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The Theatre Portal
Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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Ben Greet in the role of Boomblehardt
Creatures of Impulse is a short story by English dramatist W. S. Gilbert, which he later adapted for the stage with music by composer-conductor Alberto Randegger. Both the short story and the play concern an unwanted and ill-tempered old fairy who enchants people to behave in a manner opposite to their natures, with farcical results. The short story was written for The Graphic's Christmas number of 1870, and the play was first produced at the Court Theatre on 2 April 1871. It originally included six songs, but three were eventually cut, and some productions dispensed with the music entirely. While the lyrics survive, the music was never published and is lost. Reviews of the play were mostly positive, though it was criticised for the lack of a significant plot or superstructure to support its comic premise. Nonetheless, reviewers found it enjoyable, and it was a modest success, running for 91 performances and enjoying revivals into the early part of the 20th century. Gilbert had already written a considerable body of stories, plays, poems, criticism and other works before writing Creatures of Impulse and would go on to write the libretti to the famous Savoy operas (composed by Arthur Sullivan) between 1871 and 1896.
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Gielgud performing in Much Ado About Nothing
John Gielgud (1904–2000) was an English actor and theatre director who, along with Ralph Richardson and Laurence Olivier, dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he became a star in the West End and on Broadway by the 1930s, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. Though he made his first film in 1924 and had successes with The Good Companions (1933) and Julius Caesar (1953), he did not begin a regular film career until his sixties. He appeared in more than 60 films between Becket in 1964 (his first Academy Award nomination) and Elizabeth in 1998. As the acid-tongued Hobson in Arthur (1981) he won the Academy Award for Best Supporting Actor. He earned a Golden Globe Award and two BAFTAs, and had the rare distinction of winning an Oscar, an Emmy, a Grammy, and a Tony. He broadcast more than 100 radio and television dramas and made commercial recordings of many plays, including ten of Shakespeare's. He was knighted in 1953 and was president of the Royal Academy of Dramatic Art from 1977 to 1989.
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Peter Ustinov
By increasing the size of the keyhole, today's playwrights are in danger of doing away with the door.
Peter Ustinov, Christian Science Monitor, 1962
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