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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2E380 it is the complementary color #5D1C7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2E380. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2E380 shade: #A7E37B, #B8F58E, #C9FFA1, #DAFFB4 and #EBFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2E380. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2E380 shade: #A2E380, #91D16D, #80BF5A, #6FAD47 and #5E9B34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2E380 shade: #A3E381, #BDE381, #D7E381, #E3D481 and #E3BA81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2E380 shade: #A3E381, #88E381, #81E394, #81E3AF and #81E3C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2E380 shade matches the following richer shades: #A3E381, #9FEF75 and #9BFC68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2E380 shade: #A3E381, #A7D78D, #AACA9A, #AEBEA6 and #B2B1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2E380 shade: #D8E381, #BDE381, #A3E381, #89E381 and #81E393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2E380 shade: #71D43D, #8ADC5F, #A3E381, #BBEAA3 and #D4F2C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2E380 shade: #A2E380, #81E3D4 and #E381CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2E380 shade: #A2E380, #81A3E3 and #E381A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2E380 shade: #A2E380, #81E3D4, #C181E3 and #E38190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2E380 shade: #A2E380, #81D4E3, #C181E3 and #E39081

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 44 / 11

HEX #A2E380

RGB 162 227 128

HSL 99.39, 0.64%, 0.7%

LAB 84.06, -37.97, 41.84

 

Complementary color

CMYK 27 / 78 / 0 / 50

HEX #5D1C7F

RGB 93 28 127

HSL 279.39, 0.64%, 0.3%

LAB 25.83, 45.54, -42.55

 

CMYK 26 / 0 / 46 / 11

HEX #A7E37B

RGB 167 227 123

HSL 94.62, 0.65%, 0.69%

LAB 84.27, -36.86, 44.6

 

CMYK 25 / 0 / 42 / 4

HEX #B8F58E

RGB 184 245 142

HSL 95.53, 0.84%, 0.76%

LAB 90.53, -36.78, 43.45

 

CMYK 21 / 0 / 37 / 0

HEX #C9FFA1

RGB 201 255 161

HSL 94.47, 1%, 0.82%

LAB 94.53, -33.03, 39.5

 

CMYK 15 / 0 / 29 / 0

HEX #DAFFB4

RGB 218 255 180

HSL 89.6, 1%, 0.85%

LAB 95.88, -24.54, 32.03

 

CMYK 8 / 0 / 22 / 0

HEX #EBFFC7

RGB 235 255 199

HSL 81.43, 1%, 0.89%

LAB 97.35, -15.85, 24.64

 

CMYK 29 / 0 / 44 / 11

HEX #A2E380

RGB 162 227 128

HSL 99.39, 0.64%, 0.7%

LAB 84.06, -37.97, 41.84

 

CMYK 31 / 0 / 48 / 18

HEX #91D16D

RGB 145 209 109

HSL 98.4, 0.52%, 0.62%

LAB 77.71, -38.07, 43.01

 

CMYK 33 / 0 / 53 / 25

HEX #80BF5A

RGB 128 191 90

HSL 97.43, 0.44%, 0.55%

LAB 71.28, -38.12, 44.18

 

CMYK 36 / 0 / 59 / 32

HEX #6FAD47

RGB 111 173 71

HSL 96.47, 0.42%, 0.48%

LAB 64.74, -38.09, 45.28

 

CMYK 39 / 0 / 66 / 39

HEX #5E9B34

RGB 94 155 52

HSL 95.53, 0.5%, 0.41%

LAB 58.1, -37.94, 46.19

 

CMYK 28 / 0 / 43 / 11

HEX #A3E381

RGB 163 227 129

HSL 99.18, 0.64%, 0.7%

LAB 84.13, -37.5, 41.44

 

CMYK 17 / 0 / 43 / 11

HEX #BDE381

RGB 189 227 129

HSL 83.27, 0.64%, 0.7%

LAB 85.68, -28.23, 43.73

 

