Past Film & Video
(22 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
|
$45MM
|
$7.2MM
|
$15MM
|
$34MM
|
Battlefield Earth (2000)
Associate Visual Effects Producer (post-production) (uncredited)
Associate Visual Effects Producer (post-production) (uncredited)
See fewer
|
$73MM
|
$12MM
|
$21MM
|
$30MM
|
Arrival II (1998)
Technical Effects Consultant (visual effects)
Technical Effects Consultant (visual effects)
See fewer
|
CAD 6MM
|
|
|
|
|
$3MM
|
|
|
|
|
$55MM
|
$17MM
|
$105MM
|
$174MM
|
The Arrival (1996)
Special Effects,
Visual Effects Producer
Special Effects,
Visual Effects Producer
See fewer
|
$25MM
|
$4.8MM
|
$14MM
|
$14MM
|
|
$7MM
|
|
|
|
The Basketball Diaries (1995)
Titles (Title House) (as Chuck Finance),
Opticals (Title House) (as Chuck Finance)
Titles (Title House) (as Chuck Finance),
Opticals (Title House) (as Chuck Finance)
See fewer
|
$2MM
|
$765K
|
$2.4MM
|
$2.4MM
|
|
|
|
|
|
|
$21MM
|
$12MM
|
$42MM
|
$42MM
|
|
|
|
|
|
|
$14MM
|
$985K
|
$2MM
|
$2MM
|
Honey, I Blew Up the Kid (1992)
Production Manager (Perpetual Motion Pictures) (as Charles Finance)
Production Manager (Perpetual Motion Pictures) (as Charles Finance)
See fewer
|
$40MM
|
$11MM
|
$59MM
|
$59MM
|
|
$3MM
|
$4.5MM
|
$15MM
|
$15MM
|
Warlock (1989)
Production Supervisor (Perpetual Motion Pictures)
Production Supervisor (Perpetual Motion Pictures)
See fewer
|
$7MM
|
$780K
|
$9.1MM
|
$9.1MM
|
Leviathan (1989)
Visual Effects Production Manager (Perpetual Motion Pictures)
Visual Effects Production Manager (Perpetual Motion Pictures)
See fewer
|
$25MM
|
$5MM
|
$16MM
|
$16MM
|
|
$8.5MM
|
$6.2MM
|
$40MM
|
$41MM
|
|
$18MM
|
$2.9MM
|
$9.7MM
|
$9.7MM
|
Dune (1984)
Special Effects Coordinator,
Visual Effects Coordinator (uncredited)
Special Effects Coordinator,
Visual Effects Coordinator (uncredited)
See fewer
|
$40MM
|
$6MM
|
$31MM
|
$31MM
|
|
$18MM
|
$7MM
|
$31MM
|
$31MM
|
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