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{{short description|Opera by Gaetano Donizetti}}
{{Donizetti operas}}

'''''{{Lang|it|Il borgomastro di Saardam}}''''' (The mayor of Saardam) is an 1827 [[melodramma]] giocoso ([[opera buffa]]) in two acts by [[Gaetano Donizetti]]. The [[libretto]], by [[Domenico Gilardoni]], was based on the 1818 play ''{{Lang|fr|Le bourgmestre de Sardam, ou Les deux Pierres}}'' by [[Mélesville]], [[Jean-Toussaint Merle]] and [[Eugène Cantiran de Boirie]]. [[Albert Lortzing]]'s 1837 opera ''[[Zar und Zimmermann]]'' is ultimately based, via a German translation, on the same French play. The plot concerns a famous episode in the life of [[Peter the Great]], in which he disguised himself under an assumed name as a worker in the shipyards of [[Saardam]], and has certain similarities to Donizetti's earlier 1-act farce ''[[Il falegname di Livonia]]''.<ref>Osborne 1994, pp. 169–171; Ashbrook 1982, pp. 44, 542–543.</ref>
{{Infobox opera
| name = {{Lang|it|Il borgomastro di Saardam}}
| type = [[Opera buffa]]
| composer = [[Gaetano Donizetti]]
| image = Il borgomastro di Saardam Libretto.png
| image_upright = 0.8
| caption = Cover of the libretto
| librettist = [[Domenico Gilardoni]]
| language = Italian
| based_on = ''{{Lang|fr|Le bourgmestre de Sardam}}'' by [[Mélesville]] and others
| premiere_date = {{Start date|1827|08|19|df=y}}
| premiere_location = [[Teatro del Fondo]], Naples
}}
'''{{Lang|it|Il borgomastro di Saardam}}''' (The mayor of Saardam) is an 1827 [[melodramma]] giocoso ([[opera buffa]]) in two acts by [[Gaetano Donizetti]]. The [[libretto]], by [[Domenico Gilardoni]], was based on the 1818 play ''{{Lang|fr|Le bourgmestre de Sardam, ou Les deux Pierres}}'' by [[Mélesville]], [[Jean-Toussaint Merle]] and [[Eugène Cantiran de Boirie]]. [[Albert Lortzing]]'s 1837 opera ''[[Zar und Zimmermann]]'' is ultimately based, via a German translation, on the same French play. The plot concerns a famous episode in the life of [[Peter the Great]], in which he disguised himself under an assumed name as a worker in the shipyards of [[Saardam]], and has certain similarities to Donizetti's earlier 1-act farce ''[[Il falegname di Livonia]]''.{{sfn|Osborne|1994|pp=169–171}}{{sfn|Ashbrook|1982|pp=44, 542–543}}


==Performance history==
==Performance history==
'''19th century'''
'''19th century'''
The opera premiered at the [[Teatro del Fondo]] in Naples on 19 August 1827.{{sfn|Gilardoni|1827}} The lead soprano role of Marietta was composed for [[prima donna]] [[Caroline Unger]], who received high praise. The opera itself had a slow start, but soon the Neapolitans loved it, for Donizetti was very popular in that city; it was still in the repertory the following year and achieved more than thirty-five performances.{{sfn|Osborne|1994|p=170}} However, when the opera was staged at the [[Teatro alla Scala]] in Milan on 2 January 1828, and in Rome in June, it completely failed, receiving but a single performance in each city.{{sfn|Weinstock|1963|p=322}} Its Milan failure pleased Donizetti's younger competitor, [[Vincenzo Bellini]], whose ''[[Il pirata]]'' had won great critical and popular acclaim in Milan in October of the previous year.{{sfn|Ashbrook|1982|p=48}}

