Brian Astbury: Difference between revisions
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{{Short description|South African theatre director and photographer (1941–2020)}} |
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[[File:Brian Astbury.jpg|alt=Picture of a white man with short grey hair, a short goatee, and cross arms wearing a flannel shirt|thumb|Brian Astbury in his home in 2013]] |
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⚫ | Brian Astbury was born on 14 November 1941 and grew up in the South African town of [[Paarl]].<ref name=STP01/> He attended [[Paarl Boys' High School|Paarl Boys' High]] and played first team cricket for the school before matriculating in 1959.<ref name=STP01/><ref name="Burg">{{Cite news|date=9 March 2020|title=Brian Astbury sterf in Londen na hartanval|work=Die Burger}}</ref>{{rp|3}} He briefly studied librarianship at the [[University of Cape Town]] before abandoning the course.<ref name=STP01/> He met his future wife, at the ''Cape Argus'' where she worked as a librarian and journalist, when he did vacation work after completing his matric.<ref name="RAP">{{Cite news|date=15 March 2020|title=Astbury skep Ruimte wat teater vir altyd verander|work=Rapport}}</ref>{{rp|2}} He then worked as a photographer for Capab, the Cape Province's performing arts organisation.<ref name=STP01/> He would follow Bryceland and Athol Fugard when the latter's play ''[[Boesman and Lena]]'' toured England in 1971.<ref name=STP01/> |
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[[File:Brian Astbury.jpg|alt=Portrait of Brian Astbury. Photo by Milja Fenger|thumb|left|Brian Astbury in his home in 2013. Photo by Milja Fenger]] |
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⚫ | Brian Astbury was born on |
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He worked closely with his wife [[Yvonne Bryceland]] and playwright [[Athol Fugard]] when they formed an independent non-racial theatre called The Space in May 1972 opening with the play ''Statements After an Arrest Under the Immorality Act''.<ref name="STP01">{{Cite web|title=Brian Astbury: Driving force behind The Space theatre|url=https://www.timeslive.co.za/sunday-times/opinion-and-analysis/2020-03-22-brian-astbury-driving-force-behind-the-space-theatre/|website=TimesLIVE|language=en-ZA|access-date=2020-05-26}}</ref> Based in |
He worked closely with his wife [[Yvonne Bryceland]] and playwright [[Athol Fugard]] when they formed an independent non-racial theatre called The Space in May 1972 opening with the play ''Statements After an Arrest Under the Immorality Act''.<ref name="STP01">{{Cite web|title=Brian Astbury: Driving force behind The Space theatre|url=https://www.timeslive.co.za/sunday-times/opinion-and-analysis/2020-03-22-brian-astbury-driving-force-behind-the-space-theatre/|website=TimesLIVE|language=en-ZA|access-date=2020-05-26}}</ref> Based in an old workshop, the theatre was able to operate with a non-racial audience because a membership was required to watch the performances at the ''club''. This was closely followed by other Fugard plays ''[[Sizwe Banzi is Dead]]'' in 1972 and ''The Island'' in 1973.<ref name=STP01/> A recent documentary about the founding and the running of The Space Theatre highlighted his key role in creating South Africa's first non-racial, commercial arts venue during the apartheid regime.<ref>{{Cite web|title=The Space – Die Ruimte – Documentary|url=https://thespacetheatre.com/|website=thespacetheatre.com|access-date=2020-05-26}}</ref> |
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Other playwrights |
Other playwrights whose careers started at The Space, included [[Fatima Dike]], [[Geraldine Aron]] and [[Paul Slabolepszy]].<ref name=STP01/> The theatre helped to start a number of actors and directors careers that spanned both the South African and the international entertainment arenas and include names such as [[John Kani]], [[Winston Ntshona]], [[Bill Flynn]], [[Richard E Grant]], [[Pieter Dirk Uys]] and [[Barney Simon]].<ref name=STP01/><ref name=Burg/>{{rp|3}} |
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At The Space he was the director of ''The Sun King'', ''A Thousand Clowns'', ''The Tiger'', ''Treats'', ''[[What the Butler Saw (play)|What the Butler Saw]]'', ''Children of the Wolf'', ''Dracula'', ''Going to Pot'', ''Old King Cole'', ''Play It Again, Sam'' and other plays. |
At The Space he was the director of ''The Sun King'', ''A Thousand Clowns'', ''The Tiger'', ''Treats'', ''[[What the Butler Saw (play)|What the Butler Saw]]'', ''Children of the Wolf'', ''Dracula'', ''Going to Pot'', ''Old King Cole'', ''Play It Again, Sam'' and other plays. By 1979, with The Space struggling financially it was renamed The Peoples Space after it was taken over by Moyra Fine and Rob Amato.<ref name=STP01/><ref name=CT01/> It would fold in 1984.<ref name="CT01">{{Cite news|date=17 December 2008|title=NewSpace is an old theatre reborn|work=Cape Times}}</ref>{{rp|6}} |
