Allen, 2012 - Google Patents
Stained Glass and the Culture of the Spectacle, 1780–1862Allen, 2012
- Document ID
- 16151931890022885689
- Author
- Allen J
- Publication year
- Publication venue
- Visual Culture in Britain
External Links
Snippet
Stained glass has been significantly overlooked in studies of nineteenth-century visual culture. This article examines the important role that stained glass played within 'the era of public glass' by exploring the dialogues between stained glass and 'spectacle'in the late …
- 239000005315 stained glass 0 title abstract description 214
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Huhtamo | Elements of screenology: Toward an archaeology of the screen | |
| Baugh | Theatre, performance and technology: The development and transformation of scenography | |
| Edensor et al. | Reconfiguring familiar worlds with light projection: The Gertrude street projection festival, 2017 | |
| Batchelor | The luminous and the grey | |
| Ursprung | Herzog & de Meuron: Natural History:[Ausstellung, Canadian Centre for Architecture (CCA), Montréal, 23 October 2002 to 6 April 2003; Heinz Architectural Center, Carnegie Museum of Art, Pittsburgh, 5 June to 7 September 2003; Schaulager, Münchenstein/Basel, Spring 2004...] | |
| Allen | Stained Glass and the Culture of the Spectacle, 1780–1862 | |
| Bermingham | Technologies of illusion: De Loutherbourg's Eidophusikon in eighteenth-century London | |
| Andrew | Moving Modernism: The Urge to Abstraction in Painting, Dance, Cinema | |
| Langford | Michael Snow: Life & Work | |
| O'Neill | Art and visual culture on the French Riviera, 1956-1971: the Ecole de Nice | |
| Lichtenstein | Twilight Visions: Surrealism and Paris | |
| Plunkett | Light work: Feminine leisure and the making of transparencies | |
| Garrod Bush | Kaleidoscopism: The Circulation of a Mid-Century Metaphor and Motif | |
| Hartmann | The Whistler Book: A Monograph of the Life and Position in Art of James McNeill Whistler, Together with a Careful Study of His More Important Works | |
| Klein | Matisse and decoration | |
| Barnaby | Light touches: Cultural practices of illumination, London 1780-1840 | |
| Beltran et al. | Electric Worlds/Mondes électriques: Creations, circulations, tensions, transitions (19th–21st C.) | |
| Cagol | Towards a Genealogy of the Thematic Contemporary Art Exhibition: Italian Exhibition Culture from the Mostra Della Rivoluzione Fascista (1932) to the Palazzo Grassi’s Ciclo Della Vitalità (1959–1961) | |
| Tiampo | Gutai and Informel: Post-war art in Japan and France, 1945–1965 | |
| Hutchinson | A media archaeology of technologies of enchantment | |
| Петровська | Types of Art | |
| YATIR | GLASS MUSEUMS: EXHIBITION DESIGN AND SPACES FOR CONTEMPORARY GLASS ART IN THE ‘GLASS AGE’ | |
| Bui et al. | On Larry Day. | |
| Liverpool | Critical perspectives on contemporary painting: hybridity, hegemony, historicism | |
| LIMING et al. | RESEARCH ON LIGHTING INSTALLATION ART DESIGN UNDER REGIONAL CULTURE: CASE STUDY IN GUANGZHOU INTERNATIONAL LIGHTING FESTIVAL DURING 2021-2023 |