vacant planet
Hauntingly sparse and beautiful album comprised almost entirely by Hatis Noit's singing. Fascinating use of traditional Ainu vocal techniques.
Favorite track: Jomon.
daniemusique
Pureté et richesse des timbres, polyvalence, imagination et expressivité constantes! Magnificent surprise of a voice wich creates detailed and evocative pictures!
“Words cannot describe everything we feel. How can one accurately verbalise the sensation we feel when we’re a newborn and our mother holds us in her arms, and we feel her skin on our cheek. We clearly feel her warmth and humidity, some feeling of love from her, but it’s tough to verbalise it perfectly. Music is a language that can translate that sensation, feeling, the memory of love.” — Hatis Noit
There isn’t a more unique entry into a musical journey than that of Japanese voice artist Hatis Noit, who today announces her much anticipated debut album Aura will be released June 24 on Erased Tapes.
Her musical awakening took place at the tender age of sixteen during a trek to Buddha's birthplace in Nepal. One morning when staying at a women’s temple she came across a female monk singing Buddhist chants whose otherworldly sounds moved her so intensely that she was instantly aware of the visceral power of the human voice; a primal and instinctive instrument that connects us to the very essence of humanity, nature and our universe. From that moment she knew singing was her calling.
The album title Aura was inspired by the German philosopher Walter Benjamin who used this term to describe the fundamental essence of art, which he believed is strongest in its original form, only happening once. Hatis agrees with this particular aspect as she realised, “during the pandemic, I really struggled. As a singer, I’m not very good at working on the computer. I much prefer doing live performances in physical spaces. Being with people, sharing the same space with them and feeling the atmosphere and energy of that moment, inspires me every time. To me, art is that — that shared moment.”
The gravitas of the pandemic caused Noit to look inwards and reflect. This resulted in the album becoming a remedy for what was going on in the world and ultimately to remember the joys and richness of life. Hatis adds to this sentiment, “we cannot live forever, do everything or be everywhere. But that makes our lives unique and invaluable. I wanted to be focused on our limitations and show how precious life is.”
The name Hatis Noit itself is taken from Japanese folklore, meaning the stem of the lotus flower. The lotus represents the living world, while its root represents the spirit world, therefore Hatis Noit is what connects the two. For Hatis, music represents the same netherworld with its ability to move and transport us to the other side; the past, a memory, our subconscious.
Through the opening piece ‘Aura’, which shares its title with the album, she revokes a haunting memory of getting lost in a forest in her birthplace Shiretoko, Hokkaido. “I felt as if I was close to my death, I could feel myself dissolving into and becoming a part of nature rather than just being an individual. This sense of awe and peace found there is always the place where I start making music from,” she remembers.
Years of perfecting her craft via live performances led her to the creation of this debut album which follows on from the introductory 2018 EP, Illogical Dance. An autodidact with an impressive range, Noit is inspired by Gagaku — Japanese classical music — folk music, operatic styles, Bulgarian and Gregorian chanting, as well as avant-garde and pop vocalists to create her inimitable style. Hatis creates wordless music, unique song worlds with transcendent vocal interpretations of epic proportions — most evident on ‘Jomon’ where she channels the fierce, dynamic energy and power of prehistoric culture during Japan’s Jomon period.
Astonishingly all songs on this record were created using her voice only. The single exception being ‘Inori’ for which she took a field recording of the ocean only one kilometre away from the nuclear power plant in Fukushima. Hatis Noit had been invited there for a memorial ceremony which marked the re-opening of the area for local people to return to their homes. The emotive and compassionate song is dedicated to the lives lost due to 2011’s tsunami, but equally to the many beautiful memories people have of their hometown.
The album was recorded in Berlin where Noit laid down her vocals in just eight hours, before the pandemic forced her and producer Robert Raths to stay local and mix it in East London, which led to working with a new collaborator: engineer Marta Salogni. Between lockdowns it was decided to take the recordings and reamplify them in a local church to bring them closer to that moment of live performance. “It was almost like a miracle when Robert came up with the idea. That was the moment that changed everything for the album as the physical space with its organic ambience brought everything to life,” Hatis Noit recalls.
An important part of her practice and something she missed dearly during lockdown, her impressive live performances have included headline and festival shows across Europe, including a sold-out London show accompanied by the London Contemporary Orchestra at Southbank Centre, a special live performance at Milan Fashion Week and she was also invited by the revered director David Lynch to perform at his Manchester International Festival takeover in 2019. Her collaborations have seen her work with Kevin Richard Martin aka The Bug, the NYX Electronic Drone Choir and she appeared on recordings by fellow countryman Masayoshi Fujita as well as Ukrainian pianist and Continuous Music pioneer Lubomyr Melnyk.
credits
released June 24, 2022
All music created with the voice of Hatis Noit
except for the field recording on Inori
taken outside the Fukushima Daiichi
nuclear power plant on April 1, 2017
Composed and performed by Hatis Noit
Arranged by Hatis Noit and Robert Raths
Published by Erased Tapes Music
Produced by Robert Raths
Mixed by Marta Salogni at Studio Zona
Recorded by Francesco Donadello
with U47 microphone no. 3908
in the Vox-Ton studio kitchen in Berlin
on August 31 and September 2, 2019
Additional recordings on tracks 2,3,4 and 7
with C414 EB microphone no. 12032
at the Erased Tapes Sound Gallery
Re-looped by Ben Lukas Boysen
Audio restoration by Aneek Thapar
Re-amped by Chris Kalcov and Marta Salogni
at St John of Jerusalem Church in Hackney, London
on June 7, 2021
Mastered by Zino Mikorey
Vinyl cut by Jana Falcon at Schnittstelle
Photograph by Yuki Tsukishima
Artwork by Özge Cöne
Design by Shaz Madani
Japanese vocal performer hailing from distant Shiretoko in Hokkaido who now resides in London. Hatis Noit's accomplished
range is astonishingly self-taught, inspired by everything she could find from Gagaku — Japanese classical music — and operatic styles, Bulgarian and Gregorian chanting, to avant-garde and pop vocalists....more
This album is truly one of my favorite as it makes me think about the act of forgetting something when you don't want to. You can't control it and makes you feel miserable. This truly makes me enjoy the memories I can remember because there will be a point in time where it will be gone. tenr3d
Dearest Arooj, firstly thank you. My brother died this year n what can be said about such loss n sadness. I saw n heard you at The end of the Road in England. I spent many years in India n love all the music, poetry of your heritage. Thankyou Arooj❤️ ben1769
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