Abstract
Brazil is recognized as a musical country, with a diverse collection of musical resources served by many digital repositories and music libraries. Historically, those systems are supported by cataloging schemes that are insufficient because they follow standards more focused on the catalog record than on the structure of cataloged works. On the other hand, it is perceived the popularization of multi-entity bibliographic conceptual models, such as IFLA LRM, which seem to be an interesting solution because they (i) have a better capacity to represent the internal architecture of musical objects; (ii) support the creation of cataloging codes and international standards that enable interoperability between collections; and (iii) can be adapted through extension mechanisms. The purpose of this paper is to present an experiment of extending the IFLA LRM in the context of a Brazilian popular music digital library application in order to identify its power of expressivity for attending this specific domain. Instead of making direct use of the entities, attributes and relationships of IFLA LRM, the adopted method was to map concepts of a specific conceptual model (adherent to the digital library in question) that represents aspects of Brazilian popular music on IFLA LRM elements. The resulting extended model demonstrated to be aligned with users’ information needs and proved the efficiency of IFLA LRM to adapt to specific domains. In addition, the strategy of extending IFLA LRM from a specific model seemed appropriate for dealing with its level of generality.
Similar content being viewed by others
Notes
The distance mentioned here refers to a comparison with traditional music, which is produced and consumed within restricted communities and without commercial interests. On the other hand, in popular music, there is interest in not only talking about the perceived context by the local community, but in producing something that can be absorbed by a wider consumer market.
For this application, it was not considered the publication of the same lyrics in different scripts (i.e., the transliteration case).
The language of a Work [lyrics] without a corresponding Expression [written lyrics] is represented by the MPB-LRM-E2-A1 Language attribute, which is a LRM-E2-A2 Representative expression attribute. This is discussed later in Sect. 4.2.
Original name in Portuguese of The Girl from Ipanema song.
The need of relationship attributes is exemplified by the cases of the attributes LRM-E3-A1 Medium of performance and LRM-E4-A1 Medium of performance, discussed in Sect. 5.
References
Alves, R.C.: Música: patrimônio imaterial do brasil (2011). https://revistalusofonia.wordpress.com/2011/02/16/musica-patrimonio-imaterial-do-brasil/. Accessed 19 Feb 2019
Aragão, P.: Considerações sore o conceito de arranjo na música popular. Cadernos do Colóquio 3(1), 94–107 (2000). http://www.seer.unirio.br/index.php/coloquio/article/view/40/8. Accessed 19 Feb 2019
Boyd, M.: Arrangement. Grove Music Online (Oxford Music Online) (2001). https://doi.org/10.1093/gmo/9781561592630.article.01332
Chen, P.P.S.: The entity-relationship model—toward a unified view of data. ACM Trans Database Syst 1(1), 9–36 (1976). https://doi.org/10.1145/320434.320440
Cruz, F.W.: Necessidades de informação musical de usuários não especializados. Dissertation, Universidade de Brasília, Brasília (2008). http://repositorio.unb.br/handle/10482/3987. Accessed 19 Feb 2019
Cruz, F.W., Silva, J.R.F., Alonso, L.B.N.: Preservação do patrimônio cultural da música brasileira. In: Márdero Arellano, M.Á., de Santana Araújo, L.M. (eds.) Tendências para a gestão e preservação da informação digital, pp. 165–199. IBICT, Brasília (2017). http://livroaberto.ibict.br/bitstream/123456789/1069/2/Tendencias-preservacao-digital.pdf. Accessed 19 Feb 2019
Elmasri, R., Navathe, S.B.: Database Systems, 6th edn. Addison-Wesley, Reading (2011)
