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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73CFB it is the complementary color #38C304. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73CFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73CFB shade: #CC3CF6, #DD4EFF, #EE60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73CFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73CFB shade: #C73CFB, #B62AE8, #A518D5, #9406C2 and #8300AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73CFB shade: #C73CFB, #FA3CFB, #FB3CC8, #FB3C94 and #FB3C61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73CFB shade: #C73CFB, #933CFB, #603CFB and #3C3CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73CFB shade matches the following richer shades: #C73CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73CFB shade: #C73CFB, #BF4CEA, #B85CDA, #B16CCA and #A97CBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73CFB shade: #5F3CFB, #923CFB, #C43CFB, #F73CFB and #FB3CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73CFB shade: #A404E0, #BB13FA, #C73CFB, #D264FB and #DE8CFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73CFB shade: #C73CFB, #FB3C4B and #3CFB78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73CFB shade: #C73CFB, #FBC43C and #3CFBC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73CFB shade: #C73CFB, #FB3C4B, #72FB3C and #3CFBEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73CFB shade: #C73CFB, #FB653C, #72FB3C and #3CD1FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

Complementary color

CMYK 71 / 0 / 98 / 24

HEX #38C304

RGB 56 195 4

HSL 103.66, 0.96%, 0.39%

LAB 69.38, -64.96, 68.27

 

CMYK 17 / 76 / 0 / 4

HEX #CC3CF6

RGB 204 60 246

HSL 286.45, 0.91%, 0.6%

LAB 54.79, 79.18, -65.16

 

CMYK 13 / 69 / 0 / 0

HEX #DD4EFF

RGB 221 78 255

HSL 288.47, 1%, 0.65%

LAB 59.93, 77.95, -61.77

 

CMYK 7 / 62 / 0 / 0

HEX #EE60FF

RGB 238 96 255

HSL 293.58, 1%, 0.69%

LAB 64.77, 74.69, -53.9

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 22 / 82 / 0 / 9

HEX #B62AE8

RGB 182 42 232

HSL 284.21, 0.81%, 0.54%

LAB 48.79, 78.02, -67.15

 

CMYK 23 / 89 / 0 / 16

HEX #A518D5

RGB 165 24 213

HSL 284.76, 0.8%, 0.46%

LAB 43.44, 75.89, -65.12

 

CMYK 24 / 97 / 0 / 24

HEX #9406C2

RGB 148 6 194

HSL 285.32, 0.94%, 0.39%

LAB 38.41, 72.53, -62.39

 

CMYK 25 / 100 / 0 / 31

HEX #8300AF

RGB 131 0 175

HSL 284.91, 1%, 0.34%

LAB 33.82, 67.53, -58.75

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 0 / 76 / 0 / 2

HEX #FA3CFB

RGB 250 60 251

HSL 299.69, 0.96%, 0.61%

LAB 62.1, 88.56, -55.83

 

CMYK 0 / 76 / 20 / 2

HEX #FB3CC8

RGB 251 60 200

HSL 316.02, 0.96%, 0.61%

LAB 59.81, 81.72, -30.77

 

CMYK 0 / 76 / 41 / 2

HEX #FB3C94

RGB 251 60 148

HSL 332.36, 0.96%, 0.61%

LAB 57.92, 76.04, -3.48

 

CMYK 0 / 76 / 61 / 2

HEX #FB3C61

RGB 251 60 97

HSL 348.38, 0.96%, 0.61%

LAB 56.69, 72.18, 24.95

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 41 / 76 / 0 / 2

HEX #933CFB

RGB 147 60 251

HSL 267.33, 0.96%, 0.61%

LAB 47.49, 70.72, -80.15

 

CMYK 62 / 76 / 0 / 2

HEX #603CFB

RGB 96 60 251

HSL 251.31, 0.96%, 0.61%

LAB 42.28, 64.16, -88.9

 

CMYK 76 / 76 / 0 / 2

HEX #3C3CFB

RGB 60 60 251

HSL 240, 0.96%, 0.61%

LAB 39.84, 61.04, -93.01

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 18 / 68 / 0 / 8

HEX #BF4CEA

RGB 191 76 234

HSL 283.67, 0.79%, 0.61%

LAB 54.22, 68.61, -59.45

 

CMYK 16 / 58 / 0 / 15

HEX #B85CDA

RGB 184 92 218

HSL 283.81, 0.63%, 0.61%

LAB 54.98, 56.67, -49.28

 

