The article is devoted to the Soviet pavilion at the World Exhibition
of 1925. The international ... more The article is devoted to the Soviet pavilion at the World Exhibition of 1925. The international debut of young Soviet architecture made K.S. Melnikov an exponent of both political and artistic will in the USSR, which was in a state of consolidation in the mid-1920s. The dynamic composition found by Melnikov in his work on the pavilion, the “red diagonal”, has been passing through the theory and practice of the Russian avant-garde since the mid–1910s, but at the same time, ideas of other architects are recognized in this radical update - starting from the graduation works of Vkhutemas’ students and ending with Corbusier graphics. The article re-examines the circumstances of the creation, the artistic context and the formal features of those Melnikov projects that were intended to be implemented outside the USSR.
Церковь Петра и Павла в Смоленске по данным чертежей П.Д. Барановского, 2023
Статья Вл.В. Седова «Церковь Петра и Павла в Смоленске по данным черте-
жей П.Д. Барановского» по... more Статья Вл.В. Седова «Церковь Петра и Павла в Смоленске по данным черте- жей П.Д. Барановского» посвящена малоизвестному и малоизученному эпизоду в истории изу- чения архитектуры и реставрации памятников древнего Смоленска: исследованиям этой церкви известным архитектором-реставратором Петром Дмитриевичем Барановским. Вернее, это бы- ли два эпизода: в середине 1920-х годов было начато архитектурное и археологическое изуче- ние древнего храма, а в начале 1960-х годов оно было продолжено и закончилось реставрацией первоначальных форм памятника. Однако графические материалы по этим работам до сих пор почти не были известны. Автор обнаружил в фондах Музея архитектуры серию чертежей, часть которых относится к 1920-м годам, а часть – к началу 1960-х годов. Эти чертежи показывают со- стояние исследований, а также проливают свет на подлинность тех или иных конкретных форм. Кроме того, из этих чертежей следуют соображения об общем характере церкви Петра и Павла. Все это дает значительный дополнительный материал для истории древнерусской архитектуры.
Цель данной статьи автор видит в том, чтобы дать общее представление о состоянии исследований арх... more Цель данной статьи автор видит в том, чтобы дать общее представление о состоянии исследований архитектуры собора Рождества Богородицы в Суздале, а также показать те важнейшие направления дальнейшего изучения его форм, которые могут дать новый взгляд на сложение и развитие архитектуры Древней Руси. Акцент был сделан на сохранившейся архитектуре начала XIII в., но вопросы архитектуры раннего собора рубежа XI-XII вв. также были рассмотрены.
Люди из каменного саркофага № 11 Юрьева монастыря: генетическая история на основе митохондриальных геномов, 2023
Paleogenetic studies open up new possibilities for studying the composition
of the population in ... more Paleogenetic studies open up new possibilities for studying the composition of the population in medieval Novgorod. This paper describes the first mitochondrial ge- nomes of the individuals from the sarcophagus containing burials of the Novgorod nobil- ity from the 12th–13th centuries. Along with other ‘mixed burial’ sarcophagi, sarcophagus No. 11 was discovered during excavations conducted by the Novgorod architectural and archaeological team from the Institute of Archaeology, RAS, in 2019. The sarcophagus contained remains of three individuals. Full genome sequencing that we accomplished confirmed the sex identity of the two skeletons as female and male (Individual 1 and Indi- vidual 3, respectively) and identified the sex of the child (Individual 2) as female. The as- sumption that close relatives, for example, the mother and her daughter or the aunt and her niece, or remote matrilineal relatives had been buried in the upper tier of the sarcophagus at the same time proved to be wrong. Other degrees of relationship need to be checked, it will be the next task in investigating full genome data of these buried individuals. For the first time we determined mitochondrial haplogroups of the nobility representatives in pre-Mongol Novgorod. The mitochondrial genome of the adult female is referred to the haplogroup which is present in the Medieval Russia ‘kurgan’ population of the Russian North and medieval Yaroslavl. Two other individuals represent rare mitochondrial hap- logroups which have not been identified among the population of Medieval Russia before. T. V. Andreeva, M. V. Dobrovolskaya, Vl. V. Sedov, M. V. Vdovichenko, I. K. Reshetova, A. D. Soshkina, N. A. Dudko, A. S. Bydanov, I. Yu. Adrianova, A. P. Buzhilova, E. I. Rogaev
The Cathedral of St. George is located in the Yuriev Monastery, in Novgorod, one of the capitals ... more The Cathedral of St. George is located in the Yuriev Monastery, in Novgorod, one of the capitals of ancient Rus (The Great Novgorod). The wall paintings were completed around 1120 CE. The Cathedral or its parts were renovated in different periods. The fragments of the twelfth-century frescoes were deposited under the new floor and in the area around the Cathedral. Archaeological excavations of the Institute of Archaeology of the Russian Academy of Sciences in Moscow brought to light a large number of fragments of frescoes. The Laboratory for Architectural Archaeology and Multidisciplinary Methods in Architectural Research of the Institute began to study the fragments in 2021 and presents here the first results of the research on substrate and preparation layers of the paintings. Our aim was tdistinguishing the different phases of the wall paintings. The plasters used in the twelfth century are different from the later ones and contain different aggregates.