IFLA Study Group on the FRBR: Functional Requirements for Bibliographic Records. Final report, as amended and corrected through february 2009, IFLA (1998). https://www.ifla.org/publications/functional-requirements-for-bibliographic-records. Accessed 19 Feb 2019
Kishimoto, K., Snyder, T.: Popular music in FRBR and RDA: toward user-friendly and cataloger-friendly identification of works. Cat. Classif. Q. 54(1), 60–86 (2016). https://doi.org/10.1080/01639374.2015.1105898
Le Boeuf, P.: Musical works in the FRBR model or “Quasi la Stessa Cosa”: variations on a theme by Umberto Eco. Cat. Classif. Q. 39(3–4), 103–124 (2005). https://doi.org/10.1300/J104v39n03_08
Lee, D.: Documenting performance and contemporary data models: positioning performance within FRBR and LRM. In: Proceedings form the Document Academy, vol. 5, No. 1 (2018). https://doi.org/10.35492/docam/5/1/2
Miller, D., Le Boeuf, P.: “Such stuff as dreams are made on”: how does FRBR fit performing arts? Cat. Classif. Q. 39(3–4), 151–178 (2005). https://doi.org/10.1300/J104v39n03_10. Accessed 19 Feb 2019
Padron, M.F.: Uma proposta de modelo conceitual para representação da música popular brasileira. Master’s thesis, Universidade de Brasília, Brasília (2019). https://repositorio.unb.br/handle/10482/35807
Padron, M.F., Cruz, F.W., Silva, J.R.F.: Towards a conceptual model for Brazilian popular music representation. In: Proceedings of the XI Seminar on Ontology Research in Brazil and II Doctoral and Masters Consortium on Ontologies (2018). http://ceur-ws.org/Vol-2228/short8.pdf. Accessed 19 Feb 2019
Riva, P., Le Boeuf, P., Žumer, M.: IFLA Library Reference Model: a conceptual model for bibliographic information. Final report, as amended and corrected through december 2017, IFLA (2017). https://www.ifla.org/files/assets/cataloguing/frbr-lrm/ifla-lrm-august-2017_rev201712.pdf. Accessed 19 Feb 2019
Rodríguez, E.E., Alonso-Lifante, M.P., Molero, F.J., Randazzo, D.: Advocating for a change of mentality in the development of metadata standards: historical celestial cartography as a specialization example. Ital. J. Libr. Arch. Inf. Sci. (JLISit) 8(3), 39–57 (2017). https://doi.org/10.4403/jlis.it-12398
Schmidt, R.: Composing in real time: Jazz performances as “works” in the FRBR model. Cat. Classif. Q. 50(5–7), 653–669 (2012). https://doi.org/10.1080/01639374.2012.681601
Silva, J.R.F.: Diretrizes para a organização da informação musical brasileira. Dissertation, Universidade de Brasília, Brasília (2017). http://repositorio.unb.br/handle/10482/31859. Accessed 19 Feb 2019
Silva, J.R.F., Cruz, F.W., Alonso, L.B.N., Ferneda, E.: Iniciativas para a organização da informação musical brasileira. In: Proceedings of the XVII Encontro Nacional de Pesquisa em Ciência da Informação (2016). http://www.brapci.inf.br/index.php/article/download/50147. Accessed 19 Feb 2019
Standing Committee of the IFLA: ISBD: International Standard Bibliographic Description Consolidated Edition. De Gruyter Saur, Berlin (2011)
Ulhôa, M.T.: Nova história, velhos sons: notas para ouvir e pensar a música brasileira popular. Debates 1(1), 80–101 (1997). http://www.seer.unirio.br/index.php/revistadebates/article/view/4215. Accessed 19 Feb 2019
Žumer, M.: IFLA Library Reference Model (IFLA LRM)—harmonisation of the FRBR Family. Knowl. Organ. 45(4), 310–318 (2018). https://doi.org/10.5771/0943-7444-2018-4-310
Author information
Authors and Affiliations
Corresponding author
Additional information
Publisher's Note
Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.
Rights and permissions
About this article
Cite this article
Padron, M.F., Cruz, F.W. & Silva, J.R.F. Extending the IFLA Library Reference Model for a Brazilian popular music digital library. Int J Digit Libr 21, 289–306 (2020). https://doi.org/10.1007/s00799-020-00277-5
Received:
Revised:
Accepted:
Published:
Issue Date:
DOI: https://doi.org/10.1007/s00799-020-00277-5