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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FB158 it is the complementary color #804EA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FB158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FB158 shade: #84B153, #95C366, #A6D579, #B7E78C and #C8F99F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FB158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FB158 shade: #7FB158, #6E9F45, #5D8D32, #4C7B1F and #3B690C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FB158 shade: #7FB058, #96B058, #AEB058, #B09A58 and #B08358

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FB158 shade: #7FB058, #67B058, #58B061, #58B079 and #58B090

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FB158 shade matches the following richer shades: #7FB058, #7CC444, #7AD830 and #77EC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FB158 shade: #7FB058, #819C6C, #848980, #867593 and #8861A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FB158 shade: #AFB058, #97B058, #80B058, #68B058 and #58B05F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FB158 shade: #577C3A, #6A9847, #7FB058, #94BD74 and #AACB90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FB158 shade: #7FB158, #58B09A and #B058A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FB158 shade: #7FB158, #5880B0 and #B05880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FB158 shade: #7FB158, #58B09A, #8958B0 and #B0586E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FB158 shade: #7FB158, #58ACB0, #8958B0 and #B05C58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 50 / 31

HEX #7FB158

RGB 127 177 88

HSL 93.71, 0.36%, 0.52%

LAB 67.02, -32.3, 40.02

 

Complementary color

CMYK 23 / 53 / 0 / 35

HEX #804EA7

RGB 128 78 167

HSL 273.71, 0.36%, 0.48%

LAB 42.5, 38.13, -40.01

 

CMYK 25 / 0 / 53 / 31

HEX #84B153

RGB 132 177 83

HSL 88.72, 0.38%, 0.51%

LAB 67.26, -31, 42.82

 

CMYK 24 / 0 / 48 / 24

HEX #95C366

RGB 149 195 102

HSL 89.68, 0.44%, 0.58%

LAB 73.79, -31.03, 41.67

 

CMYK 22 / 0 / 43 / 16

HEX #A6D579

RGB 166 213 121

HSL 90.65, 0.52%, 0.65%

LAB 80.22, -31, 40.5

 

CMYK 21 / 0 / 39 / 9

HEX #B7E78C

RGB 183 231 140

HSL 91.65, 0.65%, 0.73%

LAB 86.56, -30.94, 39.35

 

CMYK 20 / 0 / 36 / 2

HEX #C8F99F

RGB 200 249 159

HSL 92.67, 0.88%, 0.8%

LAB 92.81, -30.87, 38.23

 

CMYK 28 / 0 / 50 / 31

HEX #7FB158

RGB 127 177 88

HSL 93.71, 0.36%, 0.52%

LAB 67.02, -32.3, 40.02

 

CMYK 31 / 0 / 57 / 38

HEX #6E9F45

RGB 110 159 69

HSL 92.67, 0.39%, 0.45%

LAB 60.37, -32.29, 41.17

 

CMYK 34 / 0 / 65 / 45

HEX #5D8D32

RGB 93 141 50

HSL 91.65, 0.48%, 0.37%

LAB 53.61, -32.16, 42.18

 

CMYK 38 / 0 / 75 / 52

HEX #4C7B1F

RGB 76 123 31

HSL 90.65, 0.6%, 0.3%

LAB 46.71, -31.85, 42.75

 

CMYK 44 / 0 / 89 / 59

HEX #3B690C

RGB 59 105 12

HSL 89.68, 0.79%, 0.23%

LAB 39.68, -31.2, 42.22

 

CMYK 28 / 0 / 50 / 31

HEX #7FB058

RGB 127 176 88

HSL 93.41, 0.36%, 0.52%

LAB 66.72, -31.83, 39.65

 

CMYK 15 / 0 / 50 / 31

HEX #96B058

RGB 150 176 88

HSL 77.73, 0.36%, 0.52%

LAB 68.2, -23, 41.78

 

