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Maarten W. A. Wijntjes
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2020 – today
- 2022
- [c12]Sueyoon Lee
, Abdallah El Ali
Understanding and Designing Avatar Biosignal Visualizations for Social Virtual Reality Entertainment. CHI 2022: 425:1-425:15 - [i6]Cehao Yu, Maarten W. A. Wijntjes, Elmar Eisemann, Sylvia C. Pont:
Quantifying spatial, temporal, angular and spectral structure of effective daylight in perceptually meaningful ways. CoRR abs/2211.14859 (2022) - 2021
- [c11]Hubert Lin, Mitchell van Zuijlen
What Can Style Transfer and Paintings Do for Model Robustness? CVPR 2021: 11028-11037 - 2020
- [c10]Mitchell J. P. van Zuijlen, Sylvia C. Pont
Conventions and temporal differences in painted faces: A study of posture and color distribution. HVEI 2020 - [c9]Hubert Lin, Mitchell van Zuijlen, Maarten W. A. Wijntjes
Insights from a Large-Scale Database of Material Depictions in Paintings. ICPR Workshops (3) 2020: 531-545 - [i5]Maarten W. A. Wijntjes, Mitchell van Zuijlen:
Sketch and test: visual crowd research using p5.js. CoRR abs/2004.08198 (2020) - [i4]Hubert Lin, Mitchell van Zuijlen, Maarten W. A. Wijntjes, Sylvia C. Pont, Kavita Bala:
Insights From A Large-Scale Database of Material Depictions In Paintings. CoRR abs/2011.12276 (2020) - [i3]Hubert Lin, Mitchell van Zuijlen, Sylvia C. Pont, Maarten W. A. Wijntjes, Kavita Bala:
What Can Style Transfer and Paintings Do For Model Robustness? CoRR abs/2011.14477 (2020) - [i2]Mitchell J. P. van Zuijlen, Hubert Lin, Kavita Bala, Sylvia C. Pont, Maarten W. A. Wijntjes:
Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision. CoRR abs/2012.02996 (2020)
2010 – 2019
- 2018
- [c8]Francesca Di Cicco
A Digital Tool to Understand the Pictorial Procedures of 17th Century Realism. ECCV Workshops (2) 2018: 671-675 - [c7]Francesca Di Cicco
Beurs' historical recipe and material perception of grapes in Dutch Golden Age still-lifes. HVEI 2018: 1-6 - [i1]Maarten W. A. Wijntjes:
Annotating shadows, highlights and faces: the contribution of a 'human in the loop' for digital art history. CoRR abs/1809.03539 (2018) - 2015
- [c6]Sylvia C. Pont
Texture, illumination, and material perception. Human Vision and Electronic Imaging 2015: 93940E - 2014
- [c5]Maarten W. A. Wijntjes
Shading and shadowing on Canaletto's Piazza San Marco. Human Vision and Electronic Imaging 2014: 901415 - 2013
- [c4]Maarten W. A. Wijntjes:
Copy-paste in depth. Human Vision and Electronic Imaging 2013: 865116 - 2012
- [c3]Sylvia C. Pont
Mixing material modes. Human Vision and Electronic Imaging 2012: 82910D - 2010
- [j2]Maarten W. A. Wijntjes, Sylvia C. Pont
Pointing in pictorial space: Quantifying the perceived relative depth structure in mono and stereo images of natural scenes. ACM Trans. Appl. Percept. 7(4): 24:1-24:8 (2010)
2000 – 2009
- 2009
- [j1]Maarten W. A. Wijntjes, Akihiro Sato, Vincent Hayward
Local Surface Orientation Dominates Haptic Curvature Discrimination. IEEE Trans. Haptics 2(2): 94-102 (2009) - [c2]Maarten W. A. Wijntjes
Haptics disambiguates vision in the perception of pictorial relief. Human Vision and Electronic Imaging 2009: 72400 - 2008
- [c1]Maarten W. A. Wijntjes, Akihiro Sato, Astrid M. L. Kappers, Vincent Hayward
Haptic Perception of Real and Virtual Curvature. EuroHaptics 2008: 361-366
Coauthor Index
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