Castro Alves: Difference between revisions
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Revision as of 18:11, 21 June 2022
This article needs additional citations for verification. (September 2019) |
Antônio Frederico de Castro Alves | |
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Born | Antônio Frederico de Castro Alves 14 March 1847 Curralinho, Bahia, Empire of Brazil |
Died | 6 July 1871 Salvador, Bahia, Empire of Brazil | (aged 24)
Occupation | Poet, playwright |
Alma mater | University of São Paulo |
Genre | Poetry, theatre |
Subject | Abolitionism, Republicanism, love |
Literary movement | Romanticism |
Notable works | Espumas Flutuantes, Vozes d'África, O Navio Negreiro |
Partner | Eugênia Câmara |
Relatives | José Antônio da Silva Castro |
Signature | |
Antônio Frederico de Castro Alves (14 March 1847 – 6 July 1871) was a Brazilian poet and playwright, famous for his abolitionist and republican poems. One of the most famous poets of the "Condorism", he won the epithet of "O Poeta dos Escravos" ("The Poet of the Slaves").[1]
He is the patron of the 7th chair of the Brazilian Academy of Letters.[2]
Life
Castro Alves was born in the town of Curralinho (renamed "Castro Alves" in his honor in 1900), in the Brazilian state of Bahia, to Antônio José Alves, a doctor, and Clélia Brasília da Silva Castro, one of the daughters of José Antônio da Silva Castro (a.k.a. "Periquitão", Portuguese for "Big Parakeet"), a prominent fighter in the 1821–23 Siege of Salvador. In 1853, he was sent to study in the Colégio Sebrão, run by Abílio César Borges, the Baron of Macaúbas. There, he met and befriended Ruy Barbosa.
In 1862, he moved to Recife to study at the Faculdade de Direito do Recife, but he was rejected twice. He was not able to join the college until 1864, there meeting Tobias Barreto and José Bonifácio the Younger (step-grandson of the statesman José Bonifácio). They heavily influenced Alves' writing style, and he, in turn, influenced them both. His father died in 1866 and shortly after, he met the Portuguese actress Eugênia Câmara, and started dating her.
In 1867, Alves returned to Bahia with Câmara and wrote his drama Gonzaga, ou A Revolução de Minas, based on the life of the Luso-Brazilian Neoclassic poet Tomás António Gonzaga and his participation in the failed 1789 Minas Conspiracy. In the following year, he and Câmara went to São Paulo, where he entered the Faculdade de Direito da Universidade de São Paulo and once more met Ruy Barbosa. There he also befriended Pedro Luís Pereira de Sousa and wrote a poem named "Deusa incruenta", based on Sousa's work "Terribilis Dea". His play Gonzaga was performed at the end of 1868. It was well received by critics and public alike, but Alves was sad because his romantic engagement with Eugênia Câmara had terminated.
During a hunting trip in the same year, Alves received an accidental shotgun wound in his left foot, which had to be amputated due to the risk of gangrene. However, a prosthesis was made for him, and thus he was able to walk again (although with the use of an assistive cane). He spent 1870 in his home-state of Bahia, trying to recover from the tuberculosis he got while in São Paulo. Also in 1870, Alves published the poetry book Espumas Flutuantes – the only work he published during his lifetime. All his other works were published posthumously.
Alves' attempts to mitigate the tuberculosis were in vain; he died on 6 July 1871, in the city of Salvador, at 24.
Works
- Espumas Flutuantes (1870)
- Gonzaga, ou A Revolução de Minas (1875)
- A Cachoeira de Paulo Afonso (1876)
- Vozes d'África (1880)
- O Navio Negreiro (1880)
- Os Escravos (1883)
Alves also translated into Portuguese many poems by Victor Hugo, and Lord Byron's "Darkness" and "Lines Inscribed Upon a Cup Formed from a Skull". They can be found on Espumas Flutuantes.
Legacy
- The Castro Alves Masonic Lodge was founded in 1952 in São Paulo.[3]
- The Castro Alves Theater in Salvador was opened in 1967. The theater was designed by José Bina Fonyat Filho and Humberto Lemos Lopes, and is located in the city's Campo Grande district.[4]
- A B'nai B'rith lodge was named after the poet. The Castro Alves lodge was founded in 1961 and located in São Salvador, Bahia.[5]
Representations in popular culture
Alves was portrayed by Paulo Maurício in the 1949 film Vendaval Maravilhoso, loosely based on Jorge Amado's 1941 book The ABC of Castro Alves, and by Bruno Garcia in Silvio Tendler's 1999 documentary Castro Alves: Retrato Falado do Poeta.
References
- ^ Santana, Mateus. "147 anos sem Castro Alves, o Poeta dos Escravos". Fundação Cultural Palmares (in Brazilian Portuguese). Retrieved 17 March 2020.
- ^ "Castro Alves". Academia Brasileira de Letras (in Brazilian Portuguese). Retrieved 18 March 2020.
- ^ "Castro Alves Lodge". lojacastroalves.com.br via Internet Archive. Archived from the original on 20 March 2016.
- ^ "Castro Alves Theater". visitbrasil.com.
- ^ B'nai B'rith (1963). Manual de la B'nai B'rith (p. 36). Santiago, Chile.
External links
- Castro Alves' biography at the official site of the Brazilian Academy of Letters (in Portuguese)
- Works by or about Castro Alves at the Internet Archive
- Works by Castro Alves at LibriVox (public domain audiobooks)
- 1847 births
- 1871 deaths
- 19th-century Brazilian dramatists and playwrights
- 19th-century Brazilian poets
- 19th-century Brazilian male writers
- 19th-century deaths from tuberculosis
- Brazilian abolitionists
- Brazilian amputees
- Brazilian male dramatists and playwrights
- Brazilian people of Portuguese descent
- Brazilian male poets
- Empire of Brazil
- Patrons of the Brazilian Academy of Letters
- People from Salvador, Bahia
- Romantic poets
- Tuberculosis deaths in Bahia
- University of São Paulo alumni