Nothing Special   »   [go: up one dir, main page]

Jump to content

Scanderbeg (Vivaldi)

From Wikipedia, the free encyclopedia
Skanderbeg
Dramma per musica by Antonio Vivaldi
Probable portrait of Antonio Vivaldi, c. 1723
LibrettistAntonio Salvi
LanguageItalian
Premiere
23 June 1718 (1718-06-23)

Scanderbeg (Italian pronunciation: [ˈskanderbeɡ]; RV 732) is an opera (dramma per musica) in three acts composed by Antonio Vivaldi to an Italian libretto by Antonio Salvi. It was first performed at the Teatro della Pergola in Florence on 22 June 1718 to mark the re-opening of the theatre to public performances.[1] While the libretto has been preserved, only fragments of the original score remain.[2]

Roles

[edit]
Roles, voice types, premiere cast
Role Voice type Premiere cast, 22 June 1718[3][4]
Scanderbeg, King of Albania contralto castrato Giovanni Battista Carboni
Doneca, his wife, disguised as a shepherdess soprano Francesca Cuzzoni-Sandoni, 'La Parmigiana'
Aroniz, Price of Epirus, father of Doneca, disguised as a shepherd tenor Antonio Ristorini
Ormondo, Count of Urana, army general contralto castrato Giovanni Pietro Sbaraglia, "Il Pesciatino"
Climene, Scanderbeg's captain soprano (travesti) Anna Guglielmini
Amurat II, monarch of the Turks tenor Gaetano Mossi
Asteria, his daughter contralto Agata Landi
Acomat, Amurat's general, in love with Asteria soprano (travesti) Rosa Venturini

Synopsis

[edit]

The subject of the opera is Skanderbeg, the 15th-century Albanian hero.

Recordings

[edit]

Two arias from the opera's second act, "S'a voi penso, o luci belle" (Ormondo) and "Con palme ed allori" (Scanderbeg), can be heard on Arie ritrovate sung by contralto Sonia Prina with the Accademia Bizantina, conducted by Ottavio Dantone (Naïve Records).

References

[edit]

Notes

  1. ^ Holmes (1994) p. 16
  2. ^ Colas and Di Profio (2009) p. 54; Strohm (2008a) p. 236
  3. ^ Casaglia, Gherardo (2005). "Scanderbeg, 22 June 1718". L'Almanacco di Gherardo Casaglia (in Italian).
  4. ^ Premiere cast from Strohm (2008a), I, p. 232.

Sources

  • Colas, Damien and Di Profio, Alessandro (2009). D'une scène à l'autre, l'opéra italien en Europe: Les pérégrinations d'un genre. Mardaga. ISBN 2-87009-992-4 (in French)
  • Holmes, William (1994). Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century. University of Chicago Press. ISBN 0-226-34970-5
  • Strohm, Reinhard (2008a). The Operas of Antonio Vivaldi. Florence: Olschki. ISBN 978-88-222-5682-9

Further reading

[edit]
[edit]