The opera premiered at the [[Teatro del Fondo]] in Naples on 19 August 1827.<ref>Gilardoni 1827.</ref> The lead soprano role of Marietta was composed for [[prima donna]] [[Caroline Unger]], who received high praise. The opera itself had a slow start, but soon the Neapolitans loved it, for Donizetti was very popular in that city; it was still in the repertory the following year and achieved more than thirty-five performances.<ref>Osborne 1994, p. 170.</ref> However, when the opera was staged at the [[Teatro alla Scala]] in Milan on 2 January 1828, and in Rome in June, it completely failed, receiving but a single performance in each city.<ref>Weinstock 1963, p. 322.</ref> Its Milan failure pleased Donizetti's younger competitor, [[Vincenzo Bellini]], whose ''[[Il pirata]]'' had won great critical and popular acclaim in Milan in October of the previous year.<ref>Ashbrook 1982, p. 48.</ref>


'''20th century and beyond'''
'''20th century and beyond'''


The opera was also produced in Barcelona (1829), Vienna (1836), Berlin (1837), and Budapest (1839), but was then ignored until 1973, when it was staged in the town of its setting, now called Zaandam, where it received nine performances and was recorded.<ref>Osborne 1994, p. 170; see also the 1973 recording.</ref>
The opera was also produced in Barcelona (1829), Vienna (1836), Berlin (1837), and Budapest (1839), but was then ignored until 1973, when it was staged in the town of its setting, now called Zaandam, where it received nine performances and was recorded.<ref>{{harvnb|Osborne|1994|p=170}}; see also the 1973 recording.</ref>


== Roles ==
== Roles ==
{| class="wikitable"
{| class="wikitable"
|+{{sronly|Roles, voice types, premiere cast}}
!Role
!Role
![[Voice type]]
![[Voice type]]
!Premiere cast,<ref>The cast list and role names are based on Gilardoni 1827 with full names from Ashbrook 1982, pp. 542–543, and Casaglia 2005. Ashbrook and Casaglia both say that Carlo Casaccia sang the borgomastro (mayor) and his son Raffaele Casaccia (also a bass-baritone) sang the role of Timoteo. These roles are one and the same in Gilardoni's libretto. According to Timms 1992, p. 750, Carlo Casaccia made his last appearance at the Teatro del Fondo in 1826.</ref> 19&nbsp;August&nbsp;1827<br />(Conductor: Nicola&nbsp;Festa<ref>Casaglia 2005</ref>)
!Premiere cast,{{efn|1=The cast list and role names are based on {{harvnb|Gilardoni|1827}} with full names from {{harvnb|Ashbrook|1982|pp=542–543}}, and {{harvnb|Casaglia|2005}}. Ashbrook and Casaglia both say that Carlo Casaccia sang the borgomastro (mayor) and his son Raffaele Casaccia (also a bass-baritone) sang the role of Timoteo. These roles are one and the same in Gilardoni's libretto. According to Timms 1992, p. 750, Carlo Casaccia made his last appearance at the Teatro del Fondo in 1826.}} 19&nbsp;August&nbsp;1827<br />Conductor: Nicola&nbsp;Festa{{sfn|Casaglia|2005}}
|-
|-
|The Tsar ([[Peter the Great]]), ''disguised as Pietro Mikailoff''
|The Tsar ([[Peter the Great]]), ''disguised as Pietro Mikailoff''
Line 23: Line 37:
|Pietro Flimann, ''a carpenter from Russia''
|Pietro Flimann, ''a carpenter from Russia''
|[[tenor]]
|[[tenor]]
|[[Berardo Calvari Winter]]
|{{ill|Berardo Calvari Winter|WD=Q21921644}}
|-
|-
|Timoteo Spaccafronna, ''the mayor''<ref>The mayor's name is Vambett in the 1833 libretto from Turin: Gilardoni 1833, [https://books.google.com/books?id=fQpEAAAAcAAJ&pg=PA3 p. 3]; and in the 1973 recording, {{OCLC|313616322}}.</ref>
|Timoteo Spaccafronna, ''the mayor''{{efn|1=The mayor's name is Vambett in the 1833 libretto from Turin: {{harvnb|Gilardoni|1833|p=3}}; and in the 1973 recording, {{OCLC|313616322}}.}}
|[[bass (voice type)|bass]]
|[[bass (voice type)|bass]]
|[[Raffaele Casaccia]]
|[[Raffaele Casaccia]]
Line 35: Line 49:
|Carlotta, ''foster girl in the mayor's house''
|Carlotta, ''foster girl in the mayor's house''
|[[mezzo-soprano]]
|[[mezzo-soprano]]
|[[Almerinda Manzocchi]]
|{{ill|Almerinda Manzocchi|ca}}
|-
|-
|Leforte, ''disguised as Filiberto, confidant of the Tsar''
|Leforte, ''disguised as Filiberto, confidant of the Tsar''
|bass
|bass
|[[Giovanni Pace]]
|Giovanni Pace
|-
|-
|Ali' Mahmed, ''gatekeeper''
|Ali' Mahmed, ''gatekeeper''
Line 51: Line 65:
| colspan="3"|Chorus: '' Carpenters and farmers, mayoral guard, Dutch and Turkish soldiers''
| colspan="3"|Chorus: '' Carpenters and farmers, mayoral guard, Dutch and Turkish soldiers''
|}
|}
{{Notelist}}


