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Roberto Bresin
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2020 – today
- 2024
- [c30]Axel Hultman
, Maurizio Goina
Interactive sonification helps make sense of the negative environmental impact of vessel traffic in the Baltic Sea. Audio Mostly Conference 2024: 209-217 - 2023
- [j22]Tim Ziemer
Introduction to the special issue on design and perception of interactive sonification. J. Multimodal User Interfaces 17(4): 213-214 (2023) - [j21]Adrian Benigno Latupeirissa
PepperOSC: enabling interactive sonification of a robot's expressive movement. J. Multimodal User Interfaces 17(4): 231-239 (2023) - [j20]Adrian Benigno Latupeirissa
Correction to: PepperOSC: enabling interactive sonification of a robot's expressive movement. J. Multimodal User Interfaces 17(4): 241 (2023) - [j19]Bastian Orthmann
Sounding Robots: Design and Evaluation of Auditory Displays for Unintentional Human-robot Interaction. ACM Trans. Hum. Robot Interact. 12(4): 49:1-49:26 (2023) - [j18]Adrian Benigno Latupeirissa
Probing Aesthetics Strategies for Robot Sound: Complexity and Materiality in Movement Sonification. ACM Trans. Hum. Robot Interact. 12(4): 52:1-52:22 (2023) - [c29]Ayesha Kajol Rafi
Investigating the Role of Robot Voices and Sounds in Shaping Perceived Intentions. HAI 2023: 425-427 - [c28]Sahba Zojaji
Persuasive Polite Robots in Free-Standing Conversational Groups. IROS 2023: 4006-4013 - [c27]Brian J. Zhang, Bastian Orthmann
Hearing it Out: Guiding Robot Sound Design through Design Thinking. RO-MAN 2023: 2064-2071 - 2022
- [j17]Emma Frid
Perceptual Evaluation of Blended Sonification of Mechanical Robot Sounds Produced by Emotionally Expressive Gestures: Augmenting Consequential Sounds to Improve Non-verbal Robot Communication. Int. J. Soc. Robotics 14(2): 357-372 (2022) - 2020
- [j16]Roberto Bresin
Sonification of the self vs. sonification of the other: Differences in the sonification of performed vs. observed simple hand movements. Int. J. Hum. Comput. Stud. 144: 102500 (2020)
2010 – 2019
- 2019
- [j15]Jiajun Yang, Thomas Hermann
Introduction to the special issue on interactive sonification. J. Multimodal User Interfaces 13(3): 151-153 (2019) - [j14]Emma Frid, Ludvig Elblaus, Roberto Bresin:
Interactive sonification of a fluid dance movement: an exploratory study. J. Multimodal User Interfaces 13(3): 181-189 (2019) - [j13]Emma Frid, Jonas Moll, Roberto Bresin, Eva-Lotta Sallnäs Pysander:
Haptic feedback combined with movement sonification using a friction sound improves task performance in a virtual throwing task. J. Multimodal User Interfaces 13(4): 279-290 (2019) - [j12]Emma Frid, Jonas Moll, Roberto Bresin, Eva-Lotta Sallnäs Pysander:
Correction to: Haptic feedback combined with movement sonification using a friction sound improves task performance in a virtual throwing task. J. Multimodal User Interfaces 13(4): 291 (2019) - [c26]Emma Frid, Hans Lindetorp, Kjetil Falkenberg Hansen, Ludvig Elblaus, Roberto Bresin
Sound Forest: Evaluation of an Accessible Multisensory Music Installation. CHI 2019: 677 - 2016
- [c25]Aneesha Singh
Mind the Gap: A SIG on Bridging the Gap in Research on Body Sensing, Body Perception and Multisensory Feedback. CHI Extended Abstracts 2016: 1092-1095 - 2015
- [j11]Ludvig Elblaus, Vasiliki Tsaknaki
Demo hour. Interactions 22(5): 6-9 (2015) - [j10]Luca Turchet
Effects of Interactive Sonification on Emotionally Expressive Walking Styles. IEEE Trans. Affect. Comput. 6(2): 152-164 (2015) - [c24]Ludvig Elblaus, Vasiliki Tsaknaki
Nebula: An Interactive Garment Designed for Functional Aesthetics. CHI Extended Abstracts 2015: 275-278 - 2014
- [c23]Ludvig Elblaus, Maurizio Goina, Marie-Andrée Robitaille, Roberto Bresin:
Modes of Sonic Interaction in Circus: Three Proofs of Concept. ICMC 2014 - 2013
- [p2]Marco Fabiani, Anders Friberg, Roberto Bresin:
Systems for Interactive Control of Computer Generated Music Performance. Guide to Computing for Expressive Music Performance 2013: 49-73 - [p1]Roberto Bresin, Anders Friberg:
Evaluation of Computer Systems for Expressive Music Performance. Guide to Computing for Expressive Music Performance 2013: 181-203 - 2012
