Titel: | The Oxford handbook of film music studies |
Mitwirkende: | Neumeyer, David [HerausgeberIn] |
Verf.angabe: | edited by David Neumeyer |
Verlagsort: | Oxford ; New York, NY |
Verlag: | Oxford University Press |
E-Jahr: | 2014 |
Jahr: | [2014] |
Umfang: | X, 683 Seiten |
Illustrationen: | Illustrationen, Notenbeispiele |
Format: | 25,5 cm |
Fussnoten: | Literaturverzeichnis: Seite 637- 638, - Index |
Ang. zum Inhalt: | Overview / David NeumeyerMusic and the ontology of the sound film / James Buhler and David Neumeyer |
| Overview / David Neumeyer |
| Opera and film / Marcia Citron |
| Visual representation of film sound as analytical tool / Rick Altman |
| Film music from the perspective of cognitive science / Annabel Cohen |
| Composing for film / Peter Schweinhardt and Johannes C. Gall ; translated by Oliver Dahin |
| Ontological, formal, and critical theories of film music and sound / James Buhler |
| Drawing a new narrative for cartoon music / Daniel Goldmark |
| Genre theory and the film musical / Cari McDonnell |
| The tunes they are a-changing / Jeff Smith |
| The compilation soundtrack from the 1960s to the present / Julie Hubbert |
| The origins of musical style in video games, 1977-1983 / Neil Lerner |
| Classical music, virtual bodies, narrative film / Lawrence Kramer |
| Gender, sexuality, and the soundtrack / James Buhler |
| Psychoanalysis, apparatus theory, and subjectivity / James Buhler |
| Case studies--introduction / Robynn Stilwell |
| Case study 1, The order of sanctity / Mitchell Morris |
| Case study 2, Strange recognitions and endless loops / Julie McQuinn |
| Transformational theory and the analysis of film music / Scott Murphy |
| Listening in film / Marianne Kielian-Gilbert |
| Auteurship and agency in television music / Ronald Rodman |
| When the music surges / Michael Pisani |
| Audio-visual palimpsests / Julie Brown |
| Performance practices and music in early cinema outside hollywood / Kathryn Kalinak |
| Performing prestige / Nathan Platte. |
| Music and the ontology of the sound film / James Buhler and David Neumeyer |
| Opera and film / Marcia Citron |
| Visual representation of film sound as analytical tool / Rick Altman |
| Film music from the perspective of cognitive science / Annabel Cohen |
| Composing for film / Peter Schweinhardt and Johannes C. Gall ; translated by Oliver Dahin |
| Ontological, formal, and critical theories of film music and sound / James Buhler |
| Drawing a new narrative for cartoon music / Daniel Goldmark |
| Genre theory and the film musical / Cari McDonnell |
| The tunes they are a-changing / Jeff Smith |
| The compilation soundtrack from the 1960s to the present / Julie Hubbert |
| The origins of musical style in video games, 1977-1983 / Neil Lerner |
| Classical music, virtual bodies, narrative film / Lawrence Kramer |
| Gender, sexuality, and the soundtrack / James Buhler |
| Psychoanalysis, apparatus theory, and subjectivity / James Buhler |
| Case studies--introduction / Robynn Stilwell |
| Case study 1, The order of sanctity / Mitchell Morris |
| Case study 2, Strange recognitions and endless loops / Julie McQuinn |
| Transformational theory and the analysis of film music / Scott Murphy |
| Listening in film / Marianne Kielian-Gilbert |
| Auteurship and agency in television music / Ronald Rodman |
| When the music surges / Michael Pisani |
| Audio-visual palimpsests / Julie Brown |
| Performance practices and music in early cinema outside hollywood / Kathryn Kalinak |
| Performing prestige / Nathan Platte. |
ISBN: | 978-0-19-025059-1 |
| 0-19-532849-3 |
| 978-0-19-532849-3 |
| 978-0-19-532849-3 |
Schlagwörter: | (s)Filmmusik |
Dokumenttyp: | Aufsatzsammlung |
Sprache: | eng |
Bibliogr. Hinweis: | Erscheint auch als : Online-Ausgabe: The Oxford handbook of film music studies. - New York, NY : Oxford University Press, 2013. - 1 Online-Ressource (xii, 683 Seiten) |
RVK-Notation: | LR 53509 |
| AP 51450 |
K10plus-PPN: | 739888129 |
¬The¬ Oxford handbook of film music studies / Neumeyer, David [HerausgeberIn]; [2014]