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James W. Beauchamp
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2010 – 2019
- 2013
- [c22]Chung Lee, Andrew Horner, James W. Beauchamp, Lydia Ayers:
Discrimination of Sustained Musical Instrument tones resynthesized with piecewise-linear Approximation of harmonic amplitude envelopes. ICMC 2013 - 2012
- [c21]Mert Bay, Andreas F. Ehmann, James W. Beauchamp, Paris Smaragdis, J. Stephen Downie:
Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic Music. ISMIR 2012: 319-324
2000 – 2009
- 2006
- [c20]Mert Bay, James W. Beauchamp:
Harmonic Source Separation Using Prestored Spectra. ICA 2006: 561-568 - 2004
- [c19]Andrew Horner, James W. Beauchamp, Richard Hau Yue So:
A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds. ICMC 2004 - 2003
- [c18]Andrew Horner, James W. Beauchamp:
Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra. ICMC 2003
1990 – 1999
- 1999
- [c17]James W. Beauchamp:
Analysis and Resynthesis of Percussion Sounds: Two Methods Compared. ICMC 1999 - [c16]Timothy Madden, James W. Beauchamp:
Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh. ICMC 1999 - [c15]Hua Zheng, James W. Beauchamp:
Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano Tones. ICMC 1999 - 1995
- [c14]Andrew Horner, Ngai-Man Cheung, James W. Beauchamp:
Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters. ICMC 1995 - 1994
- [c13]Andrew Horner, James W. Beauchamp:
Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order Filter. ICMC 1994 - [c12]Sever Tipei, James W. Beauchamp:
Computer Music Project of the University of Illinois Experimental Music Studios. ICMC 1994 - 1993
- [c11]Andrew Horner, James W. Beauchamp, Norman H. Packard:
Timbre Breeding. ICMC 1993 - 1992
- [c10]James W. Beauchamp, Andrew Horner:
Extended Nonlinear Waveshaping Analysis/Synthesis Technique. ICMC 1992 - [c9]Andrew Horner, James W. Beauchamp, Lippold Haken:
Wavetable and FM Matching Synthesis of Musical Instrument Tones. ICMC 1992
1980 – 1989
- 1989
- [c8]James W. Beauchamp:
The Computer Music Project at the University of Illinois at Urbana-Champaign: 1989. ICMC 1989 - 1985
- [c7]James W. Beauchamp, Scot A. Aurenz:
New Computer Music Facilities at the University of Illinois at Urbana-Champaign. ICMC 1985 - 1982
- [c6]James W. Beauchamp:
A Computer Orchestra. ICMC 1982 - 1981
- [c5]James W. Beauchamp:
Data Reduction and Resynthesis of Connected Solo Passages using Frequency, Amplitude, and "Brightness" Detection and the Nonlinear Synthesis Technique. ICMC 1981 - [c4]Lejaren Hiller, James W. Beauchamp, Charles Dodge:
Tutorials. ICMC 1981
1970 – 1979
- 1978
- [c3]James W. Beauchamp:
Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions. ICMC 1978 - [c2]David J. Murray, James W. Beauchamp, Gary Loitz:
Using the PLATO/TI980A Music Synthesis System: The PLACOMP Language. ICMC 1978 - 1975
- [c1]James W. Beauchamp, Ken Pohlmann, Lee Chapman:
The TI 980A Computer-Controlled Music Synthesizer. ICMC 1975
1960 – 1969
- 1965
- [b1]James W. Beauchamp:
Electronic Instrumentation for the Synthesis, Control, and Analysis of Harmonic Musical Tones. University of Illinois Urbana-Champaign, USA, 1965
Coauthor Index
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