The article is devoted to a detailed analysis of the inscription on a stone plaque on the western... more The article is devoted to a detailed analysis of the inscription on a stone plaque on the western wall of the Church of St. Nicholas the Wonderworker in the village of Nikolskoye-Uryupino near Moscow. This temple is located in a picturesque area in the current Krasnogorsk district of the Moscow region. It is well dated 1664–1665, thanks to an inscription on a stone slab. This inscription belongs to the most outstanding works of decorative art of the court circle and very fully characterizes the culture of this circle, both in the field of literature and in the field of decoration. If the inscription itself, as a literary work, belongs to the Old Russian tradition, then its execution in stone is of a twofold nature: its font belongs to the best examples of Old Russian ligature, while the framing speaks of an active interest in European style.
This article is devoted to the study of an inscription in a book from
Novgorod written, as I expl... more This article is devoted to the study of an inscription in a book from Novgorod written, as I explain, in the fifteenth century; the inscription states that the book was ‘placed’ in the Church of the Beheading of John the Baptist by a certain Fyodor Okinfovich. I then consider written evidence about this figure, who was a boyar in the third quarter of the fifteenth century. I suggest that the book may have been placed in the Church of John the Baptist at the Hanseatic trading outpost (Nemetskii dvor, the ‘German Court’) in Novgorod.
The article is devoted to the Soviet pavilion at the World Exhibition
of 1925. The international ... more The article is devoted to the Soviet pavilion at the World Exhibition of 1925. The international debut of young Soviet architecture made K.S. Melnikov an exponent of both political and artistic will in the USSR, which was in a state of consolidation in the mid-1920s. The dynamic composition found by Melnikov in his work on the pavilion, the “red diagonal”, has been passing through the theory and practice of the Russian avant-garde since the mid–1910s, but at the same time, ideas of other architects are recognized in this radical update - starting from the graduation works of Vkhutemas’ students and ending with Corbusier graphics. The article re-examines the circumstances of the creation, the artistic context and the formal features of those Melnikov projects that were intended to be implemented outside the USSR.
Церковь Петра и Павла в Смоленске по данным чертежей П.Д. Барановского, 2023
Статья Вл.В. Седова «Церковь Петра и Павла в Смоленске по данным черте-
жей П.Д. Барановского» по... more Статья Вл.В. Седова «Церковь Петра и Павла в Смоленске по данным черте- жей П.Д. Барановского» посвящена малоизвестному и малоизученному эпизоду в истории изу- чения архитектуры и реставрации памятников древнего Смоленска: исследованиям этой церкви известным архитектором-реставратором Петром Дмитриевичем Барановским. Вернее, это бы- ли два эпизода: в середине 1920-х годов было начато архитектурное и археологическое изуче- ние древнего храма, а в начале 1960-х годов оно было продолжено и закончилось реставрацией первоначальных форм памятника. Однако графические материалы по этим работам до сих пор почти не были известны. Автор обнаружил в фондах Музея архитектуры серию чертежей, часть которых относится к 1920-м годам, а часть – к началу 1960-х годов. Эти чертежи показывают со- стояние исследований, а также проливают свет на подлинность тех или иных конкретных форм. Кроме того, из этих чертежей следуют соображения об общем характере церкви Петра и Павла. Все это дает значительный дополнительный материал для истории древнерусской архитектуры.
