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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7F82 it is the complementary color #20807D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7F82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7F82 shade: #E47F7D, #F59190, #FFA3A3, #FFB5B6 and #FFC7C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7F82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7F82 shade: #DF7F82, #CE6D6F, #BD5B5C, #AC4949 and #9B3736

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7F82 shade: #DF8083 and #DF8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7F82 shade: #DF8083, #DF809D, #DF80B6, #DF80D0 and #D480DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7F82 shade matches the following richer shades: #DF8083, #EC7377 and #F8666B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7F82 shade: #DF8083, #D28D8F, #C59A9B, #B9A6A7 and #ACB3B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7F82 shade: #DF80B6, #DF809C, #DF8083, #DF9680 and #DFAF80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7F82 shade: #CE3E43, #D75F63, #DF8083, #E7A1A3 and #EFC2C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7F82 shade: #DF7F82, #CFDF80 and #80A9DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7F82 shade: #DF7F82, #83DF80 and #8083DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7F82 shade: #DF7F82, #CFDF80, #80DFDC and #9080DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7F82 shade: #DF7F82, #B3DF80, #80DFDC and #AC80DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 42 / 13

HEX #DF7F82

RGB 223 127 130

HSL 358.13, 0.6%, 0.69%

LAB 63.74, 37.3, 14.73

 

Complementary color

CMYK 75 / 0 / 2 / 50

HEX #20807D

RGB 32 128 125

HSL 178.13, 0.6%, 0.31%

LAB 48.54, -27.26, -6.24

 

CMYK 0 / 44 / 45 / 11

HEX #E47F7D

RGB 228 127 125

HSL 1.17, 0.66%, 0.69%

LAB 64.28, 38.63, 18.42

 

CMYK 0 / 41 / 41 / 4

HEX #F59190

RGB 245 145 144

HSL 0.59, 0.83%, 0.76%

LAB 70.65, 37.58, 16.91

 

CMYK 0 / 36 / 36 / 0

HEX #FFA3A3

RGB 255 163 163

HSL 0, 1%, 0.82%

LAB 76.13, 34.05, 14.29

 

CMYK 0 / 29 / 29 / 0

HEX #FFB5B6

RGB 255 181 182

HSL 359.19, 1%, 0.85%

LAB 80.56, 27.01, 10.26

 

CMYK 0 / 22 / 21 / 0

HEX #FFC7C9

RGB 255 199 201

HSL 357.86, 1%, 0.89%

LAB 85.16, 20.19, 6.66

 

CMYK 0 / 43 / 42 / 13

HEX #DF7F82

RGB 223 127 130

HSL 358.13, 0.6%, 0.69%

LAB 63.74, 37.3, 14.73

 

CMYK 0 / 47 / 46 / 19

HEX #CE6D6F

RGB 206 109 111

HSL 358.76, 0.5%, 0.62%

LAB 57.28, 38.36, 16.32

 

CMYK 0 / 52 / 51 / 26

HEX #BD5B5C

RGB 189 91 92

HSL 359.39, 0.43%, 0.55%

LAB 50.77, 39.48, 18.18

 

CMYK 0 / 58 / 58 / 33

HEX #AC4949

RGB 172 73 73

HSL 0, 0.4%, 0.48%

LAB 44.26, 40.6, 20.39

 

CMYK 0 / 65 / 65 / 39

HEX #9B3736

RGB 155 55 54

HSL 0.59, 0.48%, 0.41%

LAB 37.78, 41.64, 23.1

 

CMYK 0 / 43 / 41 / 13

HEX #DF8083

RGB 223 128 131

HSL 358.11, 0.6%, 0.69%

LAB 63.97, 36.89, 14.49

 

CMYK 0 / 43 / 43 / 13

HEX #DF8080

RGB 223 128 128

HSL 0, 0.6%, 0.69%

LAB 63.9, 36.56, 16.1

 

CMYK 0 / 43 / 41 / 13

HEX #DF8083

RGB 223 128 131

HSL 358.11, 0.6%, 0.69%

LAB 63.97, 36.89, 14.49

 

CMYK 0 / 43 / 30 / 13

HEX #DF809D

RGB 223 128 157

HSL 341.68, 0.6%, 0.69%

LAB 64.61, 40.01, 0.63

 

CMYK 0 / 43 / 18 / 13

HEX #DF80B6

RGB 223 128 182

HSL 325.89, 0.6%, 0.69%

LAB 65.36, 43.55, -12.42

 

CMYK 0 / 43 / 7 / 13

HEX #DF80D0

RGB 223 128 208

HSL 309.47, 0.6%, 0.69%

LAB 66.27, 47.74, -25.64

 

CMYK 5 / 43 / 0 / 13

HEX #D480DF

RGB 212 128 223

HSL 293.05, 0.6%, 0.69%

LAB 65.56, 47.13, -35.2

 

CMYK 0 / 43 / 41 / 13

HEX #DF8083

RGB 223 128 131

HSL 358.11, 0.6%, 0.69%

LAB 63.97, 36.89, 14.49

 

CMYK 0 / 51 / 50 / 7

HEX #EC7377

RGB 236 115 119

HSL 358.02, 0.76%, 0.69%

LAB 62.87, 47, 20.06

 

CMYK 0 / 59 / 57 / 3

HEX #F8666B

RGB 248 102 107

HSL 357.95, 0.91%, 0.69%

LAB 62.1, 56.25, 26.19

 

CMYK 0 / 43 / 41 / 13

HEX #DF8083

RGB 223 128 131

HSL 358.11, 0.6%, 0.69%

LAB 63.97, 36.89, 14.49

 

