Past Film & Video
(52 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
Valentine (2024)
(Short)
-
Consulting Visual Effects Supervisor
Consulting Visual Effects Supervisor
See fewer
|
|
|
|
|
Devotion (2022)
Visual Effects Production Supervisor
Visual Effects Production Supervisor
See fewer
|
$90MM
|
$5.9MM
|
$21MM
|
$22MM
|
|
$165MM
|
$41MM
|
$109MM
|
$408MM
|
Chaos Walking (2021)
On-set Visual Effects Supervisor (DNEG)
On-set Visual Effects Supervisor (DNEG)
See fewer
|
$125MM
|
$3.8MM
|
$13MM
|
$27MM
|
|
$170MM
|
$48MM
|
$111MM
|
$387MM
|
|
CAD 5K
|
|
|
|
The Meg (2018)
Compositing Supervisor (Double Negative)
Compositing Supervisor (Double Negative)
See fewer
|
$130MM
|
$45MM
|
$146MM
|
$529MM
|
Wonder Woman (2017)
Compositing Supervisor (Double Negative)
Compositing Supervisor (Double Negative)
See fewer
|
$149MM
|
$103MM
|
$413MM
|
$824MM
|
|
$115MM
|
$19MM
|
$48MM
|
$165MM
|
|
$110MM
|
$52MM
|
$130MM
|
$297MM
|
|
$170MM
|
$95MM
|
$260MM
|
$714MM
|
Ender's Game (2013)
Compositing Supervisor (Digital Domain)
Compositing Supervisor (Digital Domain)
See fewer
|
$110MM
|
$27MM
|
$62MM
|
$126MM
|
The Host (2013)
Lead Digital Compositor (Rodeo FX)
Lead Digital Compositor (Rodeo FX)
See fewer
|
$40MM
|
$11MM
|
$27MM
|
$63MM
|
|
$85MM
|
$18MM
|
$65MM
|
$183MM
|
|
|
|
|
|
|
$195MM
|
$98MM
|
$352MM
|
$1.12B
|
|
$150MM
|
$40MM
|
$132MM
|
$320MM
|
|
$200MM
|
$128MM
|
$312MM
|
$624MM
|
|
$80MM
|
$15MM
|
$39MM
|
$122MM
|
|
$200MM
|
$109MM
|
$402MM
|
$836MM
|
|
$200MM
|
$43MM
|
$125MM
|
$371MM
|
|
$150MM
|
$75MM
|
$258MM
|
$386MM
|
|
$140MM
|
$99MM
|
$319MM
|
$586MM
|
|
$35MM
|
$6.7MM
|
$15MM
|
$65MM
|
|
$150MM
|
$71MM
|
$319MM
|
$710MM
|
|
$300MM
|
$115MM
|
$309MM
|
$962MM
|
|
$100MM
|
$23MM
|
$75MM
|
$250MM
|
|
$225MM
|
$136MM
|
$423MM
|
$1.07B
|
|
$160MM
|
$22MM
|
$61MM
|
$182MM
|
|
$126MM
|
$12MM
|
$36MM
|
$163MM
|
|
$132MM
|
$65MM
|
$234MM
|
$604MM
|
|
$113MM
|
$108MM
|
$380MM
|
$850MM
|
|
$140MM
|
$30MM
|
$119MM
|
$211MM
|
|
$105MM
|
$24MM
|
$58MM
|
$116MM
|
|
$160MM
|
$52MM
|
$120MM
|
$300MM
|
|
$70MM
|
$16MM
|
$38MM
|
$58MM
|
|
|
|
|
|
|
$100MM
|
$11MM
|
$48MM
|
$122MM
|
|
$150MM
|
$25MM
|
$94MM
|
$212MM
|
|
$200MM
|
$44MM
|
$150MM
|
$433MM
|
|
$140MM
|
$47MM
|
$305MM
|
$654MM
|
|
$115MM
|
$80MM
|
$311MM
|
$654MM
|
|
$93MM
|
$51MM
|
$181MM
|
$369MM
|
|
$140MM
|
$59MM
|
$199MM
|
$449MM
|
|
$45MM
|
$7.2MM
|
$15MM
|
$34MM
|
|
$75MM
|
$30MM
|
$95MM
|
$248MM
|
The Kid (2000)
Inferno Artist (The Secret Lab)
Inferno Artist (The Secret Lab)
See fewer
|
$65MM
|
$13MM
|
$70MM
|
$110MM
|
|
$90MM
|
$25MM
|
$102MM
|
$237MM
|
|
$100MM
|
$23MM
|
$61MM
|
$111MM
|
|
$25MM
|
$3.1MM
|
$7MM
|
$7MM
|
Godzilla (1998)
Digital Compositor (main title sequence & design)
Digital Compositor (main title sequence & design)
See fewer
|
$130MM
|
$44MM
|
$136MM
|
$379MM
|
Family Plan (1997)
CGI Animation Supervisor (main title, Paramount Digital Design),
CGI Compositor (main title, Paramount Digital Design)
CGI Animation Supervisor (main title, Paramount Digital Design),
CGI Compositor (main title, Paramount Digital Design)
See fewer
|
|
|
|
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