1963 Nobel Prize in Literature: Difference between revisions
Neonknights (talk | contribs) No edit summary |
Tags: Mobile edit Mobile web edit |
||
Line 532: | Line 532: | ||
===Prize decision=== |
===Prize decision=== |
||
The Nobel committee of the [[Swedish Academy]] was unanimous to propose that the prize should be awarded to Giorgos Seferis. Seferis was one of the final three candidates for the prize along with [[W.H. Auden]] and [[Pablo Neruda]] (awarded in [[1971 Nobel Prize in Literature|1971]]). The permanent secretary of the Swedish Academy and chairman of the Nobel committee [[Anders Österling]] felt "that there now was an opportunity to pay a beautiful tribute to modern Hellas, a language area that so far had been waiting too long [to be] honored in this context". The candidacies of [[Samuel Beckett]] (awarded in [[1969 Nobel Prize in Literature|1969]]) and [[Vladimir Nabokov]] were dismissed by Österling arguing that neither author lived up to the Nobel prize's "ideal intentions". Österling was also hesitant to award Pablo Neruda and the long time candidate [[Mikhail Sholokhov]] for political reasons, but both of them were subsequently awarded the prize. [[Nelly Sachs]] was nominated for the first time by committee member [[Karl Ragnar Gierow]]. While the committee felt that it was too early for her candidacy, Gierow proposed that the poet should be taken into consideration and Sachs was eventually awarded the prize in [[1966 Nobel Prize in Literature|1966]].<ref>{{cite news|url=https://www.svd.se/a/105436b9-70d5-3162-b0bc-eec7b4e81c68/svenska-akademien-ratade-bade-beckett-och-nabokov |title=Svenska Akademien ratade både Beckett och Nabokov |author=Kaj Schueler |newspaper=Svenska Dagbladet|date=2 January 2014 }}</ref><ref name="charles" /> |
The Nobel committee of the [[Swedish Academy]] was unanimous to propose that the prize should be awarded to Giorgos Seferis. Seferis was one of the final three candidates for the prize along with [[W.H. Auden]] and [[Pablo Neruda]] (awarded in [[1971 Nobel Prize in Literature|1971]]). The permanent secretary of the Swedish Academy and chairman of the Nobel committee [[Anders Österling]] felt "that there now was an opportunity to pay a beautiful tribute to modern Hellas, a language area that so far had been waiting too long [to be] honored in this context". The candidacies of [[Samuel Beckett]] (awarded in [[1969 Nobel Prize in Literature|1969]]) and [[Vladimir Nabokov]] were dismissed by Österling arguing that neither author lived up to the Nobel prize's "ideal intentions". Österling was also hesitant to award Pablo Neruda and the long time candidate [[Mikhail Sholokhov]] for political reasons, but both of them were subsequently awarded the prize. [[Nelly Sachs]] was nominated for the first time by committee member [[Karl Ragnar Gierow]]. While the committee felt that it was too early for her candidacy, Gierow proposed that the poet should be taken into consideration and Sachs was eventually awarded the prize in [[1966 Nobel Prize in Literature|1966]].<ref>{{cite news|url=https://www.svd.se/a/105436b9-70d5-3162-b0bc-eec7b4e81c68/svenska-akademien-ratade-bade-beckett-och-nabokov |title=Svenska Akademien ratade både Beckett och Nabokov |author=Kaj Schueler |newspaper=Svenska Dagbladet|date=2 January 2014 }}</ref><ref name="charles" /> |
||
==Award ceremony speech== |
|||
At the award ceremony in Stockholm on 10 December 1963, [[Anders Österling]], permanent secretary of the [[Swedish Academy]], said; |
|||
{{Quote|Seferis’s poetic production is not large, but because of the uniqueness of its thought and style and the beauty of its language, it has become a lasting symbol of all that is indestructible in the Hellenic affirmation of life. Now that Palamas and Sikelianos are dead, Seferis is today the representative Hellenic poet, carrying on the classical heritage; a leading national figure, he is also acclaimed abroad in so far as his poetry has been made available in translation. Here in Sweden his work was presented thirteen years ago by Hjalmar Gullberg, whose translations included the famous ''The King of Asine'', the theme of which has a connection with Sweden because of our archaeologists’ successful excavations on this site. Using imagination as a tool, Seferis tries in this poem to penetrate the secret behind a name that is merely mentioned in a verse of ''[[the Iliad]]''.<br> |
|||
