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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7819C1 it is the complementary color #87E63E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7819C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7819C1 shade: #7D19BC, #8E2BCF, #9F3DE2, #B04FF5 and #C161FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7819C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7819C1 shade: #7819C1, #6707AE, #56009B, #450088 and #340075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7819C1 shade: #7819C2, #A619C2, #C219B0, #C21982 and #C21955

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7819C1 shade: #7819C2, #4B19C2, #1D19C2 and #1919C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7819C1 shade matches the following richer shades: #7819C2 and #7B07D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7819C1 shade: #7819C2, #762AB0, #743C9E, #714E8C and #6F607B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7819C1 shade: #1C19C2, #4919C2, #7619C2, #A319C2 and #C219B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7819C1 shade: #4B0F79, #61149D, #7819C2, #8E22E2 and #A146E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7819C1 shade: #7819C1, #C21943 and #19C232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7819C1 shade: #7819C1, #C27619 and #19C276

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7819C1 shade: #7819C1, #C21943, #65C219 and #19C297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7819C1 shade: #7819C1, #C22119, #65C219 and #19B9C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 87 / 0 / 24

HEX #7819C1

RGB 120 25 193

HSL 273.93, 0.77%, 0.43%

LAB 35.08, 65.46, -67.42

 

Complementary color

CMYK 41 / 0 / 73 / 10

HEX #87E63E

RGB 135 230 62

HSL 93.93, 0.77%, 0.57%

LAB 82.96, -54.52, 68.54

 

CMYK 34 / 87 / 0 / 26

HEX #7D19BC

RGB 125 25 188

HSL 276.81, 0.77%, 0.42%

LAB 35.37, 65.07, -63.97

 

CMYK 31 / 79 / 0 / 19

HEX #8E2BCF

RGB 142 43 207

HSL 276.22, 0.66%, 0.49%

LAB 41.19, 66.34, -65.47

 

CMYK 30 / 73 / 0 / 11

HEX #9F3DE2

RGB 159 61 226

HSL 275.64, 0.74%, 0.56%

LAB 47.24, 66.71, -66.43

 

CMYK 28 / 68 / 0 / 4

HEX #B04FF5

RGB 176 79 245

HSL 275.06, 0.89%, 0.64%

LAB 53.4, 66.54, -67.03

 

CMYK 24 / 62 / 0 / 0

HEX #C161FF

RGB 193 97 255

HSL 276.46, 1%, 0.69%

LAB 59.07, 64.13, -63.34

 

CMYK 38 / 87 / 0 / 24

HEX #7819C1

RGB 120 25 193

HSL 273.93, 0.77%, 0.43%

LAB 35.08, 65.46, -67.42

 

CMYK 41 / 96 / 0 / 32

HEX #6707AE

RGB 103 7 174

HSL 274.49, 0.92%, 0.35%

LAB 29.64, 62.91, -65.16

 

CMYK 45 / 100 / 0 / 39

HEX #56009B

RGB 86 0 155

HSL 273.29, 1%, 0.3%

LAB 24.78, 58.31, -61.73

 

CMYK 49 / 100 / 0 / 47

HEX #450088

RGB 69 0 136

HSL 270.44, 1%, 0.27%

LAB 20.21, 52.47, -57.56

 

CMYK 56 / 100 / 0 / 54

HEX #340075

RGB 52 0 117

HSL 266.67, 1%, 0.23%

LAB 15.56, 46.52, -53.22

 

CMYK 38 / 87 / 0 / 24

HEX #7819C2

RGB 120 25 194

HSL 273.73, 0.77%, 0.43%

LAB 35.17, 65.67, -67.86

 

CMYK 14 / 87 / 0 / 24

HEX #A619C2

RGB 166 25 194

HSL 290.06, 0.77%, 0.43%

LAB 42.3, 72.48, -55.94

 

CMYK 0 / 87 / 9 / 24

HEX #C219B0

RGB 194 25 176

HSL 306.39, 0.77%, 0.43%

LAB 46.04, 74.64, -39.11

 

CMYK 0 / 87 / 33 / 24

HEX #C21982

RGB 194 25 130

HSL 322.72, 0.77%, 0.43%

LAB 43.91, 68.92, -14.73

 

CMYK 0 / 87 / 56 / 24

HEX #C21955

RGB 194 25 85

HSL 338.7, 0.77%, 0.43%

LAB 42.49, 64.94, 11.24

 

CMYK 38 / 87 / 0 / 24

HEX #7819C2

RGB 120 25 194

HSL 273.73, 0.77%, 0.43%

LAB 35.17, 65.67, -67.86

 

CMYK 61 / 87 / 0 / 24

HEX #4B19C2

RGB 75 25 194

HSL 257.75, 0.77%, 0.43%

LAB 29.63, 60.85, -77.19

 

CMYK 85 / 87 / 0 / 24

HEX #1D19C2

RGB 29 25 194

HSL 241.42, 0.77%, 0.43%

LAB 26.31, 58.25, -82.8

 

CMYK 87 / 87 / 0 / 24

HEX #1919C2

RGB 25 25 194

HSL 240, 0.77%, 0.43%

LAB 26.15, 58.13, -83.07

 

CMYK 38 / 87 / 0 / 24

HEX #7819C2

RGB 120 25 194

HSL 273.73, 0.77%, 0.43%

LAB 35.17, 65.67, -67.86

 

CMYK 42 / 97 / 0 / 17

HEX #7B07D3

RGB 123 7 211

HSL 274.12, 0.94%, 0.43%

LAB 36.11, 72.79, -76.21

 

CMYK 38 / 87 / 0 / 24

HEX #7819C2

RGB 120 25 194

HSL 273.73, 0.77%, 0.43%

LAB 35.17, 65.67, -67.86

 