CMYK 12 / 47 / 0 / 21

HEX #B16CCA

RGB 177 108 202

HSL 284.04, 0.47%, 0.61%

LAB 56.42, 43.3, -37.98

 

CMYK 9 / 33 / 0 / 27

HEX #A97CBA

RGB 169 124 186

HSL 283.55, 0.31%, 0.61%

LAB 58.41, 28.66, -25.84

 

CMYK 62 / 76 / 0 / 2

HEX #5F3CFB

RGB 95 60 251

HSL 250.99, 0.96%, 0.61%

LAB 42.2, 64.06, -89.04

 

CMYK 42 / 76 / 0 / 2

HEX #923CFB

RGB 146 60 251

HSL 267.02, 0.96%, 0.61%

LAB 47.38, 70.57, -80.35

 

CMYK 22 / 76 / 0 / 2

HEX #C43CFB

RGB 196 60 251

HSL 282.72, 0.96%, 0.61%

LAB 53.96, 78.68, -69.35

 

CMYK 2 / 76 / 0 / 2

HEX #F73CFB

RGB 247 60 251

HSL 298.74, 0.96%, 0.61%

LAB 61.63, 87.99, -56.61

 

CMYK 0 / 76 / 19 / 2

HEX #FB3CCB

RGB 251 60 203

HSL 315.08, 0.96%, 0.61%

LAB 59.94, 82.1, -32.28

 

CMYK 27 / 98 / 0 / 12

HEX #A404E0

RGB 164 4 224

HSL 283.64, 0.96%, 0.45%

LAB 43.3, 80.25, -71.66

 

CMYK 25 / 92 / 0 / 2

HEX #BB13FA

RGB 187 19 250

HSL 283.64, 0.96%, 0.53%

LAB 49.41, 86.32, -76.23

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 16 / 60 / 0 / 2

HEX #D264FB

RGB 210 100 251

HSL 283.71, 0.95%, 0.69%

LAB 61.46, 65.78, -57.19

 

CMYK 12 / 44 / 0 / 1

HEX #DE8CFC

RGB 222 140 252

HSL 283.93, 0.95%, 0.77%

LAB 70.4, 49.43, -43.53

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 0 / 76 / 70 / 2

HEX #FB3C4B

RGB 251 60 75

HSL 355.29, 0.96%, 0.61%

LAB 56.34, 71.06, 37.31

 

CMYK 76 / 0 / 52 / 2

HEX #3CFB78

RGB 60 251 120

HSL 138.85, 0.96%, 0.61%

LAB 87.64, -72.79, 49.36

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 0 / 22 / 76 / 2

HEX #FBC43C

RGB 251 196 60

HSL 42.72, 0.96%, 0.61%

LAB 82.01, 7.27, 71.17

 

CMYK 76 / 0 / 22 / 2

HEX #3CFBC4

RGB 60 251 196

HSL 162.72, 0.96%, 0.61%

LAB 88.89, -58.65, 13.27

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 0 / 76 / 70 / 2

HEX #FB3C4B

RGB 251 60 75

HSL 355.29, 0.96%, 0.61%

LAB 56.34, 71.06, 37.31

 

CMYK 55 / 0 / 76 / 2

HEX #72FB3C

RGB 114 251 60

HSL 103.04, 0.96%, 0.61%

LAB 88.4, -68.4, 74.2

 

CMYK 76 / 0 / 6 / 2

HEX #3CFBEB

RGB 60 251 235

HSL 174.97, 0.96%, 0.61%

LAB 89.84, -48.95, -5.6

 

CMYK 21 / 76 / 0 / 2

HEX #C73CFB

RGB 199 60 251

HSL 283.66, 0.96%, 0.61%

LAB 54.38, 79.21, -68.63

 

CMYK 0 / 60 / 76 / 2

HEX #FB653C

RGB 251 101 60

HSL 12.88, 0.96%, 0.61%

LAB 61.78, 55.18, 51.36

 

CMYK 55 / 0 / 76 / 2

HEX #72FB3C

RGB 114 251 60

HSL 103.04, 0.96%, 0.61%

LAB 88.4, -68.4, 74.2

 

CMYK 76 / 17 / 0 / 2

HEX #3CD1FB

RGB 60 209 251

HSL 193.19, 0.96%, 0.61%

LAB 78.18, -24.9, -31.62

 

Description

Color code: HEX #C73CFB | qconv.com Color code: HEX #C73CFB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 60 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 60 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 76 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 76% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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