| 1. |
Cowan, Michael: Film Culture in Transition. Film Societies in Germany and Austria 1910-1933 : Tracing the Social Life of Cinema / Michael Cowan. -
Amsterdam: Amsterdam University Press, 2023. - 1 Online-Ressource (274 p.), ISBN 978-90-485-5572-7
(Film Culture in Transition)
DOI: 10.1515/9789048555727
 Online-Ressource |
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| 2. |
The Oxford handbook of film music studies / edited by David Neumeyer. -
Oxford ; New York, NY: Oxford University Press, [2014]. - X, 683 Seiten : Illustrationen, Notenbeispiele, ISBN 978-0-19-025059-1
 Buch/keine Angabe |
Präsenznutzung
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| 3. |
Early Film Theories in Italy 1896-1922 : The Little Magic Machine / Francesco Casetti, Silvio Alovisio, Luca Mazzei. -
Amsterdam: Amsterdam University Press, 2017. - 1 Online-Ressource, ISBN 978-90-485-2710-6
(Film Theory in Media History)
DOI: 10.1515/9789048527106
Online-Ressource |
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| 4. |
Herbert, Daniel: Maverick Movies : New Line Cinema and the Transformation of American Film / Daniel Herbert. -
Berkeley, CA: University of California Press, [2023]. - 1 Online-Ressource (296 p.), ISBN 978-0-520-38236-7
DOI: 10.1525/9780520382367
Online-Ressource |
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| 5. |
A companion to Nordic cinema / edited by Mette Hjort and Ursula Lindqvist. -
Chichester, West Sussex ; Malden, MA: Wiley Blackwell, 2016. - xi, 614 Seiten : Illustrationen, ISBN 978-1-118-47525-6
(Wiley Blackwell Companions to national cinemas)
Buch/keine Angabe |
ausleihbar  Signatur: 2016 A 7454
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| 6. |
Wie der Film unsterblich wurde : vorakademische Filmwissenschaft in Deutschland / hrsg. von Rolf Aurich und Ralf Forster. [In Kooperation mit: Filmuniversität Babelsberg Konrad Wolf … . -
München: Ed. Text + Kritik im Boorberg-Verl., 2015. - 416 S. : Ill., graph. Darst., ISBN 978-3-86916-407-6
(Film-Erbe ; Bd. 1)
Buch/keine Angabe |
ausleihbar |
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| 7. |
Frey, Mattias,: The Permanent Crisis of Film Criticism : The Anxiety of Authority / Mattias Frey.. -
Amsterdam: Amsterdam University Press, [2022]. - 1 Online-Ressource (196 p.), ISBN 978-90-485-2447-1
(Film Theory in Media History)
Online-Ressource |
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| 8. |
Cinematic intermediality : theory and practice / edited by Kim Knowles and Marion Schmid. -
Edinburgh: Edinburgh University Press, [2021]. - 1 Online-Ressource (xv, 206 Seiten), ISBN 978-1-4744-4636-5
(Edinburgh Studies in Film and Intermediality)
DOI: 10.1515/9781474446365
Online-Ressource |
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| 9. |
Technics : media in the digital age / edited by Nicholas Baer and Annie van den Oever. -
Amsterdam: Amsterdam University Press, [2024]. - 1 Online-Ressource (335 Seiten), ISBN 978-90-485-6456-9
(The Key Debates: Mutations and Appropriations in European Film Studies ; 10)
DOI: 10.1515/9789048564569
Online-Ressource |
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| 10. |
Spaces : Exploring Spatial Experiences of Representation and Reception in Screen Media / ed. by Ian Christie. -
Amsterdam: Amsterdam University Press, [2024]. - 1 Online-Ressource (222 p.), ISBN 978-90-485-6327-2
(The Key Debates: Mutations and Appropriations in European Film Studies ; 9)
DOI: 10.1515/9789048563272
Online-Ressource |
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| 11. |
Sergei M. Eisenstein : Notes for a General History of Cinema / ed. by Naum Kleiman, Antonio Somaini.. -