CMYK 33 / 76 / 0 / 31

HEX #762AB0

RGB 118 42 176

HSL 274.03, 0.61%, 0.43%

LAB 35.29, 55.8, -57.04

 

CMYK 27 / 62 / 0 / 38

HEX #743C9E

RGB 116 60 158

HSL 274.29, 0.45%, 0.43%

LAB 36.77, 42.69, -43.87

 

CMYK 19 / 44 / 0 / 45

HEX #714E8C

RGB 113 78 140

HSL 273.87, 0.28%, 0.43%

LAB 39.33, 27.23, -28.92

 

CMYK 10 / 22 / 0 / 52

HEX #6F607B

RGB 111 96 123

HSL 273.33, 0.12%, 0.43%

LAB 43.03, 11.59, -12.91

 

CMYK 86 / 87 / 0 / 24

HEX #1C19C2

RGB 28 25 194

HSL 241.07, 0.77%, 0.43%

LAB 26.27, 58.22, -82.87

 

CMYK 62 / 87 / 0 / 24

HEX #4919C2

RGB 73 25 194

HSL 257.04, 0.77%, 0.43%

LAB 29.43, 60.69, -77.52

 

CMYK 39 / 87 / 0 / 24

HEX #7619C2

RGB 118 25 194

HSL 273.02, 0.77%, 0.43%

LAB 34.89, 65.41, -68.34

 

CMYK 16 / 87 / 0 / 24

HEX #A319C2

RGB 163 25 194

HSL 288.99, 0.77%, 0.43%

LAB 41.81, 71.99, -56.76

 

CMYK 0 / 87 / 7 / 24

HEX #C219B4

RGB 194 25 180

HSL 304.97, 0.77%, 0.43%

LAB 46.26, 75.21, -41.12

 

CMYK 38 / 88 / 0 / 53

HEX #4B0F79

RGB 75 15 121

HSL 273.96, 0.78%, 0.27%

LAB 20.9, 45.68, -46.89

 

CMYK 38 / 87 / 0 / 38

HEX #61149D

RGB 97 20 157

HSL 273.72, 0.77%, 0.35%

LAB 28.05, 55.74, -57.52

 

CMYK 38 / 87 / 0 / 24

HEX #7819C2

RGB 120 25 194

HSL 273.73, 0.77%, 0.43%

LAB 35.17, 65.67, -67.86

 

CMYK 37 / 85 / 0 / 11

HEX #8E22E2

RGB 142 34 226

HSL 273.75, 0.77%, 0.51%

LAB 41.82, 73.05, -75.35

 

CMYK 30 / 70 / 0 / 9

HEX #A146E7

RGB 161 70 231

HSL 273.91, 0.77%, 0.59%

LAB 49.16, 64.45, -66.12

 

CMYK 38 / 87 / 0 / 24

HEX #7819C1

RGB 120 25 193

HSL 273.93, 0.77%, 0.43%

LAB 35.08, 65.46, -67.42

 

CMYK 0 / 87 / 65 / 24

HEX #C21943

RGB 194 25 67

HSL 345.09, 0.77%, 0.43%

LAB 42.11, 63.84, 22.05

 

CMYK 87 / 0 / 74 / 24

HEX #19C232

RGB 25 194 50

HSL 128.88, 0.77%, 0.43%

LAB 68.77, -66.65, 57.5

 

CMYK 38 / 87 / 0 / 24

HEX #7819C1

RGB 120 25 193

HSL 273.93, 0.77%, 0.43%

LAB 35.08, 65.46, -67.42

 

CMYK 0 / 39 / 87 / 24

HEX #C27619

RGB 194 118 25

HSL 33.02, 0.77%, 0.43%

LAB 56.58, 23.38, 57.97

 

CMYK 87 / 0 / 39 / 24

HEX #19C276

RGB 25 194 118

HSL 153.02, 0.77%, 0.43%

LAB 69.54, -57.3, 27.23

 

CMYK 38 / 87 / 0 / 24

HEX #7819C1

RGB 120 25 193

HSL 273.93, 0.77%, 0.43%

LAB 35.08, 65.46, -67.42

 

CMYK 0 / 87 / 65 / 24

HEX #C21943

RGB 194 25 67

HSL 345.09, 0.77%, 0.43%

LAB 42.11, 63.84, 22.05

 

CMYK 48 / 0 / 87 / 24

HEX #65C219

RGB 101 194 25

HSL 93.02, 0.77%, 0.43%

LAB 70.47, -53.06, 66.72

 

CMYK 87 / 0 / 22 / 24

HEX #19C297

RGB 25 194 151

HSL 164.73, 0.77%, 0.43%

LAB 70.19, -49.98, 10.49

 

CMYK 38 / 87 / 0 / 24

HEX #7819C1

RGB 120 25 193

HSL 273.93, 0.77%, 0.43%

LAB 35.08, 65.46, -67.42

 

CMYK 0 / 83 / 87 / 24

HEX #C22119

RGB 194 33 25

HSL 2.84, 0.77%, 0.43%

LAB 42.2, 60.59, 46.31

 

CMYK 48 / 0 / 87 / 24

HEX #65C219

RGB 101 194 25

HSL 93.02, 0.77%, 0.43%

LAB 70.47, -53.06, 66.72

 

CMYK 87 / 5 / 0 / 24

HEX #19B9C2

RGB 25 185 194

HSL 183.2, 0.77%, 0.43%

LAB 68.61, -34.03, -15.39

 

Description

Color code: HEX #7819C1 | qconv.com Color code: HEX #7819C1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 25 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 25 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 87 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 87% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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