Nothing Special   »   [go: up one dir, main page]

Skip to main content
Log in

A multi-level depiction method for painterly rendering based on visual perception cue

  • Published:
Multimedia Tools and Applications Aims and scope Submit manuscript

Abstract

Increasing the level of detail (LOD) in brushstrokes within areas of interest improved the realism of painterly rendering. Using a modified quad-tree, we segmented an image into areas with similar levels of saliency; each of these segments was then used to control the brush strokes during rendering. We could also simulate real oil painting steps based on saliency information. Our method runs in a reasonable fine and produces results that are visually appealing and competitive with previous techniques.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Fig. 1
Fig. 2
Fig. 3
Fig. 4
Fig. 5
Fig. 6
Fig. 7
Fig. 8
Fig. 9
Fig. 10
Fig. 11
Fig. 12
Fig. 13
Fig. 14

Similar content being viewed by others

References

  1. Anil Kumar K, Hengming Z (2010) Cross comparison on c compilers reliability impact. Journal of Convergence 1(1):65–74

    Google Scholar 

  2. Baxter W, Wendt J, Lin MC (2004) Impasto- a realistic, interactive model for paint. In: Proc. NPAR’04, pp 45–56

  3. Chen L, Xie X, Fan X, Ma W, Zhang H, Zhou H (2003) A visual attention model for adapting images on small displays. Multimedia Syst 9(4):353–364

    Article  Google Scholar 

  4. Collomosse JP, Hall PM (2002) Painterly rendering using image salienc. In: Proc. of Eurographics UK Comf., pp 122–128

  5. DeCarlo D, Santella A (2002) Stylization and abstraction of photographs. In: Proc. SIGGRAPH’2002, pp 769–776

  6. Finkel R, Bentley JL (1974) Quad trees: a data structure for retrieval on composite keys. Acta Inform 4(1):1–9

    Article  MATH  Google Scholar 

  7. Gooch B, Coombe G, Shirley P (2002) Artistic vision: painterly rendering using computer vision techniques. In: Proc. NPAR’02, pp 83–90

  8. Haeberli P (1990) Paint by numbers: abstract image representations. ACM SIGGRAPH Comput Graph 24(4):207–214

    Article  Google Scholar 

  9. Hays J, Essa I (2004) Image and video based painterly animation. In: Proc. NPAR’04, pp 113–120

  10. Hertzmann A (1998) Painterly rendering with curved brush strokes ofmultiple size. In: Proc. SIGGRAPH’98, pp 453–460

  11. Hertzmann A (2001) Paint by relaxation In: Proc. CGI’01, pp 47–54

  12. Hertzmann A (2002) Fast paint texture. In: Proc. of NPAR’02, pp 91–96

  13. Hertzmann A (2003) a survey of stroke-based rendering. In: IEEE Computer Graphics and Application, vol 23, pp 70–81

  14. Itti L, Koch C (2000) A saliency-based search mechanism for overt and covert shifts of visual attention. Vis Res 40(1):1489–1506

    Google Scholar 

  15. Itti L, Koch C, Neibur E (1988) A model of saliency-based visual attention for rapid scene analysis. IEEE Trans Pattern Anal Mach Intell 20(11):1254–1259

    Article  Google Scholar 

  16. Kovacs L, Sziranyi T (2006) 2D multilayer painterly rendering with automatic focus extaction. In: Proc. WSCG’2006, pp. 141–145

  17. Lee H, Park Y, Yoon K (2003) A study on dynamic painterly stroke generation for 3D animation. In: Proc. ICCSA, pp 317–325

  18. Lee S, Olsen C, Gooch B (2006) Interactive 3D fluid jet painting. In: Proc. NPAR’06, pp 97–104

  19. Lee H, Sang h, Ryoo S Yoon K (2010) Directional texture transfer. In: Proc. NPAR’10, pp 43–48

  20. Litwinowicz PC (1997) Processing images and video for an impressionist effect. In: Proc. SIGGRAPH’97, pp 407–414

  21. Ma Y, Zhang H (2003) Contrast-based image attention analysis by using fuzzy growing. In: ACM Multimedia 2003, pp 374–381

  22. Meier BJ (1996) Painterly rendering for animation. In: Proc. SIGGRAPH’96, pp 477–484

  23. Oil Paintings-Oil Painting Reproductions. http://globalwholesaleart.com/painting_process.php

  24. Park Y, Yoon K (2008) Painterly animation using motion maps. Graph Models 70(1–2):1–15

    Article  MathSciNet  Google Scholar 

  25. Park J, Koo B, Barry R, Hong S, Yoon K (2006) Painterly rendering with designed imperfection. In: Proc. of SIGGRAPH’06 Sketches, p 99

  26. Rachel Mabanag C, Toshihisa T (2010) Motion blur identification using maxima locations for blind colour image restoration. Journal of Convergence 1(1):49–56

    Google Scholar 

  27. Santella A, DeCarlo D (2002) Abstracted painterly rendering using eye-tracking data. In: Proc. NPAR’02, pp 75–82

  28. Seo S, Park J, Yoon K (2009) A painterly rendering based on stroke profill and database. In: Proc. Computational Aesthetics, pp 9–16

  29. Shashua A, Ullman S (1988) Structual saliency: the detection of globally salient structure using a locally connected network. IEEE Trans Pattern Anal Mach Intell 7(1):90–104

    Google Scholar 

  30. Surendran D, Purusothaman T, Balachandar RA (2011) A generic interface for resource aggregation in grid of grids. International Journal of Information Technology, Communications and Convergence 1(2):159–172

    Article  Google Scholar 

  31. Treavett S, Chen M (1997) Statistical techniques for the automated syntehsis of non-photorealistic images. In: Proc. 15th Eurographics UK Conference, pp 201–210

  32. van de Weijer J, Gevers T, Geusebroek JM (2003) Color edge detection by photometric quasi invariants. In: Proc. ICCV’03, pp. 1520–1525

  33. Zahid H, Rauf Baig A, Mujtaba H (2011) Measuring entertainment and automatic generation of entertaining games. International Journal of Information Technology, Communications and Convergence 1(1):92–107

    Google Scholar 

  34. Zeki S (1999) Inner vision: an exploration of art and the brain. Oxford University Press

Download references

Acknowledgement

This research was supported by the Chung-Ang University Research Scholarship Grants in 2011.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Kyunghyun Yoon.

Rights and permissions

Reprints and permissions

About this article

Cite this article

Lee, H., Seo, S., Ryoo, S. et al. A multi-level depiction method for painterly rendering based on visual perception cue. Multimed Tools Appl 64, 277–292 (2013). https://doi.org/10.1007/s11042-012-1036-x

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s11042-012-1036-x

Keywords

Navigation