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| image = Bullitt poster.jpg
| alt = <!-- See [[WP:ALT]] -->
| caption = Theatrical release poster
| director = [[Peter Yates]]
| producer = [[Philip D'Antoni]]
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'''''Bullitt''''' is a 1968 American [[Crime film|crime]] [[
A [[star vehicle]] for McQueen, ''Bullitt'' began development once Yates was hired upon the completion of the screenplay, which differs significantly from Fish's novel. [[Principal photography]] took place throughout 1967, with filming primarily taking place on location in [[San Francisco]]. The film was produced by McQueen's Solar Productions, with [[Robert Relyea]] as executive producer alongside [[Philip D'Antoni]]. [[Lalo Schifrin]] wrote the film's [[jazz]]-inspired [[Film score|score]]. ''Bullitt'' is notable for its extensive use of practical locations and stuntwork.
==Plot==
<!-- Per WP:FILMPLOT, plot summaries for feature films should be between 400 to 700 words. -->
On a Friday night in [[Chicago]], mobster Johnny Ross briefly meets his brother, Pete, after
Chalmers holds Bullitt responsible. After Ross dies
Bullitt and Delgetti are confronted by their superior, Captain Sam Bennett
▲Bullitt and Delgetti are confronted by their superior, Captain Sam Bennett, as well as Chalmers, who is assisted by SFPD Captain Baker. After being served a writ of [[habeas corpus]], Bullitt reveals that Ross has died. Bennett ignores the writ since it is Sunday, and he lets Bullitt investigate the lead of the long-distance phone call to San Mateo. With no car, Bullitt gets a ride from his girlfriend, Cathy. At the hotel, he finds the woman who was phoned; she is garroted in her room. Cathy follows the police to the crime scene and is horrified.
Delgetti and Bullitt watch the Rome
▲While examining the victim's luggage, Bullitt and Delgetti discover a travel brochure for [[Rome]], as well as [[traveler's cheques]] made out to Albert and Dorothy Renick. Bullitt requests their passport applications from Chicago. It turns out that Chalmers sent Bullitt to guard a [[doppelgänger]], Albert Renick, a used car salesman from Chicago, while his wife Dorothy was staying in San Mateo. Bullitt realizes that Ross was playing the politically-ambitious Chalmers by using Renick as a decoy so that Ross could slip out of the country on Sunday night.
▲Delgetti and Bullitt watch the Rome-bound passengers at [[San Francisco International Airport]]. However, the real Ross, using Renick's passport, has switched to an earlier [[London flight]]. Bullitt boards the plane, but after it is ordered to return to the terminal, the mobster escapes. In the passenger terminal, Ross kills a deputy sheriff but is shot dead by Bullitt. A silent Chalmers leaves after he views the scene.
==Cast==
Credits from the [[American Film Institute]].<ref name=":2">{{Cite web |title=BULLITT (1968) |url=https://catalog.afi.com/Catalog/moviedetails/23455 |access-date=2024-04-26 |website=[[AFI Catalog of Feature Films]]}}</ref>
[[File:Steve-McQueen-1968.jpg|thumb|McQueen in 1968, the
[[File:DAVETOSCHI.jpg|thumb|[[Dave Toschi]], the real-life San Francisco police officer that influenced Bullitt's characterization.]]
