The spot is famous for a series of monuments with inscriptions, established by Yasodharman (ruled 515 – 545 CE), who praised himself for having defeated the Alchon Hun king Mihirakula.[1]
Mandasor stone pillar inscription of Yashodharman.
"He (Yasodharman) to whose two feet respect was paid, with complimentary presents of the flowers from the lock of hair on the top of (his) head, by even that (famous) king Mihirakula, whose forehead was pained through being bent low down by the strength of (his) arm in (the act of compelling) obeisance"
The art and style of the sculptural remains at Sodani are considered as a good marker of the final period of Gupta art, being dated to the reign of Yasodharman (ruled 515 – 545 CE), and more precisely to about 525 CE.[4][5] After that point and for the next centuries, Indian politics became extremely fragmented, with the territory being divided between smaller dynasties.[6] The art of Sondani is considered as transitional between Gupta art and the art of Medieval India: it represents "an aesthetic which hovered between the classical decorum of Gupta art on the one hand and on the other the medieval canons which subordinated the figure to the larger religious purpose".[7]
^Punjab Monitor, April 2013 [1], from Fleet, John F. Corpus Inscriptionum Indicarum: Inscriptions of the Early Guptas. Vol. III. Calcutta: Government of India, Central Publications Branch, 1888, 147-148.
^"The reign of Yasodharman thus forms an important dividing point between the period of the imperial Guptas, whom he emulated, and the following centuries, when India fell into a kaleidoscopic confusion of shifting smaller dynasties" in Williams, Joanna (1972). "The Sculpture of Mandasor"(PDF). Archives of Asian Art. 26: 52. ISSN0066-6637. JSTOR20111042.