- [j9]Roberto Bresin
Interactive sonification. J. Multimodal User Interfaces 5(3-4): 85-86 (2012) - [j8]Giovanna Varni, Gaël Dubus
Interactive sonification of synchronisation of motoric behaviour in social active listening to music with mobile devices. J. Multimodal User Interfaces 5(3-4): 157-173 (2012) - [j7]Marco Fabiani, Roberto Bresin
Interactive sonification of expressive hand gestures on a handheld device. J. Multimodal User Interfaces 6(1-2): 49-57 (2012) - 2011
- [c22]Marco Fabiani, Gaël Dubus, Roberto Bresin:
MoodifierLive: Interactive and Collaborative Expressive Music Performance on Mobile Devices. NIME 2011: 116-119 - 2010
- [j6]Kjetil Falkenberg Hansen
The Skipproof Virtual Turntable for High-Level Control of Scratching. Comput. Music. J. 34(2): 39-50 (2010) - [j5]Birgitta Burger, Roberto Bresin
Communication of musical expression by means of mobile robot gestures. J. Multimodal User Interfaces 3(1-2): 109-118 (2010)
2000 – 2009
- 2009
- [j4]Yon Visell, Federico Fontana
Sound design and perception in walking interactions. Int. J. Hum. Comput. Stud. 67(11): 947-959 (2009) - [c21]Antonio Camurri
User-Centric Context-Aware Mobile Applications for Embodied Music Listening. UCMedia 2009: 21-30 - 2008
- [c20]Davide Rocchesso
Sonic interaction design: sound, information and experience. CHI Extended Abstracts 2008: 3969-3972 - 2007
- [j3]Maurizio Mancini
A Virtual Head Driven by Music Expressivity. IEEE Trans. Speech Audio Process. 15(6): 1833-1841 (2007) - [c19]Ginevra Castellano, Roberto Bresin, Antonio Camurri, Gualtiero Volpe:
User-Centered Control of Audio and Visual Expressive Feedback by Full-Body Movements. ACII 2007: 501-510 - [c18]Anna DeWitt, Roberto Bresin:
Sound Design for Affective Interaction. ACII 2007: 523-533 - [c17]Birgitta Burger, Roberto Bresin:
Displaying Expression in Musical Performance by Means of a Mobile Robot. ACII 2007: 753-754 - [c16]Davide Rocchesso, Roberto Bresin:
Emerging Sounds for Disappearing Computers. The Disappearing Computer 2007: 233-254 - [c15]Ginevra Castellano, Roberto Bresin
Expressive Control of Music and Visual Media by Full-Body Movement. NIME 2007: 390-391 - 2006
- [c14]Madelene Lindström, Anna Ståhl, Kristina Höök
Affective diary: designing for bodily expressiveness and self-reflection. CHI Extended Abstracts 2006: 1037-1042 - [c13]Kjetil Falkenberg Hansen, Roberto Bresin:
Mapping strategies in DJ scratching. NIME 2006: 188-191 - 2005
- [c12]Maurizio Mancini
From Acoustic Cues to an Expressive Agent. Gesture Workshop 2005: 280-291 - [c11]Roberto Bresin:
What is the Color of that Music Performance? ICMC 2005 - 2004
- [c10]Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
Rencon 2004: Turing Test for Musical Expression. NIME 2004: 120-123 - 2003
- [j2]Davide Rocchesso
Sounding Objects. IEEE Multim. 10(2): 42-52 (2003) - [c9]Kjetil Falkenberg Hansen
Analysis of a Genuine Scratch Performance. Gesture Workshop 2003: 519-528 - [c8]Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
After the first year of Rencon. ICMC 2003 - 2002
- [c7]Anders Friberg, Erwin Schoonderwaldt, Patrik Juslin, Roberto Bresin:
Automatic Real-Time Extraction of Musical Expression. ICMC 2002 - 2001
- [c6]Roberto Bresin:
Articulation Rules For Automatic Music Performance. ICMC 2001 - 2000
- [j1]Roberto Bresin, Anders Friberg:
Emotional Coloring of Computer-Controlled Music Performances. Comput. Music. J. 24(4): 44-63 (2000) - [c5]Roberto Bresin, Anders Friberg:
Rule-Based Emotional Coloring of Music Performance. ICMC 2000 - [c4]Roberto Bresin, Anders Friberg:
Software Tools for Musical Expression. ICMC 2000
1990 – 1999
- 1994
- [c3]Roberto Bresin, Giovanni De Poli, Giovanni U. Battel, Alvise Vidolin:
Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance. ICMC 1994 - [c2]Roberto Bresin, Alessandro Vedovetto:
Neural Networks for Musical Tones Compression, Control and Synthesis. ICMC 1994 - 1992
- [c1]Roberto Bresin, Giovanni De Poli, Alvise Vidolin:
Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance. ICMC 1992
Coauthor Index
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last updated on 2024-10-23 21:26 CEST by the dblp team
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