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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3568BA it is the complementary color #CA9745. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3568BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3568BA shade: #3A68B5, #4B7AC8, #5C8CDB, #6D9EEE and #7EB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3568BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3568BA shade: #3568BA, #2456A7, #134494, #023281 and #00206E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3568BA shade: #3468BA, #3444BA, #4934BA, #6D34BA and #9234BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3568BA shade: #3468BA, #3444BA and #3434BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3568BA shade matches the following richer shades: #3468BA, #2163CE and #0D5FE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3568BA shade: #3468BA, #486CA7, #5B7194, #6E7580 and #827A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3568BA shade: #34B2BA, #348EBA, #346ABA, #3446BA and #4634BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3568BA shade: #22447A, #2B569A, #3468BA, #4C7DCC and #6C94D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3568BA shade: #3568BA, #A034BA and #A0BA34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3568BA shade: #3568BA, #BA346A and #6ABA34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3568BA shade: #3568BA, #A034BA, #BA8534 and #4FBA34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3568BA shade: #3568BA, #BA34AD, #BA8534 and #34BA42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 44 / 0 / 27

HEX #3568BA

RGB 53 104 186

HSL 216.99, 0.56%, 0.47%

LAB 44.52, 11.01, -48.28

 

Complementary color

CMYK 0 / 25 / 66 / 21

HEX #CA9745

RGB 202 151 69

HSL 36.99, 0.56%, 0.53%

LAB 65.84, 10.66, 49.43

 

CMYK 68 / 43 / 0 / 29

HEX #3A68B5

RGB 58 104 181

HSL 217.56, 0.51%, 0.47%

LAB 44.43, 9.95, -45.51

 

CMYK 63 / 39 / 0 / 22

HEX #4B7AC8

RGB 75 122 200

HSL 217.44, 0.53%, 0.54%

LAB 51.36, 8.44, -45.38

 

CMYK 58 / 36 / 0 / 14

HEX #5C8CDB

RGB 92 140 219

HSL 217.32, 0.64%, 0.61%

LAB 58.18, 7.24, -45.27

 

CMYK 54 / 34 / 0 / 7

HEX #6D9EEE

RGB 109 158 238

HSL 217.21, 0.79%, 0.68%

LAB 64.87, 6.26, -45.19

 

CMYK 51 / 31 / 0 / 0

HEX #7EB0FF

RGB 126 176 255

HSL 216.74, 1%, 0.75%

LAB 71.36, 4.85, -44.2

 

CMYK 72 / 44 / 0 / 27

HEX #3568BA

RGB 53 104 186

HSL 216.99, 0.56%, 0.47%

LAB 44.52, 11.01, -48.28

 

CMYK 78 / 49 / 0 / 35

HEX #2456A7

RGB 36 86 167

HSL 217.1, 0.65%, 0.4%

LAB 37.52, 13.2, -48.38

 

CMYK 87 / 54 / 0 / 42

HEX #134494

RGB 19 68 148

HSL 217.21, 0.77%, 0.33%

LAB 30.43, 16.06, -48.41

 

CMYK 98 / 61 / 0 / 49

HEX #023281

RGB 2 50 129

HSL 217.32, 0.97%, 0.26%

LAB 23.27, 19.68, -48.3

 

CMYK 100 / 71 / 0 / 57

HEX #00206E

RGB 0 32 110

HSL 222.55, 1%, 0.22%

LAB 16.3, 24.4, -47.59

 

CMYK 72 / 44 / 0 / 27

HEX #3468BA

RGB 52 104 186

HSL 216.72, 0.56%, 0.47%

LAB 44.48, 10.86, -48.34

 

CMYK 72 / 63 / 0 / 27

HEX #3444BA

RGB 52 68 186

HSL 232.84, 0.56%, 0.47%

LAB 34.82, 34.16, -63.98

 

CMYK 61 / 72 / 0 / 27

HEX #4934BA

RGB 73 52 186

HSL 249.4, 0.56%, 0.47%

LAB 32.74, 46.46, -67.34

 

CMYK 41 / 72 / 0 / 27

HEX #6D34BA

RGB 109 52 186

HSL 265.52, 0.56%, 0.47%

LAB 36.47, 52.2, -61.09

 

CMYK 22 / 72 / 0 / 27

HEX #9234BA

RGB 146 52 186

HSL 282.09, 0.56%, 0.47%

LAB 41.39, 59.35, -52.87

 

CMYK 72 / 44 / 0 / 27

HEX #3468BA

RGB 52 104 186

HSL 216.72, 0.56%, 0.47%

LAB 44.48, 10.86, -48.34

 

CMYK 72 / 63 / 0 / 27

HEX #3444BA

RGB 52 68 186

HSL 232.84, 0.56%, 0.47%

LAB 34.82, 34.16, -63.98

 

CMYK 72 / 72 / 0 / 27

HEX #3434BA

RGB 52 52 186

HSL 240, 0.56%, 0.47%

LAB 31.19, 43.96, -69.95

 

CMYK 72 / 44 / 0 / 27

HEX #3468BA

RGB 52 104 186

HSL 216.72, 0.56%, 0.47%

LAB 44.48, 10.86, -48.34

 

CMYK 84 / 52 / 0 / 19

HEX #2163CE

RGB 33 99 206

HSL 217.11, 0.72%, 0.47%

LAB 43.8, 19.61, -61.02

 

CMYK 94 / 58 / 0 / 12

HEX #0D5FE1

RGB 13 95 225

HSL 216.79, 0.89%, 0.47%

LAB 43.81, 28.53, -71.88

 

CMYK 72 / 44 / 0 / 27

HEX #3468BA

RGB 52 104 186

HSL 216.72, 0.56%, 0.47%

LAB 44.48, 10.86, -48.34

 

