68DDC

RGB 230 141 220

HSL 306.74, 0.64%, 0.73%

LAB 70.2, 45.28, -26.2

 

CMYK 0 / 39 / 15 / 10

HEX #E68DC4

RGB 230 141 196

HSL 322.92, 0.64%, 0.73%

LAB 69.37, 41.29, -14.16

 

CMYK 0 / 39 / 25 / 10

HEX #E68DAC

RGB 230 141 172

HSL 339.1, 0.64%, 0.73%

LAB 68.64, 37.72, -1.83

 

CMYK 0 / 39 / 36 / 10

HEX #E68D94

RGB 230 141 148

HSL 355.28, 0.64%, 0.73%

LAB 68.03, 34.6, 10.74

 

CMYK 0 / 66 / 26 / 15

HEX #D8499F

RGB 216 73 159

HSL 323.92, 0.65%, 0.57%

LAB 53.89, 63.72, -16.61

 

CMYK 0 / 52 / 21 / 13

HEX #DF6BB1

RGB 223 107 177

HSL 323.79, 0.64%, 0.65%

LAB 61.11, 53.3, -15.98

 

CMYK 0 / 39 / 15 / 10

HEX #E68DC3

RGB 230 141 195

HSL 323.6, 0.64%, 0.73%

LAB 69.34, 41.13, -13.65

 

CMYK 0 / 26 / 11 / 7

HEX #EEAFD5

RGB 238 175 213

HSL 323.81, 0.65%, 0.81%

LAB 78.25, 28.77, -10.11

 

CMYK 0 / 15 / 6 / 4

HEX #F5D1E7

RGB 245 209 231

HSL 323.33, 0.64%, 0.89%

LAB 87.38, 16.19, -6.14

 

CMYK 0 / 39 / 16 / 9

HEX #E78CC3

RGB 231 140 195

HSL 323.74, 0.65%, 0.73%

LAB 69.24, 41.98, -13.78

 

CMYK 0 / 16 / 39 / 10

HEX #E6C18D

RGB 230 193 141

HSL 35.06, 0.64%, 0.73%

LAB 80.12, 6.15, 31.1

 

CMYK 39 / 0 / 0 / 10

HEX #8DE6E5

RGB 141 230 229

HSL 179.33, 0.64%, 0.73%

LAB 85.96, -26.86, -7.94

 

CMYK 0 / 39 / 16 / 9

HEX #E78CC3

RGB 231 140 195

HSL 323.74, 0.65%, 0.73%

LAB 69.24, 41.98, -13.78

 

CMYK 15 / 0 / 39 / 10

HEX #C4E68D

RGB 196 230 141

HSL 82.92, 0.64%, 0.73%

LAB 87.12, -25.64, 39.74

 

CMYK 39 / 15 / 0 / 10

HEX #8DC4E6

RGB 141 196 230

HSL 202.92, 0.64%, 0.73%

LAB 76.59, -9.38, -22.55

 

CMYK 0 / 39 / 16 / 9

HEX #E78CC3

RGB 231 140 195

HSL 323.74, 0.65%, 0.73%

LAB 69.24, 41.98, -13.78

 

CMYK 0 / 16 / 39 / 10

HEX #E6C18D

RGB 230 193 141

HSL 35.06, 0.64%, 0.73%

LAB 80.12, 6.15, 31.1

 

CMYK 39 / 0 / 24 / 10

HEX #8DE6AF

RGB 141 230 175

HSL 142.92, 0.64%, 0.73%

LAB 84.66, -38.46, 18.55

 

CMYK 39 / 23 / 0 / 10

HEX #8DB2E6

RGB 141 178 230

HSL 215.06, 0.64%, 0.73%

LAB 71.7, 0.34, -30.03

 

CMYK 0 / 39 / 16 / 9

HEX #E78CC3

RGB 231 140 195

HSL 323.74, 0.65%, 0.73%

LAB 69.24, 41.98, -13.78

 

CMYK 0 / 4 / 39 / 10

HEX #E6DC8D

RGB 230 220 141

HSL 53.26, 0.64%, 0.73%

LAB 86.96, -7.78, 40.03

 

CMYK 39 / 0 / 24 / 10

HEX #8DE6AF

RGB 141 230 175

HSL 142.92, 0.64%, 0.73%

LAB 84.66, -38.46, 18.55

 

CMYK 39 / 34 / 0 / 10

HEX #8D97E6

RGB 141 151 230

HSL 233.26, 0.64%, 0.73%

LAB 64.57, 15.59, -41.11

 

Description

Color code: HEX #E78CC3 | qconv.com Color code: HEX #E78CC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 140 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 140 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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