==Historical background==
==Historical background==
Peter the Great was the tsar of Russia between 1672 and 1725. After his mother's death in 1694, he made a series of crucial reforms for Russia that in consequence became a great power. As part of this endeavor in 1697 he went on [[Grand Embassy of Peter the Great|a diplomatic mission]] to Western Europe. In August he was incognito in [[Zaandam]] (Saardam) in order to study the Dutch shipbuilding and [[windmill|wind powered]] industries. Here he rented a [[Czar Peter House (Netherlands)|small house near the shipyards]] from a Dutch smith who had worked in Moscow. His anonymity only lasted a few days, and he left for Amsterdam, leaving a number of his party behind to learn the trades. During the five months in Holland he interacted most extensively with [[Nicolaes Witsen]], the mayor of Amsterdam, who was an expert on both Russian affairs and on shipbuilding.<ref name=PtG>Massie, Chapters 14, 15 & 48</ref>
Peter the Great was the tsar of Russia between 1672 and 1725. After his mother's death in 1694, he made a series of crucial reforms for Russia that in consequence became a great power. As part of this endeavor in 1697 he went on [[Grand Embassy of Peter the Great|a diplomatic mission]] to Western Europe. In August he was incognito in [[Zaandam]] (Saardam) in order to study the Dutch shipbuilding and [[windmill|wind powered]] industries. Here he rented a [[Czar Peter House (Netherlands)|small house near the shipyards]] from a Dutch smith who had worked in Moscow. His anonymity only lasted a few days, and he left for Amsterdam, leaving a number of his party behind to learn the trades. During the five months in Holland he interacted most extensively with [[Nicolaes Witsen]], the mayor of Amsterdam, who was an expert on both Russian affairs and on shipbuilding.<ref name=PtG>{{harvnb|Massie|1980|loc=Chapters 14, 15 & 48}}</ref>