CMYK 1 / 0 / 50 / 31

HEX #AEB058

RGB 174 176 88

HSL 61.36, 0.36%, 0.52%

LAB 70, -13.2, 44.38

 

CMYK 0 / 13 / 50 / 31

HEX #B09A58

RGB 176 154 88

HSL 45, 0.36%, 0.52%

LAB 64.2, -0.69, 37.41

 

CMYK 0 / 26 / 50 / 31

HEX #B08358

RGB 176 131 88

HSL 29.32, 0.36%, 0.52%

LAB 58.2, 12.02, 29.9

 

CMYK 28 / 0 / 50 / 31

HEX #7FB058

RGB 127 176 88

HSL 93.41, 0.36%, 0.52%

LAB 66.72, -31.83, 39.65

 

CMYK 41 / 0 / 50 / 31

HEX #67B058

RGB 103 176 88

HSL 109.77, 0.36%, 0.52%

LAB 65.47, -40.11, 37.83

 

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

CMYK 50 / 0 / 31 / 31

HEX #58B079

RGB 88 176 121

HSL 142.5, 0.36%, 0.52%

LAB 65.36, -39.12, 20.25

 

CMYK 50 / 0 / 18 / 31

HEX #58B090

RGB 88 176 144

HSL 158.18, 0.36%, 0.52%

LAB 65.86, -34.26, 8.34

 

CMYK 28 / 0 / 50 / 31

HEX #7FB058

RGB 127 176 88

HSL 93.41, 0.36%, 0.52%

LAB 66.72, -31.83, 39.65

 

CMYK 37 / 0 / 65 / 23

HEX #7CC444

RGB 124 196 68

HSL 93.75, 0.52%, 0.52%

LAB 72.35, -43.84, 55.22

 

CMYK 44 / 0 / 78 / 15

HEX #7AD830

RGB 122 216 48

HSL 93.57, 0.68%, 0.52%

LAB 78.15, -53.98, 68.14

 

CMYK 50 / 0 / 88 / 7

HEX #77EC1D

RGB 119 236 29

HSL 93.91, 0.84%, 0.52%

LAB 83.97, -63.11, 77.76

 

CMYK 28 / 0 / 50 / 31

HEX #7FB058

RGB 127 176 88

HSL 93.41, 0.36%, 0.52%

LAB 66.72, -31.83, 39.65

 

CMYK 17 / 0 / 31 / 39

HEX #819C6C

RGB 129 156 108

HSL 93.75, 0.2%, 0.52%

LAB 61.24, -18.47, 22.13

 

CMYK 4 / 0 / 7 / 46

HEX #848980

RGB 132 137 128

HSL 93.33, 0.04%, 0.52%

LAB 56.44, -3.6, 4.18

 

CMYK 9 / 20 / 0 / 42

HEX #867593

RGB 134 117 147

HSL 274, 0.12%, 0.52%

LAB 51.72, 12.56, -13.83

 

CMYK 19 / 42 / 0 / 35

HEX #8861A7

RGB 136 97 167

HSL 273.43, 0.28%, 0.52%

LAB 47.72, 29.55, -31.73

 

CMYK 1 / 0 / 50 / 31

HEX #AFB058

RGB 175 176 88

HSL 60.68, 0.36%, 0.52%

LAB 70.08, -12.79, 44.49

 

CMYK 14 / 0 / 50 / 31

HEX #97B058

RGB 151 176 88

HSL 77.05, 0.36%, 0.52%

LAB 68.27, -22.6, 41.88

 

CMYK 27 / 0 / 50 / 31

HEX #80B058

RGB 128 176 88

HSL 92.73, 0.36%, 0.52%

LAB 66.78, -31.46, 39.74

 

CMYK 41 / 0 / 50 / 31

HEX #68B058

RGB 104 176 88

HSL 109.09, 0.36%, 0.52%

LAB 65.51, -39.79, 37.9

 

CMYK 50 / 0 / 46 / 31

HEX #58B05F

RGB 88 176 95

HSL 124.77, 0.36%, 0.52%

LAB 64.92, -43.62, 33.46

 

