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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6245 it is the complementary color #509DBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6245 shade: #B46240, #C57453, #D68666, #E79879 and #F8AA8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6245 shade: #AF6245, #9E5032, #8D3E1F, #7C2C0C and #6B1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6245 shade: #AF6245, #AF4645 and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6245 shade: #AF6245, #AF7E45, #AF9B45, #A6AF45 and #89AF45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6245 shade matches the following richer shades: #AF6245, #C25931, #D6501E and #EA470A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6245 shade: #AF6245, #9B6B59, #87746D, #737D81 and #5F8694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6245 shade: #AF4561, #AF4545, #AF6145, #AF7D45 and #AF9945

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6245 shade: #74412E, #91513A, #AF6245, #BF795E and #CA917C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6245 shade: #AF6245, #7DAF45 and #4553AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6245 shade: #AF6245, #45AF61 and #6145AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6245 shade: #AF6245, #7DAF45, #4592AF and #7645AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6245 shade: #AF6245, #5EAF45, #4592AF and #9645AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

Complementary color

CMYK 57 / 16 / 0 / 27

HEX #509DBA

RGB 80 157 186

HSL 196.42, 0.43%, 0.52%

LAB 61.1, -15.31, -22.23

 

CMYK 0 / 46 / 64 / 29

HEX #B46240

RGB 180 98 64

HSL 17.59, 0.48%, 0.48%

LAB 50.46, 30.06, 33.68

 

CMYK 0 / 41 / 58 / 23

HEX #C57453

RGB 197 116 83

HSL 17.37, 0.5%, 0.55%

LAB 57.06, 28.63, 31.76

 

CMYK 0 / 37 / 52 / 16

HEX #D68666

RGB 214 134 102

HSL 17.14, 0.58%, 0.62%

LAB 63.59, 27.37, 30.03

 

CMYK 0 / 34 / 48 / 9

HEX #E79879

RGB 231 152 121

HSL 16.91, 0.7%, 0.69%

LAB 70.05, 26.24, 28.47

 

CMYK 0 / 31 / 44 / 3

HEX #F8AA8C

RGB 248 170 140

HSL 16.67, 0.89%, 0.76%

LAB 76.44, 25.23, 27.05

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 0 / 49 / 68 / 38

HEX #9E5032

RGB 158 80 50

HSL 16.67, 0.52%, 0.41%

LAB 43.12, 29.87, 32.03

 

CMYK 0 / 56 / 78 / 45

HEX #8D3E1F

RGB 141 62 31

HSL 16.91, 0.64%, 0.34%

LAB 36.38, 31.54, 34.31

 

CMYK 0 / 65 / 90 / 51

HEX #7C2C0C

RGB 124 44 12

HSL 17.14, 0.82%, 0.27%

LAB 29.7, 33.27, 36.37

 

CMYK 0 / 76 / 100 / 58

HEX #6B1A00

RGB 107 26 0

HSL 14.58, 1%, 0.21%

LAB 23.22, 34.72, 34.21

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 0 / 60 / 61 / 31

HEX #AF4645

RGB 175 70 69

HSL 0.57, 0.43%, 0.48%

LAB 44.12, 42.85, 22.73

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 0 / 28 / 61 / 31

HEX #AF7E45

RGB 175 126 69

HSL 32.26, 0.43%, 0.48%

LAB 56.55, 12.75, 38.06

 

CMYK 0 / 11 / 61 / 31

HEX #AF9B45

RGB 175 155 69

HSL 48.68, 0.43%, 0.48%

LAB 64.15, -3.25, 46.79

 

CMYK 5 / 0 / 61 / 31

HEX #A6AF45

RGB 166 175 69

HSL 65.09, 0.43%, 0.48%

LAB 68.89, -17.61, 51.82

 

CMYK 22 / 0 / 61 / 31

HEX #89AF45

RGB 137 175 69

HSL 81.51, 0.43%, 0.48%

LAB 66.83, -29.48, 48.96

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 0 / 54 / 75 / 24

HEX #C25931

RGB 194 89 49

HSL 16.55, 0.6%, 0.48%

LAB 50.49, 39.51, 42.31

 

CMYK 0 / 63 / 86 / 16

HEX #D6501E

RGB 214 80 30

HSL 16.3, 0.75%, 0.48%

LAB 51.98, 50.54, 53.69

 

CMYK 0 / 70 / 96 / 8

HEX #EA470A

RGB 234 71 10

HSL 16.34, 0.92%, 0.48%

LAB 54.05, 60.63, 62.98

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 0 / 31 / 43 / 39

HEX #9B6B59

RGB 155 107 89

HSL 16.36, 0.27%, 0.48%

LAB 49.74, 16.86, 17.78

 

