Portrait of the Duchess of Berry: Difference between revisions
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* Diederen, Roger. ''European Paintings of the 19th Century: Aligny-Gros''. Cleveland Museum of Art, 1999. |
* Diederen, Roger. ''European Paintings of the 19th Century: Aligny-Gros''. Cleveland Museum of Art, 1999. |
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* Levey, Michael. ''Sir Thomas Lawrence''. Yale University Press, 2005. |
* Levey, Michael. ''Sir Thomas Lawrence''. Yale University Press, 2005. |
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* Noon, Patrick & Bann, Stephen. ''Constable to Delacroix: British Art and the French Romantics''. Tate, 2003. |
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{{Thomas Lawrence}} |
{{Thomas Lawrence}} |
Revision as of 03:00, 31 July 2024
Portrait of the Duchess of Berry | |
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Artist | Thomas Lawrence |
Year | 1825 |
Type | Oil on canvas, portrait |
Location | Palace of Versailles, Paris |
Portrait of the Duchess of Berry is an 1825 portrait painting by the English artist Sir Thomas Lawrence. It depicts the Italian-born French royal Marie-Caroline, Duchess of Berry, the widowed daughter-in-law of the reigning French monarch Charles X. A few months after the assassination of her husband in 1820, she gave birth to a child Henri who seemed to secure the succession for the House of Bourbon.
Lawrence was President of the Royal Academy in London and Britain's most fashionable portait portrait painter. He was commissioned by George IV to travel to France to paint Charles X the year of his Coronation in Rheims.[1] While in the country he also painted the king's eldest son Louis Antoine, Duke of Angoulême. Impressed by the depictions of her father and brother-in-law, Berry secured his services for a portrait.[2] After the July Revolution that sent the Bourbons into exile, the Duchess launched an unsuccessful 1832 landing in attempt to place her son on the throne.
Today it is in the collection of the Palace of Versailles.[3]
References
Bibliography
- Diederen, Roger. European Paintings of the 19th Century: Aligny-Gros. Cleveland Museum of Art, 1999.
- Levey, Michael. Sir Thomas Lawrence. Yale University Press, 2005.
- Noon, Patrick & Bann, Stephen. Constable to Delacroix: British Art and the French Romantics. Tate, 2003.