When reading Seferis we are forcibly reminded of a fact that is sometimes forgotten: geographically, Greece is not only a peninsula but also a world of water and foam, strewn with myriad islands, an ancient sea kingdom, the perilous and stormy home of the mariner. This Greece is the constant background of his poetry, in which it is conjured up as the vision of a grandeur both harsh and tender. Seferis does this with a language of rare subtlety, both rhythmical and metaphorical. It has rightly been said that he, better than anyone else, has interpreted the mystery of the stones, of the dead fragments of marble, and of the silent, smiling statues. In his evocative poems, figures from ancient Greek mythology appear together with recent events in the Mediterranean’s bloody theatre of war. His poetry sometimes seems difficult to interpret, particularly because Seferis is reluctant to expose his inner self, preferring to hide behind a mask of anonymity. He often expresses his grief and bitterness through the medium of a central narrative figure, a kind of Odysseus with features borrowed from the old seamen in the lost Smyrna of the poet’s youth. But in his hollow voice is dramatized much of Greece’s historical fatality, its shipwrecks and its rescues, its disasters and its valour. Technically, Seferis has received vital impulses from [[T. S. Eliot]], but underneath the tone is unmistakably his own, often carrying a broken echo of the music from an ancient Greek chorus.<ref>{{cite web|url=https://www.nobelprize.org/prizes/literature/1963/ceremony-speech/ |title=Award ceremony speech |publisher=nobelprize.org }}</ref>}} |
|||
==Notes== |
==Notes== |
Revision as of 05:42, 17 December 2024
1963 Nobel Prize in Literature | |
---|---|
Giorgos Seferis | |
Date |
|
Location | Stockholm, Sweden |
Presented by | Swedish Academy |
First awarded | 1901 |
Website | Official website |
The 1963 Nobel Prize in Literature was awarded the Greek poet and diplomat Giorgos Seferis (1900–1971) "for his eminent lyrical writing, inspired by a deep feeling for the Hellenic world of culture."[1] He is the first Greek laureate to win the Nobel Prize (followed later by Odysseas Elytis in 1979).
Laureate
Giorgos Seferis was born in Smyrna (present day Izmir, Turkey). When his family moved to France in 1918, he studied law at the University of Paris and became interested in literature. He then went to Athens in 1925 and began a long diplomatic career. During World War II, Seferis accompanied the Free Greek Government in exile and returned to liberated Athens in 1944. Many of his, which are replete with themes of alienation, traveling, and death, are set against the backdrop of his extensive travels as a diplomat. Turning Point, his debut book of poems, was released in 1931. In his later poetry, Seferis frequently weaves together modern speech and experience with Homeric myth, notably in works like Mythistorema (1935) and Imerologio Katastromatos I-III (1940-1955).[2][3]
Deliberations
Nominations
Seferis was first nominated in 1955 by Romilly Jenkins (1907–1969), an English professor in Byzantine and Modern Greek literature, and was followed by nominations from T. S. Eliot, C. A. Trypanis and Eyvind Johnson until he was eventually awarded. He only received 5 nominations.[4]
In total, the Nobel Committee of the Swedish Academy received 121 nominations for 81 distinguished authors such as Jorge Luis Borges, Jean-Paul Sartre (awarded in 1964), Martin Buber, E. M. Forster, Graham Greene, Salvador de Madariaga, André Malraux, and Ramón Menéndez Pidal. The highest number of nominations (with 8 nominations) was for the American poet Robert Frost.[a] 22 of the nominees were nominated for the first time like Marcel Jouhandeau, Vladimir Nabokov, Michel Butor, Yukio Mishima, Jean Cocteau, André Breton, Nelly Sachs (awarded in 1966), René Étiemble, and Yevgeny Yevtushenko. Five of the nominees were women, namely Ingeborg Bachmann, Juana de Ibarbourou, Gertrud von le Fort, Kate Roberts, and Nelly Sachs. Surprisingly, two heads of state and government were nominated: French president Charles de Gaulle and Senegalese president Léopold Sédar Senghor.[5][6]
The authors Ion Agârbiceanu, Herbert Asbury, Luis Cernuda, W. E. B. Du Bois, Pola Gojawiczyńska, Edith Hamilton, Christopher Hassall, Nâzım Hikmet, Ernst Kantorowicz, C. S. Lewis, Marie Linde, Brinsley MacNamara, Louis MacNeice, Margaret Murray, Clifford Odets, Yōko Ōta, Sylvia Plath, Theodore Roethke, Kay Sage, Tristan Tzara, Hilda Vīka, William Carlos Williams, and Stark Young died in 1963 without having been nominated for the prize. The American poet Robert Frost died months before the announcement.
