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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E48A2 it is the complementary color #91B75D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E48A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E48A2 shade: #73489D, #845AB0, #956CC3, #A67ED6 and #B790E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E48A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E48A2 shade: #6E48A2, #5D368F, #4C247C, #3B1269 and #2A0056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E48A2 shade: #6E48A1, #8648A1, #9E48A1, #A1488D and #A14875

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E48A2 shade: #6E48A1, #5648A1 and #4848A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E48A2 shade matches the following richer shades: #6E48A1, #6B35B4, #6822C7 and #650FDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E48A2 shade: #6E48A1, #715B8E, #746E7B, #778168 and #7A9455

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E48A2 shade: #4853A1, #5648A1, #6D48A1, #8548A1 and #9D48A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E48A2 shade: #472F68, #5A3B85, #6E48A1, #835DB6 and #9879C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E48A2 shade: #6E48A2, #A1486A and #48A14A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E48A2 shade: #6E48A2, #A16D48 and #48A16D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E48A2 shade: #6E48A2, #A1486A, #7CA148 and #48A17F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E48A2 shade: #6E48A2, #A14850, #7CA148 and #48A19A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 56 / 0 / 36

HEX #6E48A2

RGB 110 72 162

HSL 265.33, 0.38%, 0.46%

LAB 38.83, 35.49, -43.02

 

Complementary color

CMYK 21 / 0 / 49 / 28

HEX #91B75D

RGB 145 183 93

HSL 85.33, 0.38%, 0.54%

LAB 69.95, -27.83, 41.36

 

CMYK 27 / 54 / 0 / 38

HEX #73489D

RGB 115 72 157

HSL 270.35, 0.37%, 0.45%

LAB 39.09, 35.54, -39.56

 

CMYK 25 / 49 / 0 / 31

HEX #845AB0

RGB 132 90 176

HSL 269.3, 0.35%, 0.52%

LAB 46.11, 34.58, -39.56

 

CMYK 24 / 45 / 0 / 24

HEX #956CC3

RGB 149 108 195

HSL 268.28, 0.42%, 0.59%

LAB 53.01, 33.68, -39.56

 

CMYK 22 / 41 / 0 / 16

HEX #A67ED6

RGB 166 126 214

HSL 267.27, 0.52%, 0.67%

LAB 59.78, 32.83, -39.57

 

CMYK 21 / 38 / 0 / 9

HEX #B790E9

RGB 183 144 233

HSL 266.29, 0.67%, 0.74%

LAB 66.44, 32.05, -39.59

 

CMYK 32 / 56 / 0 / 36

HEX #6E48A2

RGB 110 72 162

HSL 265.33, 0.38%, 0.46%

LAB 38.83, 35.49, -43.02

 

CMYK 35 / 62 / 0 / 44

HEX #5D368F

RGB 93 54 143

HSL 266.29, 0.45%, 0.39%

LAB 31.69, 36.55, -43.05

 

CMYK 39 / 71 / 0 / 51

HEX #4C247C

RGB 76 36 124

HSL 267.27, 0.55%, 0.31%

LAB 24.49, 37.51, -42.93

 

CMYK 44 / 83 / 0 / 59

HEX #3B1269

RGB 59 18 105

HSL 268.28, 0.71%, 0.24%

LAB 17.38, 37.94, -42.39

 

CMYK 51 / 100 / 0 / 66

HEX #2A0056

RGB 42 0 86

HSL 269.3, 1%, 0.17%

LAB 10.29, 38, -41.44

 

CMYK 32 / 55 / 0 / 37

HEX #6E48A1

RGB 110 72 161

HSL 265.62, 0.38%, 0.46%

LAB 38.77, 35.23, -42.52

 

CMYK 17 / 55 / 0 / 37

HEX #8648A1

RGB 134 72 161

HSL 281.8, 0.38%, 0.46%

LAB 41.65, 41.69, -37.75

 