Цель данной статьи автор видит в том, чтобы дать общее представление о состоянии исследований арх... more Цель данной статьи автор видит в том, чтобы дать общее представление о состоянии исследований архитектуры собора Рождества Богородицы в Суздале, а также показать те важнейшие направления дальнейшего изучения его форм, которые могут дать новый взгляд на сложение и развитие архитектуры Древней Руси. Акцент был сделан на сохранившейся архитектуре начала XIII в., но вопросы архитектуры раннего собора рубежа XI-XII вв. также были рассмотрены.
Люди из каменного саркофага № 11 Юрьева монастыря: генетическая история на основе митохондриальных геномов, 2023
Paleogenetic studies open up new possibilities for studying the composition
of the population in ... more Paleogenetic studies open up new possibilities for studying the composition of the population in medieval Novgorod. This paper describes the first mitochondrial ge- nomes of the individuals from the sarcophagus containing burials of the Novgorod nobil- ity from the 12th–13th centuries. Along with other ‘mixed burial’ sarcophagi, sarcophagus No. 11 was discovered during excavations conducted by the Novgorod architectural and archaeological team from the Institute of Archaeology, RAS, in 2019. The sarcophagus contained remains of three individuals. Full genome sequencing that we accomplished confirmed the sex identity of the two skeletons as female and male (Individual 1 and Indi- vidual 3, respectively) and identified the sex of the child (Individual 2) as female. The as- sumption that close relatives, for example, the mother and her daughter or the aunt and her niece, or remote matrilineal relatives had been buried in the upper tier of the sarcophagus at the same time proved to be wrong. Other degrees of relationship need to be checked, it will be the next task in investigating full genome data of these buried individuals. For the first time we determined mitochondrial haplogroups of the nobility representatives in pre-Mongol Novgorod. The mitochondrial genome of the adult female is referred to the haplogroup which is present in the Medieval Russia ‘kurgan’ population of the Russian North and medieval Yaroslavl. Two other individuals represent rare mitochondrial hap- logroups which have not been identified among the population of Medieval Russia before. T. V. Andreeva, M. V. Dobrovolskaya, Vl. V. Sedov, M. V. Vdovichenko, I. K. Reshetova, A. D. Soshkina, N. A. Dudko, A. S. Bydanov, I. Yu. Adrianova, A. P. Buzhilova, E. I. Rogaev
The Cathedral of St. George is located in the Yuriev Monastery, in Novgorod, one of the capitals ... more The Cathedral of St. George is located in the Yuriev Monastery, in Novgorod, one of the capitals of ancient Rus (The Great Novgorod). The wall paintings were completed around 1120 CE. The Cathedral or its parts were renovated in different periods. The fragments of the twelfth-century frescoes were deposited under the new floor and in the area around the Cathedral. Archaeological excavations of the Institute of Archaeology of the Russian Academy of Sciences in Moscow brought to light a large number of fragments of frescoes. The Laboratory for Architectural Archaeology and Multidisciplinary Methods in Architectural Research of the Institute began to study the fragments in 2021 and presents here the first results of the research on substrate and preparation layers of the paintings. Our aim was tdistinguishing the different phases of the wall paintings. The plasters used in the twelfth century are different from the later ones and contain different aggregates.
The article is devoted to a detailed analysis of the inscription on a stone plaque on the western... more The article is devoted to a detailed analysis of the inscription on a stone plaque on the western wall of the Church of St. Nicholas the Wonderworker in the village of Nikolskoye-Uryupino near Moscow. This temple is located in a picturesque area in the current Krasnogorsk district of the Moscow region. It is well dated 1664–1665, thanks to an inscription on a stone slab. This inscription belongs to the most outstanding works of decorative art of the court circle and very fully characterizes the culture of this circle, both in the field of literature and in the field of decoration. If the inscription itself, as a literary work, belongs to the Old Russian tradition, then its execution in stone is of a twofold nature: its font belongs to the best examples of Old Russian ligature, while the framing speaks of an active interest in European style.
This article is devoted to the study of an inscription in a book from
Novgorod written, as I expl... more This article is devoted to the study of an inscription in a book from Novgorod written, as I explain, in the fifteenth century; the inscription states that the book was ‘placed’ in the Church of the Beheading of John the Baptist by a certain Fyodor Okinfovich. I then consider written evidence about this figure, who was a boyar in the third quarter of the fifteenth century. I suggest that the book may have been placed in the Church of John the Baptist at the Hanseatic trading outpost (Nemetskii dvor, the ‘German Court’) in Novgorod.