* [[Steve McQueen]] as [[San Francisco Police Department|San Francisco Police]] Lieutenant Frank Bullitt. McQueen based his performance on San Francisco Inspector [[Dave Toschi]], with whom he worked prior to filming.<ref>McQueen, Steve. [https://www.youtube.com/watch?v=oKI9CmIHmoc "The Making Of ''Bullitt''"]. {{Webarchive|url=https://web.archive.org/web/20140724181621/https://www.youtube.com/watch?v=oKI9CmIHmoc|date=July 24, 2014}}. 1968 Warner Bros. promotional short film.</ref><ref name="Graysmith">Graysmith, Robert. (1986). "Zodiac". p. 96. St. Martin's Press. {{ISBN|978-0-3128-9895-3}}</ref> McQueen even copied Toschi's unique "fast-draw" shoulder holster. Toschi later became famous, along with Inspector Bill Armstrong, as the lead San Francisco investigators of the [[Zodiac Killer]] murders that began shortly after the release of ''Bullitt''.<ref name="Graysmith" />
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* Justin Tarr as Eddy, an informant
* [[Vic Tayback]] as Pete Ross
* [[
* [[Ed Peck]] as Wescott, a reporter
* Robert Lipton as Chalmers' aide
* [[
* [[Al Checco]] as a desk clerk
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* [[Mark Hopkins Hotel]]
* Kennedy Hotel (on Embarcadero and Howard, near the
* [[Nob Hill, San Francisco|Nob Hill]]
* [[Cow Hollow, San Francisco|Cow Hollow]]
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* Enrico's (Broadway at Kearny Street)
* [[San Francisco International Airport]]
== Car chase ==
[[File:Burninrubber4.jpg|thumb|right|287px|Bullitt [[wheelspin|burning rubber]] in the car chase scene |alt=Photograph of a car with a driver looking backwards out of its window. The car's rear tire is smoking from the friction of spinning against the road.]]
At the time of the film's release, the exciting car chase scenes featuring McQueen at the wheel in all driver-visual scenes generated prodigious excitement.<ref name=Ebert>{{cite news |last=Ebert |first=Roger |author-link=Roger Ebert |url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19681223/REVIEWS/812230301/1023 |title=Bullitt |newspaper=[[Chicago Sun-Times]] |date=December 23, 1968 |access-date=January 18, 2010 |quote="Bullitt," as everybody has heard by now, also includes a brilliant chase scene. McQueen (doing his own driving) is chased by, and chases, a couple of gangsters up and down San Francisco's hills. They slam into intersections, bounce halfway down the next hill, scrape by half a dozen near-misses, sideswipe each other, and leave your stomach somewhere in the basement for about 11 minutes. |archive-date=October 11, 2012 |archive-url=https://web.archive.org/web/20121011180807/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F19681223%2FREVIEWS%2F812230301%2F1023 |url-status=live }}</ref> [[Leonard Maltin]] has called it a "now-classic car chase, one of the screen's all-time best."<ref name=Maltin>{{cite book |editor1-last=Maltin |editor1-first=Leonard |title=Leonard Maltin's 2004 Movie and Video Guide |publisher=Penguin Group |year=2004 |quote=Taut action-film makes great use of San Francisco locations, especially in now-classic car chase, one of the screen's all-time best; Oscar-winning editing by Frank Keller. |page=195 |isbn=978-0-4512-0940-5}}</ref> [[Emanuel Levy]] wrote in 2003, "''Bullitt'' contains one of the most exciting car chases in film history, a sequence that revolutionized Hollywood's standards."<ref name=Levy>{{cite web |title=Bullitt |last=Levy |first=Emanuel |year=2008 |url=http://www.emanuellevy.com/search/details.cfm?id=4610 |access-date=November 6, 2010 |website=EmanuelLevy |archive-date=October 24, 2018 |archive-url=https://web.archive.org/web/20181024192059/http://www.emanuellevy.com/search/details.cfm?id=4610 |url-status=live }}</ref> In his obituary for Peter Yates,
=== Filming ===