CMYK 5 / 0 / 43 / 11

HEX #D7E381

RGB 215 227 129

HSL 67.35, 0.64%, 0.7%

LAB 87.47, -18.38, 46.35

 

CMYK 0 / 7 / 43 / 11

HEX #E3D481

RGB 227 212 129

HSL 50.82, 0.64%, 0.7%

LAB 84.49, -6.16, 42.83

 

CMYK 0 / 18 / 43 / 11

HEX #E3BA81

RGB 227 186 129

HSL 34.9, 0.64%, 0.7%

LAB 77.89, 7.34, 34.4

 

CMYK 28 / 0 / 43 / 11

HEX #A3E381

RGB 163 227 129

HSL 99.18, 0.64%, 0.7%

LAB 84.13, -37.5, 41.44

 

CMYK 40 / 0 / 43 / 11

HEX #88E381

RGB 136 227 129

HSL 115.71, 0.64%, 0.7%

LAB 82.78, -46.21, 39.46

 

CMYK 43 / 0 / 35 / 11

HEX #81E394

RGB 129 227 148

HSL 131.63, 0.64%, 0.7%

LAB 82.78, -45.32, 29.83

 

CMYK 43 / 0 / 23 / 11

HEX #81E3AF

RGB 129 227 175

HSL 148.16, 0.64%, 0.7%

LAB 83.28, -40.4, 16.54

 

CMYK 43 / 0 / 11 / 11

HEX #81E3C9

RGB 129 227 201

HSL 164.08, 0.64%, 0.7%

LAB 83.87, -34.92, 3.71

 

CMYK 28 / 0 / 43 / 11

HEX #A3E381

RGB 163 227 129

HSL 99.18, 0.64%, 0.7%

LAB 84.13, -37.5, 41.44

 

CMYK 33 / 0 / 51 / 6

HEX #9FEF75

RGB 159 239 117

HSL 99.34, 0.79%, 0.7%

LAB 87.19, -45.56, 50.93

 

CMYK 38 / 0 / 59 / 1

HEX #9BFC68

RGB 155 252 104

HSL 99.32, 0.96%, 0.7%

LAB 90.59, -53.61, 60.67

 

CMYK 28 / 0 / 43 / 11

HEX #A3E381

RGB 163 227 129

HSL 99.18, 0.64%, 0.7%

LAB 84.13, -37.5, 41.44

 

CMYK 22 / 0 / 34 / 16

HEX #A7D78D

RGB 167 215 141

HSL 98.92, 0.48%, 0.7%

LAB 81.15, -28.92, 31.59

 

CMYK 16 / 0 / 24 / 21

HEX #AACA9A

RGB 170 202 154

HSL 100, 0.31%, 0.7%

LAB 77.95, -19.53, 20.51

 

CMYK 8 / 0 / 13 / 25

HEX #AEBEA6

RGB 174 190 166

HSL 100, 0.16%, 0.7%

LAB 75.19, -9.96, 10.26

HEX #AEBEA6

CMYK 1 / 1 / 0 / 30

HEX #B2B1B3

RGB 178 177 179

HSL 270, 0.01%, 0.7%

LAB 72.34, 0.73, -0.9

HEX #B2B1B3

CMYK 5 / 0 / 43 / 11

HEX #D8E381

RGB 216 227 129

HSL 66.73, 0.64%, 0.7%

LAB 87.54, -17.99, 46.46

 

CMYK 17 / 0 / 43 / 11

HEX #BDE381

RGB 189 227 129

HSL 83.27, 0.64%, 0.7%

LAB 85.68, -28.23, 43.73

 

CMYK 28 / 0 / 43 / 11

HEX #A3E381

RGB 163 227 129

HSL 99.18, 0.64%, 0.7%

LAB 84.13, -37.5, 41.44

 

CMYK 40 / 0 / 43 / 11

HEX #89E381

RGB 137 227 129

HSL 115.1, 0.64%, 0.7%

LAB 82.83, -45.91, 39.53

 