In 1703, Peter the Great founded [[Saint Petersburg]] and in 1712 he married his second wife, a peasant of Livonia who succeeded the throne under the name of [[Catherine I of Russia|Catherine I]]. In 1717 he revisited Holland, and in March and August visited Zaandam again, this time accompanied by Catherine.<ref name=PtG />
In 1703, Peter the Great founded [[Saint Petersburg]] and in 1712 he married his second wife, a peasant of Livonia who succeeded the throne under the name of [[Catherine I of Russia|Catherine I]]. In 1717 he revisited Holland, and in March and August visited Zaandam again, this time accompanied by Catherine.<ref name=PtG />
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{| class="wikitable"
{| class="wikitable"
!Year
!Year
!width="150"|Cast <br>Marietta, Tsar Pietro,<br>Pietro Flimann,<br>Vambett (Il Borgomastro)
!Cast: Marietta,<br />Tsar Pietro,<br />Pietro Flimann,<br />Il Borgomastro
!Conductor,<br>Opera House and Orchestra
!Conductor,<br>opera house and orchestra
!Label<ref>[http://www.operadis-opera-discography.org.uk/CLDOBORG.HTM Recordings on operadis-opera-discography.org.uk]</ref>
!Label<ref>[http://www.operadis-opera-discography.org.uk/CLDOBORG.HTM Recordings on operadis-opera-discography.org.uk]</ref>
|-
|-
Line 74: Line 89:
|Jan Schaap,<br>Orchestra and chorus of the [[Zaanstad]] Opera<br>(Recording of a performance at Zaanstad)
|Jan Schaap,<br>Orchestra and chorus of the [[Zaanstad]] Opera<br>(Recording of a performance at Zaanstad)
|CD: Living&nbsp;Stage<br>Cat: LS&nbsp;1104<ref>Library holdings: Living Stage CD, {{OCLC|178964909}}; Myto CD, {{OCLC|313616322|65966225}}; LP, {{OCLC|638108147|658363447}}.</ref><br>Myto Records,<br>Cat: {{Nowrap|2MCD 991.202}}
|CD: Living&nbsp;Stage<br>Cat: LS&nbsp;1104<ref>Library holdings: Living Stage CD, {{OCLC|178964909}}; Myto CD, {{OCLC|313616322|65966225}}; LP, {{OCLC|638108147|658363447}}.</ref><br>Myto Records,<br>Cat: {{Nowrap|2MCD 991.202}}
|-
|2018
|Irina Dubrovskaya,<br/>Giorgio Caoduro,<br/>[[Juan Francisco Gatell]],<br/>Andrea Concetti
|Roberto Rizzi Brignoli,<br/> Donizetti Opera orchestra and chorus
|CD:Dynamic <br/> Cat:CDS7812
|}
|}


==References==
==References==
'''Notes'''
'''Notes'''
{{reflist|30em}}
{{reflist|colwidth=22em}}


'''Cited sources'''
'''Cited sources'''
* [[William Ashbrook|Ashbrook, William]] (1982). ''Donizetti and His Operas''. Cambridge University Press., {{ISBN|0-521-23526-X}}. {{ISBN|0-521-23526-X}}.
* {{cite book|last=Ashbrook|first=William|author-link=William Ashbrook|year=1982|title=Donizetti and His Operas|publisher=Cambridge University Press|isbn=0-521-23526-X}}
* {{wikicite|ref={{harvid|Casaglia|2005}}|reference={{Almanacco|dmy=19-08-1827|match=Il borgomastro di Saardam}}}}
* Casaglia, Gherardo (2005). [http://www.amadeusonline.eu/almanacco.php?Start=0&Giorno=19&Mese=08&Anno=1827&Giornata= "19 Agosto 1827" in ''Almanacco''] at amadeusonline.
* Gilardoni, Domenico (1827). ''Il borgomastro di Saardam, melodramma giocoso in due atti'', libretto for 19 August 1827. Naples: Flautina. [https://books.google.com/books?id=twNEAAAAcAAJ&pg=PA1 View] at [[Google Books]].
* {{cite book|last=Gilardoni|first=Domenico|author-link=Domenico Gilardoni|year=1827|title=Il borgomastro di Saardam, melodramma giocoso in due atti|type=libretto for 19 August 1827|location=Naples|publisher=Flautina|url=https://books.google.com/books?id=twNEAAAAcAAJ&pg=PA1}}
* {{cite book|last=Gilardoni|first=Domenico|year=1833|title=Il borgomastro di Saardam, melodramma giocoso|location=Turin|publisher=Onorato Derossi|url=https://books.google.com/books?id=fQpEAAAAcAAJ&pg=PA3}}
*[[Robert K. Massie|Massie, Robert K.]] (1980), [https://books.google.com/books?id=ekdTC72st9QC ''Peter the Great: His Life and World''], Random House Inc, New York. {{ISBN|9780394500324}}
*{{cite book|last=Massie|first=Robert K.|author-link=Robert K. Massie|year=1980|url=https://books.google.com/books?id=ekdTC72st9QC|title=Peter the Great: His Life and World|publisher=Random House|location=New York|isbn=9780394500324}}
* [[Charles Osborne (music writer)|Osborne, Charles]] (1994). ''The Bel Canto Operas of Rossini, Donizetti, and Bellini''. Portland, Oregon: Amadeus Press. {{ISBN|0-931340-71-3}}.
* {{cite book|last=Osborne|first=Charles|author-link=Charles Osborne (music writer)|year=1994|title=The Bel Canto Operas of Rossini, Donizetti, and Bellini|location=Portland, Oregon|publisher=Amadeus Press|isbn=0-931340-71-3}}
* Weinstock, Herbert (1963). ''Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century''. New York: Pantheon Books. {{OCLC|601625}}.
* {{cite book|last=Weinstock|first=Herbert|year=1963|title=Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century|location=New York|publisher=Pantheon Books|oclc=601625}}