CMYK 2 / 55 / 0 / 37

HEX #9E48A1

RGB 158 72 161

HSL 297.98, 0.38%, 0.46%

LAB 44.91, 48.36, -32.39

 

CMYK 0 / 55 / 12 / 37

HEX #A1488D

RGB 161 72 141

HSL 313.48, 0.38%, 0.46%

LAB 44.43, 45.71, -21.12

 

CMYK 0 / 55 / 27 / 37

HEX #A14875

RGB 161 72 117

HSL 329.66, 0.38%, 0.46%

LAB 43.5, 42.04, -7.92

 

CMYK 32 / 55 / 0 / 37

HEX #6E48A1

RGB 110 72 161

HSL 265.62, 0.38%, 0.46%

LAB 38.77, 35.23, -42.52

 

CMYK 47 / 55 / 0 / 37

HEX #5648A1

RGB 86 72 161

HSL 249.44, 0.38%, 0.46%

LAB 36.34, 29.26, -46.54

 

CMYK 55 / 55 / 0 / 37

HEX #4848A1

RGB 72 72 161

HSL 240, 0.38%, 0.46%

LAB 35.17, 26.17, -48.48

 

CMYK 32 / 55 / 0 / 37

HEX #6E48A1

RGB 110 72 161

HSL 265.62, 0.38%, 0.46%

LAB 38.77, 35.23, -42.52

 

CMYK 41 / 71 / 0 / 29

HEX #6B35B4

RGB 107 53 180

HSL 265.51, 0.55%, 0.46%

LAB 35.92, 49.81, -58.44

 

CMYK 48 / 83 / 0 / 22

HEX #6822C7

RGB 104 34 199

HSL 265.45, 0.71%, 0.46%

LAB 34.42, 62.11, -72.11

 

CMYK 54 / 93 / 0 / 15

HEX #650FDA

RGB 101 15 218

HSL 265.42, 0.87%, 0.46%

LAB 34.34, 71.19, -83.28

 

CMYK 32 / 55 / 0 / 37

HEX #6E48A1

RGB 110 72 161

HSL 265.62, 0.38%, 0.46%

LAB 38.77, 35.23, -42.52

 

CMYK 20 / 36 / 0 / 44

HEX #715B8E

RGB 113 91 142

HSL 265.88, 0.22%, 0.46%

LAB 42.68, 19.84, -24.9

 

CMYK 6 / 11 / 0 / 52

HEX #746E7B

RGB 116 110 123

HSL 267.69, 0.06%, 0.46%

LAB 47.36, 5, -6.35

 

CMYK 8 / 0 / 19 / 49

HEX #778168

RGB 119 129 104

HSL 84, 0.11%, 0.46%

LAB 52.53, -8.5, 12.33

 

CMYK 18 / 0 / 43 / 42

HEX #7A9455

RGB 122 148 85

HSL 84.76, 0.27%, 0.46%

LAB 58.01, -20.36, 30.3

 

CMYK 55 / 48 / 0 / 37

HEX #4853A1

RGB 72 83 161

HSL 232.58, 0.38%, 0.46%

LAB 38.09, 19.07, -43.79

 

CMYK 47 / 55 / 0 / 37

HEX #5648A1

RGB 86 72 161

HSL 249.44, 0.38%, 0.46%

LAB 36.34, 29.26, -46.54

 

CMYK 32 / 55 / 0 / 37

HEX #6D48A1

RGB 109 72 161

HSL 264.94, 0.38%, 0.46%

LAB 38.65, 34.97, -42.7

 

CMYK 17 / 55 / 0 / 37

HEX #8548A1

RGB 133 72 161

HSL 281.12, 0.38%, 0.46%

LAB 41.52, 41.42, -37.96

 

CMYK 2 / 55 / 0 / 37

HEX #9D48A1

RGB 157 72 161

HSL 297.3, 0.38%, 0.46%

LAB 44.77, 48.08, -32.62

 