Amsterdam: Amsterdam University Press, [2022]. - 1 Online-Ressource (500 p.), ISBN 978-90-485-1711-4
(Film Theory in Media History)
Online-Ressource |
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| 12. |
Ingravalle, Grazia: Archival film curatorship : early and silent cinema from analog to digital / Grazia Ingravalle. -
Amsterdam: Amsterdam University Press, [2023]. - 1 Online-Ressource (240 Seiten), ISBN 978-90-485-5574-1
(Framing Film)
DOI: 10.1515/9789048555741
Online-Ressource |
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| 13. |
Durchkreuzte Helden : das "Nibelungenlied" und Fritz Langs Film "Die Nibelungen" im Licht der Intersektionalitätsforschung / Nataša Bedeković, Andreas Kraß, Astrid Lembke (Hg.). -
Bielefeld: transcript, c 2014. - 318 Seiten : Illustrationen, ISBN 978-3-8376-2647-6
(GenderCodes - Transkriptionen zwischen Wissen und Geschlecht ; Band 17)
Buch/keine Angabe |
ausleihbar |
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| 14. |
Preserving and exhibiting media art : challenges and perspectives / Julia Noordegraaf, Cosetta G. Saba, Barbara Le Maître and Vinzenz Hediger (eds.). -
Amsterdam: Amsterdam University Press, 2013. - 1 Online-Ressource (428 pages, [16] pages of plates) : illustrations (some color), ISBN 978-90-8964-291-2
(Framing film)
Online-Ressource |
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| 15. |
Comolli, Jean-Louis,: Cinema Against Spectacle : Technique and Ideology Revisited / Jean-Louis Comolli; ed. by Daniel Fairfax.. -
Amsterdam: Amsterdam University Press, [2022]. - 1 Online-Ressource (348 p.), ISBN 978-90-485-1945-3
(Film Theory in Media History)
Online-Ressource |
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| 16. |
Disentangling Jihad, political violence and media / edited by Simone Pfeifer, Christoph Günther and Robert Dörre. -
Edinburgh: Edinburgh University Press, [2023]. - 1 Online-Ressource (xxvi, 420 Seiten) : Illustrationen, ISBN 978-1-3995-2381-3
DOI: 10.1515/9781399523813
Online-Ressource |
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| 17. |
Gaudreault, André: Technology and film scholarship : experience, study theory / edited by Santiago Hidalgo ; foreword by André Gaudreault. -
Amsterdam: Amsterdam University Press, 2017. - 1 Online-Ressource (264 Seiten) : 4 color plates, 16 halftones, 8 line drawings, ISBN 978-90-485-2527-0
(Film Theory in Media History)
DOI: 10.1515/9789048525270
Online-Ressource |
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| 18. |
Vonderau, Patrick: Films that work : industrial film and the productivity of media / edited by Vinzenz Hediger and Patrick Vonderau. -
Amsterdam: Amsterdam University Press, 2009. - 1 Online-Ressource (491 pages) : illustrations, ISBN 978-90-8964-012-3
(Film culture in transition)
Online-Ressource |
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| 19. |
Cinemasaurus : Russian film in contemporary context / edited by Nancy Condee, Alexander Prokhorov, and Elena Prokhorova. -
Boston: Academic Studies Press, 2020. - 327 Seiten : Illustrationen, ISBN 978-1-64469-271-4
(Film and media studies)
Buch/keine Angabe |
ausleihbar Signatur: 2021 A 13341
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| 20. |
Subjectivity : Filmic Representation and the Spectator's Experience / ed. by Dominique Chateau. -
Amsterdam: Amsterdam University Press, 2011. - 1 Online-Ressource (276 p.), ISBN 978-90-485-1420-5
(The Key Debates: Mutations and Appropriations in European Film Studies ; 2)
DOI: 10.1515/9789048514205
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