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Kriszta Doczy (formerly Krisztina Bodonyi) (born 9 October 1948 in Budapest) is a Hungarian Australian film producer and founder of Contemporary Arts Media, a distributor of art films.
Kriszta Doczy | |
---|---|
Born | October 9, 1948 |
Nationality | Australian and Hungarian |
Occupation | Film producer |
Years active | 1969–present |
Known for | Founder of Contemporary Arts Media |
Kriszta Doczy has worked with experimental theater companies in Europe for nearly twenty years. She has worked as movement director and choreographer with theater and dance companies [1] and has taught at universities and performing arts schools in Australia and US City University of New York. She established and managed a theater company, Shadow Industries (1996-1999), a physical theater training school (1993-1999) and a film production/distribution company, Contemporary Arts Media (1996 – present), recognized as a significant company for Australian artists. [2]
After finishing a degree in Psychology she now works as managing director of her company, Contemporary Arts Media. Based in Melbourne, Australia, CAM is an international production and distribution company of arts related films. She has collaborated with a number of Australian and international artists and producers including Stelarc, Richard Foreman, Sarah Jane Pell, Chunky Move, Kartemquin Films and more.
Theatre work
New York
- KAFKA: THE TRIAL - 1999-2000, NEW YORK Queens College, Director/Adaptor
- TOURING: Suwon Hwasong Fortress International Theatre and Dance Festival
- RAQUELAN by Nora Glickman - Adaptation, Dramaturgy, Cornell University
Australia
- The Mule's Foal - Perth Theatre Company (Movement Director)
- Mrozek: Tango - Shadow Industries Theatre Company (Director / Choreographer)
- Do You Love Me? - by Peter Carey Shadow Industries Theatre Company (Producer / Director / Choreographer)
- Kafka - The Trial - Murdoch University Performing Group (Adaptor / Director)
- Endangered Men - Physical Theatre (Director / Producer)
- The Deliverance of Dancing Bears - Barking Gecko Theatre Company, Festival of Perth (Movement Director)
- Making ALICE - Spare Parts Puppet Theatre (Choreography)
- Connections ... or Whatever - Perth City Ballet (Choreography)
- Love and all sort of things... Perth City Ballet (Choreography)
- One-Way Ticket - (Producer, Writer, Director, Performer)
- Festival of Perth - Street Theatre performance with HUSH School of Mime and Non-verbal Theatre (Director / Choreographer)
- On the Beach - Perth City Ballet Overseas Tour (Program Choreographer)
- There's a Desert in my Teapot - Spare Parts Puppet Theatre, Festival of Perth (Performer)
International Tours 1996 - 1999
- Raw Festival, Singapore: Kafka: The Trial (Murdoch Performance Group from Perth)
- Suwon Hwasong Fortress International Theatre and Dance Festival Korea: Kafka: The Trial (Queens Company from New York)
International Tours 1969 - 1983 with the Domino Dance Company
- Amsterdam - Holland: International Mime Festival
- Prague - Czechoslovakia: World Festival of Mime
- Vienna and Insbruck - Austria: Cafe Theater
- Wroclav - Poland: Festival of Experimental Theatre
- Spain (Madrid, Barcelona, Bilbao): 3rd International Theatre Festival
- Poland: Guest performances with regional companies
- Toronto - Canada: CBC Television production: “No Re-entry”
- Sofia, Varna - Bulgaria: National Theatre
- Vienna - Austria: Television Film: “The Silent Theatre”
- Bonn - Germany: Summer Festival
- Koln - Germany: “Gaukler 1980” Festival
- Germany, Holland - Guest performances
Publications
- Mime, Mask and Mask Making. 3 DVD Teaching resources
- Physical Theatre - Butoh and Beyond DVD
- Physical Acting: Characters (2001, Book and masks)
- A Workshop In Biomechanics DVD
- Expressive Gestures DVD
- Foreman Planet DVD
- Stelarc - The Body is Obsolete DVD
Contemporary Arts Media
In 2000 Kriszta Doczy funded Contemporary Arts Media which produces and distributes arts films.
References
- ^ City Ballet.jpg "Georgeous Picnic in City Bush", The West Australian, 25 March 1994
- ^ "An Arts Treasure Chest", Real Time magazine, 66, April-May 2005