'''Other sources'''
'''Other sources'''
*Allitt, John Stewart (1991), ''Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr'', Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
*Allitt, John Stewart (1991), ''Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr'', Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
*Ashbrook, William (1998), "Donizetti, Gaetano" in [[Stanley Sadie]] (Ed.), ''[[The New Grove Dictionary of Opera]]'', Vol. One. London: MacMillan Publishers, Inc. {{ISBN|0-333-73432-7}} {{ISBN|1-56159-228-5}}
*Ashbrook, William (1998), "Donizetti, Gaetano" in [[Stanley Sadie]] (Ed.), ''[[The New Grove Dictionary of Opera]]'', Vol. One. London: MacMillan Publishers, Inc. {{ISBN|0-333-73432-7}} {{ISBN|1-56159-228-5}}
* Ashbrook, William and Hibberd, Sarah (2001). "Gaetano Donizetti" in Holden 2001, pp. 224–247.
* Ashbrook, William and Hibberd, Sarah (2001). "Gaetano Donizetti" in [[Amanda Holden (writer)|Amanda Holden]] (ed.), ''The New Penguin Opera Guide'', 2001, pp.&nbsp;224–247.
*Black, John (1982), ''Donizetti’s Operas in Naples, 1822—1848''. London: The Donizetti Society.
*Black, John (1982), ''Donizetti's Operas in Naples, 1822—1848''. London: The Donizetti Society.
*Loewenberg, Alfred (1970). ''Annals of Opera, 1597-1940'', 2nd edition. Rowman and Littlefield
*Loewenberg, Alfred (1970). ''Annals of Opera, 1597-1940'', 2nd edition. Rowman and Littlefield
* [[Stanley Sadie|Sadie, Stanley]], editor (1992). ''[[The New Grove Dictionary of Opera]]'' (4 volumes). London: Macmillan. {{ISBN|978-1-56159-228-9}}.
* [[Stanley Sadie|Sadie, Stanley]], editor (1992). ''[[The New Grove Dictionary of Opera]]'' (4 volumes). London: Macmillan. {{ISBN|978-1-56159-228-9}}.
* Timms, Colin (1992). "Casaccia" in Sadie 1992, vol. 1, pp. 749–750.
* Timms, Colin (1992). "Casaccia" in Sadie 1992, vol. 1, pp.&nbsp;749–750.


==External links==
==External links==
* [http://www.donizettisociety.com/index.html Donizetti Society (London) website]
* [http://www.donizettisociety.com/index.html Donizetti Society (London) website]
* {{Allmusic|class=work|id=c236902|first=Rita|last=Laurence|accessdate=14 August 2011|label=''Il borgomastro di Saardam''}}
* {{AllMusic|class=work|id=c236902|first=Rita|last=Laurence|access-date=14 August 2011|label=''Il borgomastro di Saardam''}}
* {{IMSLP2|work=Il borgomastro di Saardam (Donizetti, Gaetano)|cname=''Il borgomastro di Saardam''}}
* {{IMSLP|work=Il borgomastro di Saardam (Donizetti, Gaetano)|cname=''Il borgomastro di Saardam''}}


{{Gaetano Donizetti|state=collapsed}}
{{Gaetano Donizetti|state=collapsed}}
{{Portal bar|Opera}}
{{Authority control}}
{{Authority control}}

