Mustafa al-Hallaj

Mustafa al-Hallaj (shekara ta dubu daya dari tara sa takatin sa takwas - sha bakwai a watan Disamba (shekare ta dubu biyu sa biyu) (Arabic) ɗan wasan kwaikwayo ne ɗan Falasdinawa, da farko yana aiki a matsayin mai zane-zane, mai zane, da kuma mai buga takardu. Al-Hallaj ya kasance majagaba a duniyar fasahar Larabawa, wanda aka fi sani da "icon na fasahar zane-zane na Larabawa na zamani". ^[1] Ayyukansa galibi ana sadaukar da su ga ƙasarsa da ta ɓace, Falasdinu, kuma an kuma ce ya yi ƙoƙarin juya Falasdinu cikin tsari da abun ciki na makarantarsa ta fasaha.

An haife shi a Salama a yankin Jaffa na Mandatory Palestine . ^[1] Bayan Yaƙin Larabawa da Isra'ila na shekara dubu daya da Arbakin da takwas al-Hallaj da iyalinsa sun nemi mafaka a Damascus, Beirut, kuma a ƙarshe Alkahira, inda ya kammala karatunsa mafi girma a 1964.^[2] Ya yi karatun zane-zane a Kwalejin Fine Arts a Alkahira kuma ya halarci Luxor Atelier for Postgraduate Studies.^[2][3] Ayyukansa sun haɗa da zane-zane, zane-zane na mural, zane-zanen, zane-canjen murfin da etchings, tare da ƙwarewa a cikin zane-zane da zane-zanensa.^[2] Al-Hallaj ya fahimci zane-zane a matsayin matsakaici wanda ke buƙatar kwanciyar hankali maimakon motsi, wanda shine dalilin tafiyarsa a matsayin ɗan gudun hijira, wanda ya kai shi ga yin bugawa na katako wanda daga baya za a san shi da shi. Ya bayyana cewa "Yana yawo da na yi ya kai ni ga zane-zane. Sculpture yana buƙatar cibiyoyi, kwanciyar hankali, da ƙasa, kuma ba ni da wani... Sculptur bai dace da mai zane ba, ina tsammanin.^[4]

Bayan shekaru ishirin da biyar a Misira, al-Hallaj ya yi tafiya zuwa Beirut, wanda shine cibiyar "juyin juya hali da aikin fasaha".^[5] Al-Hallaj ya ba da gudummawa wajen bayyana fan al-muqawama (ko, "ƙwarewar juriya"). ^[2] Ya rasa dubu ashirin da biyar daga cikin bugawa a hare-haren Isra'ila a kan Beirut a lokacin Yaƙin Lebanon na shekara ta dubu daya da dari takwas da biyuamma ya sami nasarar adana itace da yankan masonry da ya yi amfani da su.^[2]Da yake ya lalace saboda asarar tarihinsa, al-Hallaj ya koma Damascus, kuma a ƙarshe ya ci gaba da aikinsa a matsayin fitaccen mutum a cikin al'ummar fasaha ta Palasdinawa.

Al-Hallaj ya kasance memba ne na kafa kwamitin ƙungiyar kwadago na Babban Kungiyar Marubutan Falasdinawa da 'Yan Jarida, kuma memba ne na Kwamitin Gudanarwa na Babban Kungiya na Masu Fasaha na Falasdinawa a Siriya. Ya taimaka wajen kafa harsashin kafa wani zane-zane a Damascus wanda a lokacin budewa a shekara ta dubu daya da dari tara sa tamanin da bakwai aka sadaukar da shi ga ƙwaƙwalwar Naji al-Ali Damascus . ^[2]

Ya kasance a Damascus har zuwa mutuwarsa daga mummunan wuta, inda ya sha wahala yayin da yake ƙoƙarin dawo da ayyukansa, a shekara ta dubu biyu ça biyu.^[5]

Ayyukan Al-Hallaj "sun samo asali ne daga tsoffin tatsuniyoyin Kan'aniya, tatsuniyoyin gargajiya, da gumakan al'adun Palasdinawa, kuma jerin labaran hoto ne waɗanda suka kai mita dari d'Ay da sha hudu a lokacin mutuwarsa, suna taƙaita tarihin mutanen Palasdinawa daga karni na sha daya BC zuwa yanzu". ^[2] Mai taken Improvisations of Life, wannan aikin yana da tsawon mita daridaya da sha hudu Yana nuna abubuwan tunawa da abubuwan tunawa, da kuma rikodin wayewa wanda ya dawo shekaru 10,000 - cakuda tatsuniyoyi da haihuwa tare da intifada na Palasdinawa.^[1]

Abubuwan da suka shahara a cikin aikin al-Hallaj shine ikonsa na zanawa, da kuma amfani da yanayin monochromatic (baƙar fata da fari) na bugawa don amfaninsa yayin nuna siffofi. Ana amfani da sararin samaniya (sararin tsakanin siffofi) don ƙara rubutu, tsari da cikakkun bayanai don taimakawa labarin tare. A wasu ayyukan, kamar 'Self-portrait as Man, God, the Devil' ana amfani da hangen nesa, yayin da a wasu, hangen nesa na axonometric yana taimakawa labarin hoton.^[6] Fasahar launi mai launi, adadi mai kyau da kuma amfani da tatsuniyoyi alama ce ta aikin al-Hallaj, yana mai da shi nan take.^[5]

Hoton kansa a matsayin Mutum, Allah, Iblis bugawa ce ta Masonite ta al-Hallaj 37 feet (11 fadi da 9 feet (2.7 m) tsawo inda yake wakiltar kansa tare da dogon, farin gemu, alamar tsuntsu na farin gashi da manyan idanu suna kallon tsoro a abubuwan da aka nuna.^[7] Ya yi amfani da shi a matsayin hanyar girmama abokan da suka ɓace; daga wannan aikin al-Hallaj ya ce "mu 'yan wasan Palasdinawa mawaƙa ne. Muna da mawaƙa ɗaya... Muna da abokai da yawa kuma da yawa sun mutu. Mu kasance kabari ne mai tafiya na waɗannan mutane da suka tafi. "

1. ↑ ^{1.0 1.1 1.2} "Mustafa Al Hallaj". The Khalil Sakakini Cultural Center. Archived from the original on 1 January 2004. Retrieved 11 July 2007.
2. ↑ ^{2.0 2.1 2.2 2.3 2.4 2.5 2.6} "Palestinian Personalities: Mustafa Al-Hallaj". PASSIA. Archived from the original on 29 July 2012. Retrieved 11 July 2007.
3. ↑ "Made in Palestine - Mustafa Al-Hallaj". Station Museum. 3 May – 23 October 2003. Archived from the original on 31 October 2007. Retrieved 7 November 2007.
4. ↑ Shomali, Faris (22 December 2023). "The Tragedy of Mustafa al-Hallaj". alserkal.online (in Turanci). Retrieved 2024-05-20.
5. ↑ ^{5.0 5.1 5.2} Halaby, Samia (31 May 2013). "Mustafa al-Hallaj: Master of the Print and Master of Ceremonies". Jadaliyya (in Turanci). Retrieved 2024-05-20.
6. ↑ Krikke, Jan (2024-01-25). "Why the world relies on a Chinese "perspective"". Medium (in Turanci). Retrieved 2024-05-20.
7. ↑ Curiel, Jonathan (3 April 2005). "Unknown face of Palestinian art". San Francisco Chronicler. Retrieved 12 June 2024.