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He moving to London in 1979 with Bryceland he became an influential theatre teacher at [[London Academy of Music and Dramatic Art|Lamda]], [[Mountview Academy of Theatre Arts]] and [[East 15 Acting School|East 15]] acting schools.<ref name=STP01/> After his retirement he wrote several books on the arts of acting and writing. |
He moving to London in 1979 with Bryceland he became an influential theatre teacher at [[London Academy of Music and Dramatic Art|Lamda]], [[Mountview Academy of Theatre Arts]] and [[East 15 Acting School|East 15]] acting schools.<ref name=STP01/> After his retirement he wrote several books on the arts of acting and writing. |
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==Death== |
==Death== |
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He died age 78 in London on 5 March 2020 after a heart attack on the London Tube.<ref>{{Cite web|title=Brian Astbury 14/11/1941–5/3/2020|url=https://medium.com/@jack.klaff/brian-astbury-14-11-1941-5-3-2020-1b5ac3fb9d98|last=Klaff|first=Jack|date=2020 |
He died age 78 in London on 5 March 2020 after a heart attack on the London Tube.<ref>{{Cite web|title=Brian Astbury 14/11/1941–5/3/2020|url=https://medium.com/@jack.klaff/brian-astbury-14-11-1941-5-3-2020-1b5ac3fb9d98|last=Klaff|first=Jack|date=10 March 2020|website=Medium|language=en|access-date=2020-05-26}}</ref><ref name="Daily01">{{Cite web|last=Greig|first=Robert|date=12 March 2020|title=Tribute to Brian Astbury, who co-founded the first non-racial theatre in SA|url=https://www.dailymaverick.co.za/opinionista/2020-03-13-tribute-to-brian-astbury-who-co-founded-the-first-non-racial-theatre-in-sa/|access-date=2020-07-22|website=Daily Maverick|language=en}}</ref> Yvonne Bryceland died in 1992; the couple had two daughters.<ref name=Burg/>{{rp|3}} |
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== Bibliography == |
== Bibliography == |
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*{{cite book |title=Jelly |date=2011 |location=[Charleston SC, United States of America] |isbn=978-1467912327}} |
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*{{cite book |title=Trusting the actor |date=2011 |publisher=CreateSpace |isbn=978-1466374966}} |
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*{{cite book |title=Everyone Can Write: How NOT to Learn How to Write |date=2016 |publisher=CreateSpace|isbn=978-1540699763}} |
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* Novella: [https://www.amazon.co.uk/gp/product/1467912328/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i4 Jelly] (2011) |
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*{{cite book |title=ORESTES - Athol Fugard's Lost Play |date=2018 |publisher=Kindle}} |
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* [https://www.amazon.co.uk/gp/product/1466374969/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i1 Trusting the Actor] (2012) |
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*{{cite book |title=Trust Life: Crossroads and Cycles |date=2019 |publisher=Independently published |isbn=978-1710224801}} |
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* [https://www.amazon.co.uk/gp/product/1540699765/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i3 Everyone Can Write: How NOT to Learn How to Write] (2016) |
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* [https://www.amazon.co.uk/gp/product/B07KDHRYQ5/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i0 Orestes - Athol Fugard's Lost Play] (2018) |
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* [https://www.amazon.co.uk/gp/product/1710224800/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i2 Trust Life: Crossroads and Cycles] (2019) |
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== References == |
== References == |
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{{AFC submission|||ts=20200722090521|u=Miljafe|ns=118}} |
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{{DEFAULTSORT:Astbury, Brian}} |
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[[Category:2020 deaths]] |
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[[Category:1941 births]] |
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[[Category:White South African anti-apartheid activists]] |
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[[Category:South African anti-apartheid activists]] |
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[[Category:South African theatre directors]] |
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[[Category:South African photographers]] |
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[[Category:Alumni of Paarl Boys' High School]] |
Latest revision as of 02:25, 24 September 2024
Brian Astbury (14 November 1941 – 5 March 2020) was a South African photographer, theatre director, acting and writing teacher, and founder of The Space Theatre in Cape Town, South Africa.