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Papers by Sedov Vladimir
of 1925. The international debut of young Soviet architecture made K.S. Melnikov an exponent of both political and artistic will in the USSR, which was in a state of consolidation in the mid-1920s. The dynamic composition found by Melnikov in his work on the pavilion, the “red diagonal”, has been passing through the theory and practice of the Russian avant-garde since the mid–1910s, but at the same time, ideas of other architects are recognized in this radical update - starting from the graduation works of Vkhutemas’ students and ending with Corbusier graphics. The article re-examines the circumstances of the creation, the artistic context and the formal features of those Melnikov projects that were intended to be implemented
outside the USSR.
жей П.Д. Барановского» посвящена малоизвестному и малоизученному эпизоду в истории изу-
чения архитектуры и реставрации памятников древнего Смоленска: исследованиям этой церкви
известным архитектором-реставратором Петром Дмитриевичем Барановским. Вернее, это бы-
ли два эпизода: в середине 1920-х годов было начато архитектурное и археологическое изуче-
ние древнего храма, а в начале 1960-х годов оно было продолжено и закончилось реставрацией
первоначальных форм памятника. Однако графические материалы по этим работам до сих пор
почти не были известны. Автор обнаружил в фондах Музея архитектуры серию чертежей, часть
которых относится к 1920-м годам, а часть – к началу 1960-х годов. Эти чертежи показывают со-
стояние исследований, а также проливают свет на подлинность тех или иных конкретных форм.
Кроме того, из этих чертежей следуют соображения об общем характере церкви Петра и Павла.
Все это дает значительный дополнительный материал для истории древнерусской архитектуры.
of the population in medieval Novgorod. This paper describes the first mitochondrial ge-
nomes of the individuals from the sarcophagus containing burials of the Novgorod nobil-
ity from the 12th–13th centuries. Along with other ‘mixed burial’ sarcophagi, sarcophagus
No. 11 was discovered during excavations conducted by the Novgorod architectural and
archaeological team from the Institute of Archaeology, RAS, in 2019. The sarcophagus
contained remains of three individuals. Full genome sequencing that we accomplished
confirmed the sex identity of the two skeletons as female and male (Individual 1 and Indi-
vidual 3, respectively) and identified the sex of the child (Individual 2) as female. The as-
sumption that close relatives, for example, the mother and her daughter or the aunt and her
niece, or remote matrilineal relatives had been buried in the upper tier of the sarcophagus
at the same time proved to be wrong. Other degrees of relationship need to be checked,
it will be the next task in investigating full genome data of these buried individuals. For
the first time we determined mitochondrial haplogroups of the nobility representatives
in pre-Mongol Novgorod. The mitochondrial genome of the adult female is referred to the
haplogroup which is present in the Medieval Russia ‘kurgan’ population of the Russian
North and medieval Yaroslavl. Two other individuals represent rare mitochondrial hap-
logroups which have not been identified among the population of Medieval Russia before.
T. V. Andreeva, M. V. Dobrovolskaya, Vl. V. Sedov, M. V. Vdovichenko,
I. K. Reshetova, A. D. Soshkina, N. A. Dudko, A. S. Bydanov,
I. Yu. Adrianova, A. P. Buzhilova, E. I. Rogaev
wall of the Church of St. Nicholas the Wonderworker in the village of Nikolskoye-Uryupino near Moscow.
This temple is located in a picturesque area in the current Krasnogorsk district of the Moscow region. It is
well dated 1664–1665, thanks to an inscription on a stone slab. This inscription belongs to the most outstanding
works of decorative art of the court circle and very fully characterizes the culture of this circle, both in the
field of literature and in the field of decoration. If the inscription itself, as a literary work, belongs to the Old
Russian tradition, then its execution in stone is of a twofold nature: its font belongs to the best examples of
Old Russian ligature, while the framing speaks of an active interest in European style.