CMYK 30 / 0 / 53 / 51

HEX #577C3A

RGB 87 124 58

HSL 93.64, 0.36%, 0.36%

LAB 47.94, -25.46, 31.64

 

CMYK 30 / 0 / 53 / 40

HEX #6A9847

RGB 106 152 71

HSL 94.07, 0.36%, 0.44%

LAB 58.01, -30.26, 37.34

 

CMYK 28 / 0 / 50 / 31

HEX #7FB058

RGB 127 176 88

HSL 93.41, 0.36%, 0.52%

LAB 66.72, -31.83, 39.65

 

CMYK 22 / 0 / 39 / 26

HEX #94BD74

RGB 148 189 116

HSL 93.7, 0.36%, 0.6%

LAB 72.2, -26.75, 32.54

 

CMYK 16 / 0 / 29 / 20

HEX #AACB90

RGB 170 203 144

HSL 93.56, 0.36%, 0.68%

LAB 78.04, -21.58, 25.91

 

CMYK 28 / 0 / 50 / 31

HEX #7FB158

RGB 127 177 88

HSL 93.71, 0.36%, 0.52%

LAB 67.02, -32.3, 40.02

 

CMYK 50 / 0 / 13 / 31

HEX #58B09A

RGB 88 176 154

HSL 165, 0.36%, 0.52%

LAB 66.1, -31.91, 3.16

 

CMYK 0 / 50 / 7 / 31

HEX #B058A3

RGB 176 88 163

HSL 308.86, 0.36%, 0.52%

LAB 50.52, 46.01, -24.65

 

CMYK 28 / 0 / 50 / 31

HEX #7FB158

RGB 127 177 88

HSL 93.71, 0.36%, 0.52%

LAB 67.02, -32.3, 40.02

 

CMYK 50 / 27 / 0 / 31

HEX #5880B0

RGB 88 128 176

HSL 212.73, 0.36%, 0.52%

LAB 52.56, -0.23, -29.68

 

CMYK 0 / 50 / 27 / 31

HEX #B05880

RGB 176 88 128

HSL 332.73, 0.36%, 0.52%

LAB 49.21, 40.5, -5.84

 

CMYK 28 / 0 / 50 / 31

HEX #7FB158

RGB 127 177 88

HSL 93.71, 0.36%, 0.52%

LAB 67.02, -32.3, 40.02

 

CMYK 50 / 0 / 13 / 31

HEX #58B09A

RGB 88 176 154

HSL 165, 0.36%, 0.52%

LAB 66.1, -31.91, 3.16

 

CMYK 22 / 50 / 0 / 31

HEX #8958B0

RGB 137 88 176

HSL 273.41, 0.36%, 0.52%

LAB 46.22, 37.13, -39.36

 

CMYK 0 / 50 / 38 / 31

HEX #B0586E

RGB 176 88 110

HSL 345, 0.36%, 0.52%

LAB 48.68, 38.15, 4.2

 

CMYK 28 / 0 / 50 / 31

HEX #7FB158

RGB 127 177 88

HSL 93.71, 0.36%, 0.52%

LAB 67.02, -32.3, 40.02

 

CMYK 50 / 2 / 0 / 31

HEX #58ACB0

RGB 88 172 176

HSL 182.73, 0.36%, 0.52%

LAB 65.53, -24.3, -9.91

 

CMYK 22 / 50 / 0 / 31

HEX #8958B0

RGB 137 88 176

HSL 273.41, 0.36%, 0.52%

LAB 46.22, 37.13, -39.36

 

CMYK 0 / 48 / 50 / 31

HEX #B05C58

RGB 176 92 88

HSL 2.73, 0.36%, 0.52%

LAB 48.99, 33.64, 17.82

 

Description

Color code: HEX #7FB158 | qconv.com Color code: HEX #7FB158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 177 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 177 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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