CMYK 43 / 0 / 35 / 11

HEX #81E393

RGB 129 227 147

HSL 131.02, 0.64%, 0.7%

LAB 82.76, -45.49, 30.32

 

CMYK 47 / 0 / 71 / 17

HEX #71D43D

RGB 113 212 61

HSL 99.34, 0.64%, 0.54%

LAB 76.64, -54.41, 62.26

 

CMYK 37 / 0 / 57 / 14

HEX #8ADC5F

RGB 138 220 95

HSL 99.36, 0.64%, 0.62%

LAB 80.41, -46.78, 52.73

 

CMYK 28 / 0 / 43 / 11

HEX #A3E381

RGB 163 227 129

HSL 99.18, 0.64%, 0.7%

LAB 84.13, -37.5, 41.44

 

CMYK 20 / 0 / 30 / 8

HEX #BBEAA3

RGB 187 234 163

HSL 99.72, 0.63%, 0.78%

LAB 87.99, -27.78, 29.69

 

CMYK 12 / 0 / 19 / 5

HEX #D4F2C5

RGB 212 242 197

HSL 100, 0.63%, 0.86%

LAB 92.37, -17.77, 18.5

 

CMYK 29 / 0 / 44 / 11

HEX #A2E380

RGB 162 227 128

HSL 99.39, 0.64%, 0.7%

LAB 84.06, -37.97, 41.84

 

CMYK 43 / 0 / 7 / 11

HEX #81E3D4

RGB 129 227 212

HSL 170.82, 0.64%, 0.7%

LAB 84.15, -32.4, -1.69

 

CMYK 0 / 43 / 11 / 11

HEX #E381CA

RGB 227 129 202

HSL 315.31, 0.64%, 0.7%

LAB 66.75, 47.48, -21.52

 

CMYK 29 / 0 / 44 / 11

HEX #A2E380

RGB 162 227 128

HSL 99.39, 0.64%, 0.7%

LAB 84.06, -37.97, 41.84

 

CMYK 43 / 28 / 0 / 11

HEX #81A3E3

RGB 129 163 227

HSL 219.18, 0.64%, 0.7%

LAB 66.83, 4.79, -35.99

 

CMYK 0 / 43 / 28 / 11

HEX #E381A3

RGB 227 129 163

HSL 339.18, 0.64%, 0.7%

LAB 65.5, 41.69, -1.42

 

CMYK 29 / 0 / 44 / 11

HEX #A2E380

RGB 162 227 128

HSL 99.39, 0.64%, 0.7%

LAB 84.06, -37.97, 41.84

 

CMYK 43 / 0 / 7 / 11

HEX #81E3D4

RGB 129 227 212

HSL 170.82, 0.64%, 0.7%

LAB 84.15, -32.4, -1.69

 

CMYK 15 / 43 / 0 / 11

HEX #C181E3

RGB 193 129 227

HSL 279.18, 0.64%, 0.7%

LAB 63.82, 41.87, -40.3

 

CMYK 0 / 43 / 37 / 11

HEX #E38190

RGB 227 129 144

HSL 350.82, 0.64%, 0.7%

LAB 65, 39.3, 8.64

 

CMYK 29 / 0 / 44 / 11

HEX #A2E380

RGB 162 227 128

HSL 99.39, 0.64%, 0.7%

LAB 84.06, -37.97, 41.84

 

CMYK 43 / 7 / 0 / 11

HEX #81D4E3

RGB 129 212 227

HSL 189.18, 0.64%, 0.7%

LAB 80.35, -21.42, -15.31

 

CMYK 15 / 43 / 0 / 11

HEX #C181E3

RGB 193 129 227

HSL 279.18, 0.64%, 0.7%

LAB 63.82, 41.87, -40.3

 

CMYK 0 / 37 / 43 / 11

HEX #E39081

RGB 227 144 129

HSL 9.18, 0.64%, 0.7%

LAB 67.92, 29.74, 21.13

 

Description

Color code: HEX #A2E380 | qconv.com Color code: HEX #A2E380 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 227 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 227 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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