IM in Classical Theatre

Abstract

As mentioned earlier in this book, classical theatre contains its own versions of interior drama that are the theatre’s earliest and most recognized use of IM. From ancient to modern times, the idea of sharing a character’s private thoughts has been used to allow an audience entrance into the inner workings of a character’s true motivations. While never truly labeled IM, the use of these devices has been part of the theatrical lexicon for centuries. We will divide these devices into three categories: apostrophe, soliloquy, and aside. Each method has its own definition and rules.

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Authors

1. Rob Roznowski
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© 2013 Rob Roznowski

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Roznowski, R. (2013). IM in Classical Theatre. In: Inner Monologue in Acting. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137354297_15

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• DOI: https://doi.org/10.1057/9781137354297_15

• Publisher Name: Palgrave Macmillan, New York

• Print ISBN: 978-1-137-35428-0

• Online ISBN: 978-1-137-35429-7

• eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)

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