CMYK 0 / 14 / 19 / 47

HEX #87746D

RGB 135 116 109

HSL 16.15, 0.11%, 0.48%

LAB 50.39, 6.18, 6.59

 

CMYK 11 / 3 / 0 / 49

HEX #737D81

RGB 115 125 129

HSL 197.14, 0.06%, 0.48%

LAB 51.72, -2.83, -3.45

 

CMYK 36 / 9 / 0 / 42

HEX #5F8694

RGB 95 134 148

HSL 195.85, 0.22%, 0.48%

LAB 53.62, -9.86, -11.83

 

CMYK 0 / 61 / 45 / 31

HEX #AF4561

RGB 175 69 97

HSL 344.15, 0.43%, 0.48%

LAB 44.57, 45.77, 6.2

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 45 / 61 / 31

HEX #AF6145

RGB 175 97 69

HSL 15.85, 0.43%, 0.48%

LAB 49.61, 28.91, 29.67

 

CMYK 0 / 29 / 61 / 31

HEX #AF7D45

RGB 175 125 69

HSL 31.7, 0.43%, 0.48%

LAB 56.3, 13.31, 37.76

 

CMYK 0 / 13 / 61 / 31

HEX #AF9945

RGB 175 153 69

HSL 47.55, 0.43%, 0.48%

LAB 63.61, -2.17, 46.19

 

CMYK 0 / 44 / 60 / 55

HEX #74412E

RGB 116 65 46

HSL 16.29, 0.43%, 0.32%

LAB 33.33, 20.11, 21.08

 

CMYK 0 / 44 / 60 / 43

HEX #91513A

RGB 145 81 58

HSL 15.86, 0.43%, 0.4%

LAB 41.55, 24.43, 25.07

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 0 / 37 / 51 / 25

HEX #BF795E

RGB 191 121 94

HSL 16.7, 0.43%, 0.56%

LAB 57.62, 24.42, 26.16

 

CMYK 0 / 28 / 39 / 21

HEX #CA917C

RGB 202 145 124

HSL 16.15, 0.42%, 0.64%

LAB 65.17, 18.86, 19.69

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 29 / 0 / 61 / 31

HEX #7DAF45

RGB 125 175 69

HSL 88.3, 0.43%, 0.48%

LAB 66.1, -34.1, 47.94

 

CMYK 61 / 53 / 0 / 31

HEX #4553AF

RGB 69 83 175

HSL 232.08, 0.43%, 0.48%

LAB 38.81, 23.25, -50.97

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 61 / 0 / 45 / 31

HEX #45AF61

RGB 69 175 97

HSL 135.85, 0.43%, 0.48%

LAB 63.99, -47.67, 31.1

 

CMYK 45 / 61 / 0 / 31

HEX #6145AF

RGB 97 69 175

HSL 255.85, 0.43%, 0.48%

LAB 37.65, 37.72, -52.73

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 29 / 0 / 61 / 31

HEX #7DAF45

RGB 125 175 69

HSL 88.3, 0.43%, 0.48%

LAB 66.1, -34.1, 47.94

 

CMYK 61 / 17 / 0 / 31

HEX #4592AF

RGB 69 146 175

HSL 196.42, 0.43%, 0.48%

LAB 57, -14.92, -22.33

 

CMYK 33 / 61 / 0 / 31

HEX #7645AF

RGB 118 69 175

HSL 267.74, 0.43%, 0.48%

LAB 39.92, 42.53, -48.95

 

CMYK 0 / 44 / 61 / 31

HEX #AF6245

RGB 175 98 69

HSL 16.42, 0.43%, 0.48%

LAB 49.83, 28.36, 29.95

 

CMYK 46 / 0 / 61 / 31

HEX #5EAF45

RGB 94 175 69

HSL 105.85, 0.43%, 0.48%

LAB 64.54, -44.78, 45.76

 

CMYK 61 / 17 / 0 / 31

HEX #4592AF

RGB 69 146 175

HSL 196.42, 0.43%, 0.48%

LAB 57, -14.92, -22.33

 

CMYK 14 / 61 / 0 / 31

HEX #9645AF

RGB 150 69 175

HSL 285.85, 0.43%, 0.48%

LAB 44, 50.44, -42.2

 

Description

Color code: HEX #AF6245 | qconv.com Color code: HEX #AF6245 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 98 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 98 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 61% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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