{{DEFAULTSORT:Borgomastro Di Saardam, Il}}
{{DEFAULTSORT:Borgomastro Di Saardam, Il}}
[[Category:Operas by Gaetano Donizetti]]
[[Category:Operas by Gaetano Donizetti]]
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[[Category:1827 operas]]
[[Category:1827 operas]]
[[Category:Operas]]
[[Category:Operas]]
[[Category:Historical operas]]
[[Category:Operas set in the 17th century]]
[[Category:Cultural depictions of Peter the Great]]
[[Category:Cultural depictions of Peter the Great]]
[[Category:Operas based on plays]]
[[Category:Operas based on plays]]

Latest revision as of 03:41, 2 May 2022

Il borgomastro di Saardam
Opera buffa by Gaetano Donizetti
Cover of the libretto
LibrettistDomenico Gilardoni
LanguageItalian
Based onLe bourgmestre de Sardam by Mélesville and others
Premiere
19 August 1827 (1827-08-19)

Il borgomastro di Saardam (The mayor of Saardam) is an 1827 melodramma giocoso (opera buffa) in two acts by Gaetano Donizetti. The libretto, by Domenico Gilardoni, was based on the 1818 play Le bourgmestre de Sardam, ou Les deux Pierres by Mélesville, Jean-Toussaint Merle and Eugène Cantiran de Boirie. Albert Lortzing's 1837 opera Zar und Zimmermann is ultimately based, via a German translation, on the same French play. The plot concerns a famous episode in the life of Peter the Great, in which he disguised himself under an assumed name as a worker in the shipyards of Saardam, and has certain similarities to Donizetti's earlier 1-act farce Il falegname di Livonia.[1][2]

Performance history

[edit]

19th century The opera premiered at the Teatro del Fondo in Naples on 19 August 1827.[3] The lead soprano role of Marietta was composed for prima donna Caroline Unger, who received high praise. The opera itself had a slow start, but soon the Neapolitans loved it, for Donizetti was very popular in that city; it was still in the repertory the following year and achieved more than thirty-five performances.[4] However, when the opera was staged at the Teatro alla Scala in Milan on 2 January 1828, and in Rome in June, it completely failed, receiving but a single performance in each city.[5] Its Milan failure pleased Donizetti's younger competitor, Vincenzo Bellini, whose Il pirata had won great critical and popular acclaim in Milan in October of the previous year.[6]

20th century and beyond

The opera was also produced in Barcelona (1829), Vienna (1836), Berlin (1837), and Budapest (1839), but was then ignored until 1973, when it was staged in the town of its setting, now called Zaandam, where it received nine performances and was recorded.[7]

Roles

[edit]
Roles, voice types, premiere cast
Role Voice type Premiere cast,[a] 19 August 1827
Conductor: Nicola Festa[8]
The Tsar (Peter the Great), disguised as Pietro Mikailoff baritone Celestino Salvatori
Pietro Flimann, a carpenter from Russia tenor Berardo Calvari Winter [Wikidata]
Timoteo Spaccafronna, the mayor[b] bass Raffaele Casaccia
Marietta, daughter of the mayor soprano Carolina Ungher
Carlotta, foster girl in the mayor's house mezzo-soprano Almerinda Manzocchi [ca]
Leforte, disguised as Filiberto, confidant of the Tsar bass Giovanni Pace
Ali' Mahmed, gatekeeper bass Gaetano Chizzola
An official bass Capranica
Chorus: Carpenters and farmers, mayoral guard, Dutch and Turkish soldiers
  1. ^ The cast list and role names are based on Gilardoni 1827 with full names from Ashbrook 1982, pp. 542–543, and Casaglia 2005. Ashbrook and Casaglia both say that Carlo Casaccia sang the borgomastro (mayor) and his son Raffaele Casaccia (also a bass-baritone) sang the role of Timoteo. These roles are one and the same in Gilardoni's libretto. According to Timms 1992, p. 750, Carlo Casaccia made his last appearance at the Teatro del Fondo in 1826.
  2. ^ The mayor's name is Vambett in the 1833 libretto from Turin: Gilardoni 1833, p. 3; and in the 1973 recording, OCLC 313616322.