CMYK 57 / 35 / 0 / 35

HEX #486CA7

RGB 72 108 167

HSL 217.26, 0.4%, 0.47%

LAB 45.49, 5.23, -35.59

 

CMYK 39 / 24 / 0 / 42

HEX #5B7194

RGB 91 113 148

HSL 216.84, 0.24%, 0.47%

LAB 47.2, 1.14, -21.63

 

CMYK 14 / 9 / 0 / 50

HEX #6E7580

RGB 110 117 128

HSL 216.67, 0.08%, 0.47%

LAB 49, -0.2, -6.93

 

CMYK 0 / 6 / 16 / 49

HEX #827A6D

RGB 130 122 109

HSL 37.14, 0.09%, 0.47%

LAB 51.58, 0.7, 8.21

 

CMYK 72 / 4 / 0 / 27

HEX #34B2BA

RGB 52 178 186

HSL 183.58, 0.56%, 0.47%

LAB 66.61, -30.67, -13.95

 

CMYK 72 / 24 / 0 / 27

HEX #348EBA

RGB 52 142 186

HSL 199.7, 0.56%, 0.47%

LAB 55.71, -11.92, -30.63

 

CMYK 72 / 43 / 0 / 27

HEX #346ABA

RGB 52 106 186

HSL 215.82, 0.56%, 0.47%

LAB 45.06, 9.6, -47.42

 

CMYK 72 / 62 / 0 / 27

HEX #3446BA

RGB 52 70 186

HSL 231.94, 0.56%, 0.47%

LAB 35.31, 32.89, -63.18

 

CMYK 62 / 72 / 0 / 27

HEX #4634BA

RGB 70 52 186

HSL 248.06, 0.56%, 0.47%

LAB 32.49, 46.06, -67.76

 

CMYK 72 / 44 / 0 / 52

HEX #22447A

RGB 34 68 122

HSL 216.82, 0.56%, 0.31%

LAB 29.11, 7.28, -34.42

 

CMYK 72 / 44 / 0 / 40

HEX #2B569A

RGB 43 86 154

HSL 216.76, 0.56%, 0.39%

LAB 36.93, 9.11, -41.53

 

CMYK 72 / 44 / 0 / 27

HEX #3468BA

RGB 52 104 186

HSL 216.72, 0.56%, 0.47%

LAB 44.48, 10.86, -48.34

 

CMYK 63 / 39 / 0 / 20

HEX #4C7DCC

RGB 76 125 204

HSL 217.03, 0.56%, 0.55%

LAB 52.47, 8.17, -45.9

 

CMYK 49 / 31 / 0 / 16

HEX #6C94D5

RGB 108 148 213

HSL 217.14, 0.56%, 0.63%

LAB 60.93, 4.16, -37.52

 

CMYK 72 / 44 / 0 / 27

HEX #3568BA

RGB 53 104 186

HSL 216.99, 0.56%, 0.47%

LAB 44.52, 11.01, -48.28

 

CMYK 14 / 72 / 0 / 27

HEX #A034BA

RGB 160 52 186

HSL 288.36, 0.56%, 0.47%

LAB 43.47, 62.25, -49.43

 

CMYK 14 / 0 / 72 / 27

HEX #A0BA34

RGB 160 186 52

HSL 71.64, 0.56%, 0.47%

LAB 71.45, -26.65, 61.15

 

CMYK 72 / 44 / 0 / 27

HEX #3568BA

RGB 53 104 186

HSL 216.99, 0.56%, 0.47%

LAB 44.52, 11.01, -48.28

 

CMYK 0 / 72 / 43 / 27

HEX #BA346A

RGB 186 52 106

HSL 335.82, 0.56%, 0.47%

LAB 44.14, 57.15, 0.27

 

CMYK 43 / 0 / 72 / 27

HEX #6ABA34

RGB 106 186 52

HSL 95.82, 0.56%, 0.47%

LAB 68.34, -46.95, 57.03

 

CMYK 72 / 44 / 0 / 27

HEX #3568BA

RGB 53 104 186

HSL 216.99, 0.56%, 0.47%

LAB 44.52, 11.01, -48.28

 

CMYK 14 / 72 / 0 / 27

HEX #A034BA

RGB 160 52 186

HSL 288.36, 0.56%, 0.47%

LAB 43.47, 62.25, -49.43

 

CMYK 0 / 28 / 72 / 27

HEX #BA8534

RGB 186 133 52

HSL 36.27, 0.56%, 0.47%

LAB 59.4, 12.6, 49.85

 

CMYK 58 / 0 / 72 / 27

HEX #4FBA34

RGB 79 186 52

HSL 107.91, 0.56%, 0.47%

LAB 67.3, -54.85, 55.64

 

CMYK 72 / 44 / 0 / 27

HEX #3568BA

RGB 53 104 186

HSL 216.99, 0.56%, 0.47%

LAB 44.52, 11.01, -48.28

 

CMYK 0 / 72 / 7 / 27

HEX #BA34AD

RGB 186 52 173

HSL 305.82, 0.56%, 0.47%

LAB 46.86, 65.74, -36.14

 

CMYK 0 / 28 / 72 / 27

HEX #BA8534

RGB 186 133 52

HSL 36.27, 0.56%, 0.47%

LAB 59.4, 12.6, 49.85

 

CMYK 72 / 0 / 65 / 27

HEX #34BA42

RGB 52 186 66

HSL 126.27, 0.56%, 0.47%

LAB 66.7, -59.29, 49.17

 

Description

Color code: HEX #3568BA | qconv.com Color code: HEX #3568BA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 104 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 104 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 44 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 44% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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