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4. MCM 2013: Montreal, QC, Canada
- Jason Yust, Jonathan Wild, John Ashley Burgoyne:
Mathematics and Computation in Music - 4th International Conference, MCM 2013, Montreal, QC, Canada, June 12-14, 2013. Proceedings. Lecture Notes in Computer Science 7937, Springer 2013, ISBN 978-3-642-39356-3
Papers
- Emmanuel Amiot:
The Torii of Phases. 1-18 - Moreno Andreatta, Andrée C. Ehresmann, René Guitart, Guerino Mazzola:
Towards a Categorical Theory of Creativity for Music, Discourse, and Cognition. 19-37 - Louis Bigo, Moreno Andreatta, Jean-Louis Giavitto
, Olivier Michel, Antoine Spicher:
Computation and Visualization of Musical Structures in Chord-Based Simplicial Complexes. 38-51 - John Ashley Burgoyne
Compositional Data Analysis of Harmonic Structures in Popular Music. 52-63 - Clifton Callender:
Sturmian Canons. 64-75 - Elaine Chew
Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons. 76-87 - Tom Collins, David Meredith
Maximal Translational Equivalence Classes of Musical Patterns in Point-Set Representations. 88-99 - Thomas M. Fiore
Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality. 100-114 - Eliot Handelman, Andie Sigler:
Key Induction and Key Mapping Using Pitch-Class Set Assertions. 115-127 - Franck Jedrzejewski
The Structure of Z-Related Sets. 128-137 - Guerino Mazzola:
Hypergesture Homology for Performance Stemmata with Lie Operators. 138-150 - Thomas Noll, Mariana Montiel:
Glarean's Dodecachordon Revisited. 151-166 - Mitchell Ohriner:
Effects of Temporal Position on Harmonic Succession in the Bach Chorale Corpus. 167-176 - Robert W. Peck:
A Hypercube-Graph Model for n-Tone Rows and Relations. 177-188 - Tobias Schlemmer
Using Formal Concept Analysisto Represent Chroma Systems. 189-200 - Christopher Wm. White
An Alphabet-Reduction Algorithm for Chordal n-Grams. 201-212 - Jacek Wolkowicz, Vlado Keselj
Evaluation of n-Gram-Based Classification Approaches on Classical Music Corpora. 213-225 - Marek Zabka:
The Minkowski Geometry of Numbers Applied to the Theory of Tone Systems. 226-240
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