CMYK 0 / 33 / 32 / 18

HEX #D28D8F

RGB 210 141 143

HSL 358.26, 0.43%, 0.69%

LAB 65.54, 26.51, 9.69

 

CMYK 0 / 22 / 21 / 23

HEX #C59A9B

RGB 197 154 155

HSL 358.6, 0.27%, 0.69%

LAB 67.54, 16.17, 5.63

 

CMYK 0 / 10 / 10 / 27

HEX #B9A6A7

RGB 185 166 167

HSL 356.84, 0.12%, 0.69%

LAB 69.74, 7.06, 1.99

 

CMYK 4 / 0 / 0 / 30

HEX #ACB3B3

RGB 172 179 179

HSL 180, 0.04%, 0.69%

LAB 72.41, -2.44, -0.86

 

CMYK 0 / 43 / 18 / 13

HEX #DF80B6

RGB 223 128 182

HSL 325.89, 0.6%, 0.69%

LAB 65.36, 43.55, -12.42

 

CMYK 0 / 43 / 30 / 13

HEX #DF809C

RGB 223 128 156

HSL 342.32, 0.6%, 0.69%

LAB 64.59, 39.88, 1.16

 

CMYK 0 / 43 / 41 / 13

HEX #DF8083

RGB 223 128 131

HSL 358.11, 0.6%, 0.69%

LAB 63.97, 36.89, 14.49

 

CMYK 0 / 33 / 43 / 13

HEX #DF9680

RGB 223 150 128

HSL 13.89, 0.6%, 0.69%

LAB 68.79, 24.88, 22.79

 

CMYK 0 / 22 / 43 / 13

HEX #DFAF80

RGB 223 175 128

HSL 29.68, 0.6%, 0.69%

LAB 74.77, 11.47, 30.76

 

CMYK 0 / 70 / 67 / 19

HEX #CE3E43

RGB 206 62 67

HSL 357.92, 0.6%, 0.53%

LAB 48.23, 56.61, 30.23

 

CMYK 0 / 56 / 54 / 16

HEX #D75F63

RGB 215 95 99

HSL 358, 0.6%, 0.61%

LAB 55.62, 47.52, 21.26

 

CMYK 0 / 43 / 41 / 13

HEX #DF8083

RGB 223 128 131

HSL 358.11, 0.6%, 0.69%

LAB 63.97, 36.89, 14.49

 

CMYK 0 / 30 / 29 / 9

HEX #E7A1A3

RGB 231 161 163

HSL 358.29, 0.59%, 0.77%

LAB 72.97, 26.25, 9.45

 

CMYK 0 / 19 / 18 / 6

HEX #EFC2C3

RGB 239 194 195

HSL 358.67, 0.58%, 0.85%

LAB 82.31, 16.17, 5.56

 

CMYK 0 / 43 / 42 / 13

HEX #DF7F82

RGB 223 127 130

HSL 358.13, 0.6%, 0.69%

LAB 63.74, 37.3, 14.73

 

CMYK 7 / 0 / 43 / 13

HEX #CFDF80

RGB 207 223 128

HSL 70.11, 0.6%, 0.69%

LAB 85.81, -19.61, 44.64

 

CMYK 43 / 24 / 0 / 13

HEX #80A9DF

RGB 128 169 223

HSL 214.11, 0.6%, 0.69%

LAB 68.24, 0.04, -31.62

 

CMYK 0 / 43 / 42 / 13

HEX #DF7F82

RGB 223 127 130

HSL 358.13, 0.6%, 0.69%

LAB 63.74, 37.3, 14.73

 

CMYK 41 / 0 / 43 / 13

HEX #83DF80

RGB 131 223 128

HSL 118.11, 0.6%, 0.69%

LAB 81.38, -46.16, 38.11

 

CMYK 43 / 41 / 0 / 13

HEX #8083DF

RGB 128 131 223

HSL 238.11, 0.6%, 0.69%

LAB 58.18, 21.97, -47.36

 

CMYK 0 / 43 / 42 / 13

HEX #DF7F82

RGB 223 127 130

HSL 358.13, 0.6%, 0.69%

LAB 63.74, 37.3, 14.73

 

CMYK 7 / 0 / 43 / 13

HEX #CFDF80

RGB 207 223 128

HSL 70.11, 0.6%, 0.69%

LAB 85.81, -19.61, 44.64

 

CMYK 43 / 0 / 1 / 13

HEX #80DFDC

RGB 128 223 220

HSL 178.11, 0.6%, 0.69%

LAB 83.2, -28.82, -7.34

 

CMYK 35 / 43 / 0 / 13

HEX #9080DF

RGB 144 128 223

HSL 250.11, 0.6%, 0.69%

LAB 58.69, 27.84, -46.47

 

CMYK 0 / 43 / 42 / 13

HEX #DF7F82

RGB 223 127 130

HSL 358.13, 0.6%, 0.69%

LAB 63.74, 37.3, 14.73

 

CMYK 20 / 0 / 43 / 13

HEX #B3DF80

RGB 179 223 128

HSL 87.79, 0.6%, 0.69%

LAB 83.92, -30.13, 41.87

 

CMYK 43 / 0 / 1 / 13

HEX #80DFDC

RGB 128 223 220

HSL 178.11, 0.6%, 0.69%

LAB 83.2, -28.82, -7.34

 

CMYK 23 / 43 / 0 / 13

HEX #AC80DF

RGB 172 128 223

HSL 267.79, 0.6%, 0.69%

LAB 61.25, 35.52, -42.26

 

Description

Color code: HEX #DF7F82 | qconv.com Color code: HEX #DF7F82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 127 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 127 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 42 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 42% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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