Historical background

[edit]

Peter the Great was the tsar of Russia between 1672 and 1725. After his mother's death in 1694, he made a series of crucial reforms for Russia that in consequence became a great power. As part of this endeavor in 1697 he went on a diplomatic mission to Western Europe. In August he was incognito in Zaandam (Saardam) in order to study the Dutch shipbuilding and wind powered industries. Here he rented a small house near the shipyards from a Dutch smith who had worked in Moscow. His anonymity only lasted a few days, and he left for Amsterdam, leaving a number of his party behind to learn the trades. During the five months in Holland he interacted most extensively with Nicolaes Witsen, the mayor of Amsterdam, who was an expert on both Russian affairs and on shipbuilding.[9]

In 1703, Peter the Great founded Saint Petersburg and in 1712 he married his second wife, a peasant of Livonia who succeeded the throne under the name of Catherine I. In 1717 he revisited Holland, and in March and August visited Zaandam again, this time accompanied by Catherine.[9]

Synopsis

[edit]
Place: Saardam, Holland
Time: end of the 17th century

Peter the Great pretends to be a carpenter in shipyards in Saardam and works with the Russian defector Flimann. Flimann is in humble condition and is desperate to marry Marietta, the daughter of the mayor. The mayor, knowing that the Tsar has come to town in disguise, becomes convinced that Flimann is Peter the Great. Meanwhile, the true tsar is called home to quell a revolt and has to reveal his true identity. Before leaving, he gives Flimann a high title, which will enable him to marry his Marietta.

Recordings

[edit]
Year Cast: Marietta,
Tsar Pietro,
Pietro Flimann,
Il Borgomastro
Conductor,
opera house and orchestra
Label[10]
1973 Ans Philippo,
Pieter van den Berg,
Philip Langridge,
Renato Capecchi
Jan Schaap,
Orchestra and chorus of the Zaanstad Opera
(Recording of a performance at Zaanstad)
CD: Living Stage
Cat: LS 1104[11]
Myto Records,
Cat: 2MCD 991.202
2018 Irina Dubrovskaya,
Giorgio Caoduro,
Juan Francisco Gatell,
Andrea Concetti
Roberto Rizzi Brignoli,
Donizetti Opera orchestra and chorus
CD:Dynamic
Cat:CDS7812

References

[edit]

Notes

  1. ^ Osborne 1994, pp. 169–171.
  2. ^ Ashbrook 1982, pp. 44, 542–543.
  3. ^ Gilardoni 1827.
  4. ^ Osborne 1994, p. 170.
  5. ^ Weinstock 1963, p. 322.
  6. ^ Ashbrook 1982, p. 48.
  7. ^ Osborne 1994, p. 170; see also the 1973 recording.
  8. ^ Casaglia 2005.
  9. ^ a b Massie 1980, Chapters 14, 15 & 48
  10. ^ Recordings on operadis-opera-discography.org.uk
  11. ^ Library holdings: Living Stage CD, OCLC 178964909; Myto CD, OCLC 313616322, 65966225; LP, OCLC 638108147, 658363447.

Cited sources

Other sources

  • Allitt, John Stewart (1991), Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
  • Ashbrook, William (1998), "Donizetti, Gaetano" in Stanley Sadie (Ed.), The New Grove Dictionary of Opera, Vol. One. London: MacMillan Publishers, Inc. ISBN 0-333-73432-7 ISBN 1-56159-228-5
  • Ashbrook, William and Hibberd, Sarah (2001). "Gaetano Donizetti" in Amanda Holden (ed.), The New Penguin Opera Guide, 2001, pp. 224–247.
  • Black, John (1982), Donizetti's Operas in Naples, 1822—1848. London: The Donizetti Society.
  • Loewenberg, Alfred (1970). Annals of Opera, 1597-1940, 2nd edition. Rowman and Littlefield
  • Sadie, Stanley, editor (1992). The New Grove Dictionary of Opera (4 volumes). London: Macmillan. ISBN 978-1-56159-228-9.
  • Timms, Colin (1992). "Casaccia" in Sadie 1992, vol. 1, pp. 749–750.
[edit]