Early life
[edit]Brian Astbury was born on 14 November 1941 and grew up in the South African town of Paarl.[1] He attended Paarl Boys' High and played first team cricket for the school before matriculating in 1959.[1][2]: 3 He briefly studied librarianship at the University of Cape Town before abandoning the course.[1] He met his future wife, at the Cape Argus where she worked as a librarian and journalist, when he did vacation work after completing his matric.[3]: 2 He then worked as a photographer for Capab, the Cape Province's performing arts organisation.[1] He would follow Bryceland and Athol Fugard when the latter's play Boesman and Lena toured England in 1971.[1]
He worked closely with his wife Yvonne Bryceland and playwright Athol Fugard when they formed an independent non-racial theatre called The Space in May 1972 opening with the play Statements After an Arrest Under the Immorality Act.[1] Based in an old workshop, the theatre was able to operate with a non-racial audience because a membership was required to watch the performances at the club. This was closely followed by other Fugard plays Sizwe Banzi is Dead in 1972 and The Island in 1973.[1] A recent documentary about the founding and the running of The Space Theatre highlighted his key role in creating South Africa's first non-racial, commercial arts venue during the apartheid regime.[4]
Other playwrights whose careers started at The Space, included Fatima Dike, Geraldine Aron and Paul Slabolepszy.[1] The theatre helped to start a number of actors and directors careers that spanned both the South African and the international entertainment arenas and include names such as John Kani, Winston Ntshona, Bill Flynn, Richard E Grant, Pieter Dirk Uys and Barney Simon.[1][2]: 3
At The Space he was the director of The Sun King, A Thousand Clowns, The Tiger, Treats, What the Butler Saw, Children of the Wolf, Dracula, Going to Pot, Old King Cole, Play It Again, Sam and other plays. By 1979, with The Space struggling financially it was renamed The Peoples Space after it was taken over by Moyra Fine and Rob Amato.[1][5] It would fold in 1984.[5]: 6
He moving to London in 1979 with Bryceland he became an influential theatre teacher at Lamda, Mountview Academy of Theatre Arts and East 15 acting schools.[1] After his retirement he wrote several books on the arts of acting and writing.
Death
[edit]He died age 78 in London on 5 March 2020 after a heart attack on the London Tube.[6][7] Yvonne Bryceland died in 1992; the couple had two daughters.[2]: 3
Bibliography
[edit]- Jelly. [Charleston SC, United States of America]. 2011. ISBN 978-1467912327.
{{cite book}}
: CS1 maint: location missing publisher (link) - Trusting the actor. CreateSpace. 2011. ISBN 978-1466374966.
- Everyone Can Write: How NOT to Learn How to Write. CreateSpace. 2016. ISBN 978-1540699763.
- ORESTES - Athol Fugard's Lost Play. Kindle. 2018.
- Trust Life: Crossroads and Cycles. Independently published. 2019. ISBN 978-1710224801.
References
[edit]- ^ a b c d e f g h i j k "Brian Astbury: Driving force behind The Space theatre". TimesLIVE. Retrieved 26 May 2020.
- ^ a b c "Brian Astbury sterf in Londen na hartanval". Die Burger. 9 March 2020.
- ^ "Astbury skep Ruimte wat teater vir altyd verander". Rapport. 15 March 2020.
- ^ "The Space – Die Ruimte – Documentary". thespacetheatre.com. Retrieved 26 May 2020.
- ^ a b "NewSpace is an old theatre reborn". Cape Times. 17 December 2008.
- ^ Klaff, Jack (10 March 2020). "Brian Astbury 14/11/1941–5/3/2020". Medium. Retrieved 26 May 2020.
- ^ Greig, Robert (12 March 2020). "Tribute to Brian Astbury, who co-founded the first non-racial theatre in SA". Daily Maverick. Retrieved 22 July 2020.