Novgorod written, as I explain, in the fifteenth century; the inscription
states that the book was ‘placed’ in the Church of the Beheading
of John the Baptist by a certain Fyodor Okinfovich. I then consider
written evidence about this figure, who was a boyar in the
third quarter of the fifteenth century. I suggest that the book may
have been placed in the Church of John the Baptist at the Hanseatic
trading outpost (Nemetskii dvor, the ‘German Court’) in Novgorod.
of 1925. The international debut of young Soviet architecture made K.S. Melnikov an exponent of both political and artistic will in the USSR, which was in a state of consolidation in the mid-1920s. The dynamic composition found by Melnikov in his work on the pavilion, the “red diagonal”, has been passing through the theory and practice of the Russian avant-garde since the mid–1910s, but at the same time, ideas of other architects are recognized in this radical update - starting from the graduation works of Vkhutemas’ students and ending with Corbusier graphics. The article re-examines the circumstances of the creation, the artistic context and the formal features of those Melnikov projects that were intended to be implemented
outside the USSR.
жей П.Д. Барановского» посвящена малоизвестному и малоизученному эпизоду в истории изу-
чения архитектуры и реставрации памятников древнего Смоленска: исследованиям этой церкви
известным архитектором-реставратором Петром Дмитриевичем Барановским. Вернее, это бы-
ли два эпизода: в середине 1920-х годов было начато архитектурное и археологическое изуче-
ние древнего храма, а в начале 1960-х годов оно было продолжено и закончилось реставрацией
первоначальных форм памятника. Однако графические материалы по этим работам до сих пор
почти не были известны. Автор обнаружил в фондах Музея архитектуры серию чертежей, часть
которых относится к 1920-м годам, а часть – к началу 1960-х годов. Эти чертежи показывают со-
стояние исследований, а также проливают свет на подлинность тех или иных конкретных форм.
Кроме того, из этих чертежей следуют соображения об общем характере церкви Петра и Павла.
Все это дает значительный дополнительный материал для истории древнерусской архитектуры.
of the population in medieval Novgorod. This paper describes the first mitochondrial ge-
nomes of the individuals from the sarcophagus containing burials of the Novgorod nobil-
ity from the 12th–13th centuries. Along with other ‘mixed burial’ sarcophagi, sarcophagus
No. 11 was discovered during excavations conducted by the Novgorod architectural and
archaeological team from the Institute of Archaeology, RAS, in 2019. The sarcophagus
contained remains of three individuals. Full genome sequencing that we accomplished
confirmed the sex identity of the two skeletons as female and male (Individual 1 and Indi-
vidual 3, respectively) and identified the sex of the child (Individual 2) as female. The as-
sumption that close relatives, for example, the mother and her daughter or the aunt and her
niece, or remote matrilineal relatives had been buried in the upper tier of the sarcophagus
at the same time proved to be wrong. Other degrees of relationship need to be checked,
it will be the next task in investigating full genome data of these buried individuals. For
the first time we determined mitochondrial haplogroups of the nobility representatives
in pre-Mongol Novgorod. The mitochondrial genome of the adult female is referred to the
haplogroup which is present in the Medieval Russia ‘kurgan’ population of the Russian
North and medieval Yaroslavl. Two other individuals represent rare mitochondrial hap-
logroups which have not been identified among the population of Medieval Russia before.
T. V. Andreeva, M. V. Dobrovolskaya, Vl. V. Sedov, M. V. Vdovichenko,
I. K. Reshetova, A. D. Soshkina, N. A. Dudko, A. S. Bydanov,
I. Yu. Adrianova, A. P. Buzhilova, E. I. Rogaev
wall of the Church of St. Nicholas the Wonderworker in the village of Nikolskoye-Uryupino near Moscow.
This temple is located in a picturesque area in the current Krasnogorsk district of the Moscow region. It is
well dated 1664–1665, thanks to an inscription on a stone slab. This inscription belongs to the most outstanding
works of decorative art of the court circle and very fully characterizes the culture of this circle, both in the
field of literature and in the field of decoration. If the inscription itself, as a literary work, belongs to the Old
Russian tradition, then its execution in stone is of a twofold nature: its font belongs to the best examples of
Old Russian ligature, while the framing speaks of an active interest in European style.
Novgorod written, as I explain, in the fifteenth century; the inscription
states that the book was ‘placed’ in the Church of the Beheading
of John the Baptist by a certain Fyodor Okinfovich. I then consider
written evidence about this figure, who was a boyar in the
third quarter of the fifteenth century. I suggest that the book may
have been placed in the Church of John the Baptist at the Hanseatic
trading outpost (Nemetskii dvor, the ‘German Court’) in Novgorod.