The chase scene starts at 1:05:00 into the film. The total time of the scene is 10 minutes 53 seconds. It begins under [[U.S. Route 101 in California|Highway 101]] in the city's [[Mission District, San Francisco|Mission District]] as Bullitt spots the hitmen's car. It ends outside the city, at the [[Brisbane, California|Brisbane]] exit of the Guadalupe Canyon Parkway on [[San Bruno Mountain]]. Shooting occurred over a period of weeks. The chase sequence combined several locations, located miles apart and edited together. Mapping the movie route shows that it is not continuous and is impossible to follow in real time.<ref>{{cite magazine |last=Barry |first=Keith |date=Aug 27, 2009 |title=Bullitt Doesn't Look So Slick On Google Maps |url=https://www.wired.com/2009/08/bullitt-google-map/ |access-date=Dec 8, 2022 |magazine=Wired}}</ref><ref name=Wojdyla>{{cite web |url=http://jalopnik.com/343741/bullitt-chase-sequence-mapped-proves-a-tough-route |title=Bullitt Chase Sequence Mapped, Proves a Tough Route |last=Wojdyla |first=Ben |website=[[Gizmodo Media Group|Jalopnik]] |date=January 11, 2008 |access-date=March 6, 2014 |archive-date=March 7, 2014 |archive-url=https://web.archive.org/web/20140307111103/http://jalopnik.com/343741/bullitt-chase-sequence-mapped-proves-a-tough-route |url-status=live }}</ref><ref>{{Cite web |last=Smith |first=Ray |date=September 24, 2002 |title=Bullitt Locations in San Francisco |url=http://www.rjsmith.com/bullitt-locations.html |access-date=Dec 8, 2022 |website=Ray's Web Server}}</ref><ref>{{cite web |last=Levy |first=Emanuel |date=March 4, 2022 |title=Bullitt (1968): Famous Chase Scene–Everything You Always Wanted to Know |url=https://emanuellevy.com/review/bullitt-1968-chase-scene-what-you-need-and-want-to-know/ |access-date=Dec 8, 2022 |website=Emanuel Levy}}</ref>
Two 1968 325-horsepower [[Ford FE engine#390|390
The director called for maximum speeds of about {{convert|75|-|80|mph}}, but the cars (including the chase cars) at times reached speeds of over {{convert|110|mph}}.<ref>{{
Drivers' point-of-view shots were used to give the audience a participants' feel of the chase. Filming took three weeks, resulting in 9 minutes 42 seconds of pursuit. Multiple takes were spliced into a single end product, resulting in discontinuity: Heavy damage on the passenger side of Bullitt's car can be seen much earlier than the incident producing it, and the Charger appears to lose five wheel covers, with different covers missing in different shots. Shooting simultaneously from multiple angles and creating a [[Montage (filmmaking)|montage]] from the footage took place to give the illusion of different streets also resulted in the speeding cars passing the same vehicles at multiple times, including, as widely noted, that of a green [[Volkswagen Beetle]].<ref name="telegraph">{{cite web |url=https://www.telegraph.co.uk/motoring/wheelsonfilm/2990179/Wheels-On-Film-Bullitt.html |archive-url=https://ghostarchive.org/archive/20220112/https://www.telegraph.co.uk/motoring/wheelsonfilm/2990179/Wheels-On-Film-Bullitt.html |archive-date=January 12, 2022 |url-access=subscription |url-status=live |title=Wheels On Film: Bullitt |last1=Cowen |first1=Nick |last2=Hari |first2=Patience |newspaper=[[The Daily Telegraph]] |date=September 19, 2008 |access-date=June 4, 2015}}{{cbignore}}</ref>
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=== Editing ===
The editing of the car chase likely won [[Frank P. Keller]] the editing [[Academy Awards|Oscar]] for 1968,<ref name=Hartl>{{cite news |last=Hartl |first=John |title=Top 10 car chase movies |url=http://today.msnbc.msn.com/id/6091432 |work=[[MSNBC]] |access-date=November 7, 2010 |quote=''Bullitt'' (1968). Philip D'Antoni, who went on to produce ''The French Connection'', warmed up for it with this Steve McQueen crime drama, set in San Francisco, where the steep hills seem to yearn for cars to go sailing over them. The director, Peter Yates, makes the most of the locations, especially during a gravity-defying chase sequence that earned an Oscar for its editor, Frank P. Keller. |url-status=dead |archive-url=https://web.archive.org/web/20100916231758/http://today.msnbc.msn.com/id/6091432 |archive-date=September 16, 2010}}</ref> and has been included in lists of the "Best Editing Sequences of All-Time."<ref name=Dirks>{{cite web |title=Best Film Editing Sequences of All Time, From the Silents to the Present: Part 5 |last=Dirks |first=Tim |url=http://www.filmsite.org/bestfilmediting5.html |publisher=[[Filmsite.org]] |access-date=November 11, 2010 |archive-date=November 21, 2010 |archive-url=https://web.archive.org/web/20101121000656/http://www.filmsite.org/bestfilmediting5.html |url-status=live }}</ref> In the volume ''The Sixties: 1960-1969'' (2003), of his book series