No. | Nominee | Country | Genre(s) | Nominator(s) |
---|---|---|---|---|
1 | Stefan Andres (1906–1970) | West Germany | novel, short story | Friedrich von der Leyen (1873–1966) |
2 | Jean Anouilh (1910–1987) | France | drama, screenplay, translation | Henry Olsson (1896–1985) |
3 | Louis Aragon (1897–1982) | France | novel, short story, poetry, essays |
|
4 | Wystan Hugh Auden (1907–1973) | United Kingdom United States |
poetry, essays, screenplay |
|
5 | Ingeborg Bachmann (1926–1973) | Austria | poetry, drama, novel, short story, essays | Harald Patzer (1910–2005) |
6 | Samuel Beckett (1906–1989) | Ireland | novel, drama, poetry | Johannes Edfelt (1904–1997) |
7 | Werner Bergengruen (1892–1964) | West Germany | novel, short story, poetry | Friedrich von der Leyen (1873–1966) |
8 | Jorge Luis Borges (1899–1986) | Argentina | poetry, essays, translation, short story | Henry Olsson (1896–1985) |
9 | André Breton (1896–1966) | France | history, poetry, essays | Gabriel Germain (1903–1978) |
10 | Martin Buber (1878–1965) | Austria Israel |
philosophy | André Neher (1914–1988) |
11 | Michel Butor (1926–2016) | France | poetry, novel, essays, translation | Jean Humbert (1901–1980) |
12 | Heinrich Böll (1917–1985) | West Germany | novel, short story | Gustav Korlén (1915–2014) |
13 | Josep Carner (1884–1970) | Spain | poetry, drama, translation |
|
14 | Emilio Cecchi (1884–1966) | Italy | literary criticism, screenplay | Howard Rosario Marraro (1897–1972) |
15 | René Char (1907–1988) | France | poetry |
|
16 | Jean Cocteau (1889–1963) | France | novel, poetry, drama, screenplay, essays | Léon Cellier (1911–1976) |
17 | Charles de Gaulle (1890–1970) | France | memoir, essays |
|
18 | Lawrence Durrell (1912–1990) | United Kingdom | novel, short story, poetry, drama, essays |
|
19 | Ingemar Düring (1903–1984) | Sweden | philology, biography, translation | Franz Dirlmeier (1904–1977) |
20 | Friedrich Dürrenmatt (1921–1990) | Switzerland | drama, novel, short story, essays |
|
21 | René Étiemble (1909–2002) | France | novel, literary criticism, essays | Auguste Haury (1910–2002) |
22 | Edward Morgan Forster (1879–1970) | United Kingdom | novel, short story, drama, essays, biography, literary criticism |
|
23 | Max Frisch (1911–1991) | Switzerland | novel, drama |
|
24 | Robert Frost (1874–1963) | United States | poetry, drama |
|
25 | Rómulo Gallegos (1884–1969) | Venezuela | novel, short story |
|
26 | Jean Giono (1895–1970) | France | novel, short story, essays, poetry, drama |
|
27 | Robert Graves (1895–1985) | United Kingdom | history, novel, poetry, literary criticism, essays | Douglas Grant (1885–1951) |
28 | Graham Greene (1904–1991) | United Kingdom | novel, short story, autobiography, essays |
|
29 | Jean Guéhenno (1890–1978) | France | essays, literary criticism | Edmond Jarno (1905–1985) |
30 | Jorge Guillén (1893–1984) | Spain | poetry, literary criticism | Henri Peyre (1901–1988) |
31 | Taha Hussein (1889–1973) | Egypt | novel, short story, poetry, translation | Charles Pellat (1914–1992) |
32 | Aldous Huxley (1894–1963) | United Kingdom | novel, short story, essays, poetry, screenplay, drama, philosophy |
|
33 | Juana de Ibarbourou (1892–1979) | Uruguay | poetry, essays | Academia Nacional de Letras |
34 | Jarosław Iwaszkiewicz (1894–1980) | Poland | poetry, essays, drama, translation, short story, novel | Jean Fabre (1904–1975) |
35 | Eyvind Johnson (1900–1976) | Sweden | novel, short story |
|
36 | Marcel Jouhandeau (1888–1979) | France | short story, novel | Jean Gaulmier (1905–1997) |
37 | Yasunari Kawabata (1899–1972) | Japan | novel, short story | Henry Olsson (1896–1985) |
38 | Miroslav Krleža (1893–1981) | Yugoslavia | poetry, drama, short story, novel, essays | Association of Writers of Yugoslavia |
39 | Gertrud von Le Fort (1876–1971) | West Germany | novel, short story, essays, poetry | Friedrich von der Leyen (1873–1966) |
40 | Väinö Linna (1920–1992) | Finland | novel |
|
41 | Karl Löwith (1897–1973) | West Germany | philosophy | Franz Dirlmeier (1904–1977) |
42 | Salvador de Madariaga (1886–1978) | Spain | essays, history, law, novel | Jean Camp (1891–1968) |
43 | André Malraux (1901–1976) | France | novel, essays, literary criticism |