CMYK 32 / 55 / 0 / 59

HEX #472F68

RGB 71 47 104

HSL 265.26, 0.38%, 0.3%

LAB 24.87, 24.19, -29.56

 

CMYK 32 / 56 / 0 / 48

HEX #5A3B85

RGB 90 59 133

HSL 265.14, 0.39%, 0.38%

LAB 31.8, 30.14, -36.73

 

CMYK 32 / 55 / 0 / 37

HEX #6E48A1

RGB 110 72 161

HSL 265.62, 0.38%, 0.46%

LAB 38.77, 35.23, -42.52

 

CMYK 28 / 49 / 0 / 29

HEX #835DB6

RGB 131 93 182

HSL 265.62, 0.38%, 0.54%

LAB 47.02, 34.06, -41.65

 

CMYK 22 / 38 / 0 / 24

HEX #9879C3

RGB 152 121 195

HSL 265.14, 0.38%, 0.62%

LAB 56.38, 27.08, -34.26

 

CMYK 32 / 56 / 0 / 36

HEX #6E48A2

RGB 110 72 162

HSL 265.33, 0.38%, 0.46%

LAB 38.83, 35.49, -43.02

 

CMYK 0 / 55 / 34 / 37

HEX #A1486A

RGB 161 72 106

HSL 337.08, 0.38%, 0.46%

LAB 43.14, 40.57, -1.69

 

CMYK 55 / 0 / 54 / 37

HEX #48A14A

RGB 72 161 74

HSL 121.35, 0.38%, 0.46%

LAB 59.31, -44.82, 37.03

 

CMYK 32 / 56 / 0 / 36

HEX #6E48A2

RGB 110 72 162

HSL 265.33, 0.38%, 0.46%

LAB 38.83, 35.49, -43.02

 

CMYK 0 / 32 / 55 / 37

HEX #A16D48

RGB 161 109 72

HSL 24.94, 0.38%, 0.46%

LAB 50.67, 16.52, 28.9

 

CMYK 55 / 0 / 32 / 37

HEX #48A16D

RGB 72 161 109

HSL 144.94, 0.38%, 0.46%

LAB 59.86, -38.92, 19.22

 

CMYK 32 / 56 / 0 / 36

HEX #6E48A2

RGB 110 72 162

HSL 265.33, 0.38%, 0.46%

LAB 38.83, 35.49, -43.02

 

CMYK 0 / 55 / 34 / 37

HEX #A1486A

RGB 161 72 106

HSL 337.08, 0.38%, 0.46%

LAB 43.14, 40.57, -1.69

 

CMYK 23 / 0 / 55 / 37

HEX #7CA148

RGB 124 161 72

HSL 84.94, 0.38%, 0.46%

LAB 61.86, -27.57, 41.68

 

CMYK 55 / 0 / 21 / 37

HEX #48A17F

RGB 72 161 127

HSL 157.08, 0.38%, 0.46%

LAB 60.25, -35.04, 9.74

 

CMYK 32 / 56 / 0 / 36

HEX #6E48A2

RGB 110 72 162

HSL 265.33, 0.38%, 0.46%

LAB 38.83, 35.49, -43.02

 

CMYK 0 / 55 / 50 / 37

HEX #A14850

RGB 161 72 80

HSL 354.61, 0.38%, 0.46%

LAB 42.45, 37.65, 13.37

 

CMYK 23 / 0 / 55 / 37

HEX #7CA148

RGB 124 161 72

HSL 84.94, 0.38%, 0.46%

LAB 61.86, -27.57, 41.68

 

CMYK 55 / 0 / 4 / 37

HEX #48A19A

RGB 72 161 154

HSL 175.28, 0.38%, 0.46%

LAB 60.96, -28.25, -4.43

 

Description

Color code: HEX #6E48A2 | qconv.com Color code: HEX #6E48A2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 72 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 72 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 56 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 56% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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