''History of the American Cinema'', Cinema Arts professor Paul Monaco wrote: {{ Billy Fraker, the cinematographer for the film, attributed the success of the chase sequence primarily to the work of the editor, Frank P. Keller. At the time, Keller was credited with cutting the piece in such a superb manner that he made the city of San Francisco a "character" in the film.<ref name="Monaco">{{cite book |last=Monaco |first=Paul |year=2003 |title=The Sixties |series=History of the American Cinema |volume=8 |editor1-last=Harpole |editor1-first=Charles |url=https://books.google.com/books?id=WG97toYUqagC&pg=PA99 |publisher=[[University of California Press]] |isbn=978-0-5202-3804-6 |page=99 |access-date=October 27, 2016 |archive-date=January 3, 2014 |archive-url=https://web.archive.org/web/20140103113741/http://books.google.com/books?id=WG97toYUqagC&pg=PA99 |url-status=live}}</ref>
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Warner Bros. ordered two identical 1968 Mustangs for filming. Both were painted Highland Green and had the GT package with 390 CID engines. These cars had the sequential [[vehicle identification number]]s 8R02S125558 and 8R02S125559.<ref name=":1">{{cite web |last=Markovich |first=Tony |date=2018-01-14 |title=National Historic Vehicle Register Adds Original 1968 Mustang Fastback Bullitt |url=https://www.caranddriver.com/news/a15159748/national-historic-vehicle-register-adds-original-1968-mustang-fastback-bullitt/ |access-date=2023-04-02 |website=Car and Driver |language=en-us}}</ref> Prior to filming, the cars were modified by Max Balchowsky. Car '558 was modified and used for the stunt driving, while '559 was used for McQueen's close-up driving shots.<ref name=":1" />
After the filming was complete, '559 was repaired and repainted with a single coat of Highland Green, and sold to Warner Bros. employee Robert Ross
Car '558 had been damaged severely during filming and was subsequently sent to a scrapyard. In the ensuing decades, the car was assumed to be lost. In 2016, though, Hugo Sanchez purchased a pair of Mustang coupes from the backyard of a house near [[Los Cabos Municipality|Los Cabos]], Mexico. He then sent the cars to [[Ralph Garcia]] to start work on turning one into a clone of the Eleanor Mustang from the movie, ''[[Gone in 60 Seconds (2000 film)|Gone in 60 Seconds]]''. Realizing one of the two Mustangs was an S-code, Garcia had the car authenticated by Kevin Marti. The authentication revealed this to be the lost Bullitt car. In 2017, Sanchez and Garcia began to give the car a full restoration.<ref>{{cite news |last=Gastelu |first=Gary |date=March 6, 2017 |title=Ford Mustang found in Mexican junkyard is from 'Bullitt,' expert confirms |work=[[Fox News]] |url=https://www.foxnews.com/auto/ford-mustang-found-in-mexican-junkyard-is-from-bullitt-expert-confirms|access-date=March 7, 2017|archive-date=October 2, 2018|archive-url=https://web.archive.org/web/20181002040742/https://www.foxnews.com/auto/ford-mustang-found-in-mexican-junkyard-is-from-bullitt-expert-confirms|url-status=live}}</ref><ref>{{cite web |last=Brzozowski |first=Aaron |date=July 19, 2018 |title=Second 'Bullitt' Mustang movie car currently undergoing restoration |url=https://fordauthority.com/2018/07/second-bullitt-mustang-movie-car-currently-undergoing-restoration/ |access-date=Dec 8, 2022 |website=Ford Authority}}</ref>
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==External links==
{{Wikiquote}}
* {{Official
* {{AFI film|23455|Bullitt}}
* {{AllMovie title|7534|Bullitt}}
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[[Category:American action drama films]]
[[Category:American crime drama films]]
[[Category:Edgar
[[Category:Fictional portrayals of the San Francisco Police Department]]
[[Category:Films about automobiles]]
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[[Category:1960s English-language films]]
[[Category:1960s American films]]
[[Category:English-language crime thriller films]]
[[Category:English-language action drama films]]
[[Category:English-language action thriller films]]
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