|
44 | Ramón Menéndez Pidal (1869–1968) | Spain | philology, history |
|
45 | Yukio Mishima (1925–1970) | Japan | novel, short story, drama, literary criticism | Johannes Rahder (1898–1988) |
46 | Vilhelm Moberg (1898–1973) | Sweden | novel, drama, history | Gösta Bergman (1894–1984) |
47 | Henry de Montherlant (1895–1972) | France | essays, novel, drama | Louis Moulinier (1904–1971) |
48 | Alberto Moravia (1907–1990) | Italy | novel, literary criticism, essays, drama |
|
49 | Stratis Myrivilis (1890–1969) | Greece | novel, short story | The Greek Authors' Union |
50 | Vladimir Nabokov (1899–1977) | Russia United States |
novel, short story, poetry, drama, translation, literary criticism, memoir | Robert Martin Adams (1915–1996) |
51 | Pablo Neruda (1904–1973) | Chile | poetry |
|
52 | Junzaburō Nishiwaki (1894–1982) | Japan | poetry, literary criticism | Japan Academy |
53 | Seán O'Casey (1880–1964) | Ireland | drama, memoir | The English PEN-Club |
54 | Rudolf Pfeiffer (1889–1979) | West Germany | philology, essays | Will Richter (1910–1984) |
55 | Ezra Pound (1885–1972) | United States | poetry, essays | Rudolf Sühnel (1907–2007) |
56 | Vasco Pratolini (1931–1991) | Italy | novel, short story | Paul Renucci (1915–1976) |
57 | Henri Queffélec (1910–1992) | France | novel, short story, screenplay | Barthélémy-Antonin Taladoire (1907–1976) |
58 | Sarvepalli Radhakrishnan (1888–1975) | India | philosophy, essays, law |
|
59 | Kate Roberts (1891–1985) | United Kingdom | novel, short story, essays | Idris Foster (1911–1984) |
60 | Jules Romains (1885–1972) | France | poetry, drama, screenplay | Gilbert Highet (1906–1978) |
61 | Nelly Sachs (1891–1970) | West Germany Sweden |
poetry, drama |
|
62 | Aksel Sandemose (1899–1965) | Denmark Norway |
novel, essays | Eyvind Johnson (1900–1976) |
63 | Jean-Paul Sartre (1905–1980) | France | philosophy, novel, drama, essays, screenplay |
|
64 | Giorgos Seferis (1900–1971) | Greece | poetry, memoir, essays | Eyvind Johnson (1900–1976) |
65 | Ramón José Sender (1901–1982) | Spain | novel, essays | Erik Lindegren (1910–1968) |
66 | Léopold Sédar Senghor (1906–2001) | Senegal | poetry, law, essays | Robert Schilling (1913–2004) |
67 | Ignazio Silone (1900–1978) | Italy | novel, short story, essays, drama | Elias Wessén (1889–1981) |
68 | Georges Simenon (1903–1989) | Belgium | novel, short story, memoir | Justin O'Brien (1906–1968) |
69 | Charles Percy Snow (1905–1980) | United Kingdom | novel, essays | Friedrich Schubel (1904–1991) |
70 | Mikhail Sholokhov (1905–1984) | Soviet Union | novel | Jack Posin (1900–1995) |
71 | Jun'ichirō Tanizaki (1886–1965) | Japan | novel, short story | Donald Keene (1922–019) |
72 | Gustave Thibon (1903–2001) | France | philosophy | Édouard Delebecque (1910–1990) |
73 | Lionel Trilling (1905–1975) | United States | essays, literary criticism, short story | Charles Warren Everett (1895–1983) |
74 | Pietro Ubaldi (1886–1972) | Italy | philosophy, essays | Academia Santista de Letras |
75 | Mika Waltari (1908–1979) | Finland | short story, novel, poetry, drama, essays, screenplay | Aapeli Saarisalo (1896–1986) |
76 | Elias Venezis (1904–1973) | Greece | novel, short story | The Greek Authors' Union |
77 | Erico Verissimo (1905–1975) | Brazil | novel, short story, autobiography, essays, translation | Jean Roche (1901–1992) |
78 | Tarjei Vesaas (1897–1970) | Norway | poetry, novel |
|
79 | Thornton Wilder (1897–1975) | United States | drama, novel, short story |
|
80 | Edmund Wilson (1895–1972) | United States | essays, literary criticism, short story, drama | Joseph Anthony Mazzeo (1923–1998) |
81 | Yevgeny Yevtushenko (1932–2017) | Soviet Union | poetry, novel, short story, drama, screenplay, essays | Konrad Bittner (1890–1967) |
Prize decision
