Girolamo Benivieni

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Girolamo Benivieni
Portrait of Benivieni at the National Gallery in London, painted between 1510 and 1520, and attributed to Ridolfo Ghirlandaio
Born	6 February 1453 Florence, Republic of Florence
Died	August 1542 Florence, Duchy of Florence
Occupation	Poet

Girolamo Benivieni (Italian: [dʒiˈrɔːlamo beniˈvjɛːni]; 6 February 1453 – August 1542)^[1] was a Florentine poet^[2] and a musician.^[1] His father was a notary in Florence.^[3] He suffered poor health most of his life, which prevented him from taking a more stable job.^[4] He was a leading member of the Medicean Academy, a society devoted to literary study.^[2] He was a friend of Giovanni Pico della Mirandola (1463–1494), whom he met for the first time in 1479;^[5] it was Pico della Mirandola who encouraged him to study Neoplatonism.^[4] In the late 1480s, he and Pico della Mirandola became students of Dominican friar Girolamo Savonarola (1452–1498).^[6] In 1496, he translated the teachings of Savonarola from Italian to Latin.^[6] After he began following Savonarola, he rejected his earlier poetry and attempted to write more spiritually.^[6] He participated in Savonarola's Bonfire of the Vanities, and documented the destruction of art worth "several thousand ducats".^[7]

He was supported in his writing by noblewoman Lucrezia de' Medici (1470–1553).^[2] They were both interested in the works of poet Dante Alighieri (1265–1321).^[2] In 1506, Benivieni published an edition of the Divine Comedy with maps by Antonio Manetti (1423–1497) and commentary by Manetti and Benivieni.^[8] In March 1515 Benivieni drafted a letter to be sent from Lucrezia to her brother, Pope Leo X (s. 1513–21), seeking his assistance in bringing the body of Dante back to Florence.^[2] On 20 October 1519, Benivieni signed a Medicean Academy petition to Pope Leo, again requesting the return of Dante from Ravenna.^[9] Benivieni also used his connection with Lucrezia to advance his ideas on church reform with her brother, and later with her cousin, Pope Clement VII (s. 1523–34).^[2] In 1530, he wrote a letter to Pope Clement in defense of Savonarola, seeking to have his reputation restored within the church.^[10] He is buried together with Giovanni Pico della Mirandola at San Marco, Florence, Italy.

• Baldassarri, Stefano Ugo; Saiber, Arielle (2000). Images of Quattrocento Florence: Selected Writings in Literature, History and Art. Yale University Press. ISBN 9780300080520. Retrieved 11 Jan 2016.
• Cummings, Anthony M. (2004). "The Maecenas and the Madrigalist: Patrons, Patronage, and the Origins of the Italian Madrigal". Memoirs of the American Philosophical Society. 253. American Philosophical Society. ISBN 9780871692535.
• Gardner, Edmund G. (1914). Introduction. A Platonick Discourse Upon Love. By Mirandola, Giovanni Pico della; Benivieni, Girolamo. Gardner, Edmund Garratt (ed.). Translated by Stanley, Thomas. Merrymount Press. Retrieved 11 Jan 2016.
• Heilbron, John (2010). Galileo. Oxford: Oxford University Press. ISBN 9780199583522.
• Tomas, Natalie R. (2003). The Medici Women: Gender and Power in Renaissance Florence. Aldershot: Ashgate. ISBN 0754607771.
• Villari, Pasquale (1969). Life and Times of Girolamo Savonarola. Vol. 2. Translated by Villari, Linda. New York: Haskell House Publishers, Ltd. ISBN 08383-0174-6.

• "Portrait of Girolamo Benivieni". The National Gallery. Retrieved 11 Jan 2016.