The Nobel committee of the Swedish Academy was unanimous to propose that the prize should be awarded to Giorgos Seferis. Seferis was one of the final three candidates for the prize along with W.H. Auden and Pablo Neruda (awarded in 1971). The permanent secretary of the Swedish Academy and chairman of the Nobel committee Anders Österling felt "that there now was an opportunity to pay a beautiful tribute to modern Hellas, a language area that so far had been waiting too long [to be] honored in this context". The candidacies of Samuel Beckett (awarded in 1969) and Vladimir Nabokov were dismissed by Österling arguing that neither author lived up to the Nobel prize's "ideal intentions". Österling was also hesitant to award Pablo Neruda and the long time candidate Mikhail Sholokhov for political reasons, but both of them were subsequently awarded the prize. Nelly Sachs was nominated for the first time by committee member Karl Ragnar Gierow. While the committee felt that it was too early for her candidacy, Gierow proposed that the poet should be taken into consideration and Sachs was eventually awarded the prize in 1966.[7][5]
Award ceremony speech
At the award ceremony in Stockholm on 10 December 1963, Anders Österling, permanent secretary of the Swedish Academy, said;
Seferis’s poetic production is not large, but because of the uniqueness of its thought and style and the beauty of its language, it has become a lasting symbol of all that is indestructible in the Hellenic affirmation of life. Now that Palamas and Sikelianos are dead, Seferis is today the representative Hellenic poet, carrying on the classical heritage; a leading national figure, he is also acclaimed abroad in so far as his poetry has been made available in translation. Here in Sweden his work was presented thirteen years ago by Hjalmar Gullberg, whose translations included the famous The King of Asine, the theme of which has a connection with Sweden because of our archaeologists’ successful excavations on this site. Using imagination as a tool, Seferis tries in this poem to penetrate the secret behind a name that is merely mentioned in a verse of the Iliad.
When reading Seferis we are forcibly reminded of a fact that is sometimes forgotten: geographically, Greece is not only a peninsula but also a world of water and foam, strewn with myriad islands, an ancient sea kingdom, the perilous and stormy home of the mariner. This Greece is the constant background of his poetry, in which it is conjured up as the vision of a grandeur both harsh and tender. Seferis does this with a language of rare subtlety, both rhythmical and metaphorical. It has rightly been said that he, better than anyone else, has interpreted the mystery of the stones, of the dead fragments of marble, and of the silent, smiling statues. In his evocative poems, figures from ancient Greek mythology appear together with recent events in the Mediterranean’s bloody theatre of war. His poetry sometimes seems difficult to interpret, particularly because Seferis is reluctant to expose his inner self, preferring to hide behind a mask of anonymity. He often expresses his grief and bitterness through the medium of a central narrative figure, a kind of Odysseus with features borrowed from the old seamen in the lost Smyrna of the poet’s youth. But in his hollow voice is dramatized much of Greece’s historical fatality, its shipwrecks and its rescues, its disasters and its valour. Technically, Seferis has received vital impulses from T. S. Eliot, but underneath the tone is unmistakably his own, often carrying a broken echo of the music from an ancient Greek chorus.[8]
Notes
- ^ Robert Frost died on the 29th of January 1963, of complications from prostate surgery. Therefore, the eight nominations were for him to be posthumously awarded the Nobel Prize in Literature but since the Nobel Committee's regulations states that the prize may only be awarded posthumously if the decision has been made prior to the prizewinner's death, his case was not considered.
References
- ^ Nobel Prize in Literature 1963 nobelprize.org
- ^ Giorgos Seferis – Facts nobelprize.org
- ^ George Seferis britannica.com
- ^ Nomination archive – Giorgos Seferis nobelprize.org
- ^ a b Alison Flood (8 January 2014). "Charles de Gaulle revealed as surprise contender for Nobel literature prize". The Guardian. Retrieved 21 May 2022.
- ^ Nomination archive – 1963 nobelprize.org
- ^ Kaj Schueler (2 January 2014). "Svenska Akademien ratade både Beckett och Nabokov". Svenska Dagbladet.
- ^ "Award ceremony speech". nobelprize.org.