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Palle Dahlstedt
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2020 – today
- 2022
- [c23]Georgios Diapoulis
, Iannis Zannos, Kivanç Tatar, Palle Dahlstedt:
Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours. NIME 2022 - 2021
- [c22]Georgios Diapoulis, Palle Dahlstedt:
The creative act of live coding practice in music performance. PPIG 2021 - 2020
- [j3]Malik Nairat, Mats G. Nordahl, Palle Dahlstedt:
Generative comics: a character evolution approach for creating fictional comics. Digit. Creativity 31(4): 284-301 (2020)
2010 – 2019
- 2019
- [c21]Palle Dahlstedt:
Taming and Tickling the Beast - Multi-Touch Keyboard as Interface for a Physically Modelled Interconnected Resonating Super-Harp. NIME 2019: 47-52 - [c20]Maros Suran Bomba, Palle Dahlstedt:
Somacoustics: Interactive Body-as-Instrument. NIME 2019: 95-100 - [c19]Palle Dahlstedt, Ami Skånberg Dahlstedt:
OtoKin: Mapping for Sound Space Exploration through Dance Improvisation. NIME 2019: 156-161 - 2018
- [p1]Palle Dahlstedt:
Action and Perception: Embodying Algorithms and the Extended Mind. The Oxford Handbook of Algorithmic Music 2018 - 2017
- [c18]Min Juan Wang, Sus Lundgren Lyckvi, Chenhui Chen, Palle Dahlstedt, Fang Chen:
Using Advisory 3D Sound Cues to Improve Drivers' Performance and Situation Awareness. CHI 2017: 2814-2825 - [c17]Palle Dahlstedt:
Physical interactions with digital strings - a hybrid approach to a digital keyboard instrument. NIME 2017: 115-120 - 2015
- [j2]Francisco Fernández de Vega, Palle Dahlstedt, Chuan-Kang Ting
Special issue on creative intelligence. Evol. Intell. 8(1): 1-2 (2015) - [j1]Palle Dahlstedt:
Turn-based evolution in a simplified model of artistic creative process. Evol. Intell. 8(1): 37-50 (2015) - [c16]Palle Dahlstedt:
Mapping strategies and sound engine design for an augmented hybrid piano. NIME 2015: 271-276 - [c15]Palle Dahlstedt, Per Anders Nilsson, Gino Robair:
The bucket system - a computer mediated signalling system for group improvisation. NIME 2015: 317-318 - 2014
- [c14]Palle Dahlstedt:
Circle Squared and Circle Keys Performing on and with an Unstable Live Algorithm for the Disklavier. NIME 2014: 114-117 - [c13]Palle Dahlstedt, Patrik Karlsson, Katarina Widell, Tony Blomdahl:
YouHero Making an Expressive Concert Instrument from the GuitarHero Controller. NIME 2014: 403-406 - 2013
- [c12]Malik Nairat, Palle Dahlstedt, Mats G. Nordahl:
An interactive approach to story characterization. CICAC 2013: 56-62 - [c11]Malik Nairat, Palle Dahlstedt, Mats G. Nordahl:
Story Characterization Using Interactive Evolution in a Multi-Agent System. EvoMUSART 2013: 168-179 - 2012
- [c10]Palle Dahlstedt:
Turn-based evolution as a proposed implementation of artistic creative process. IEEE Congress on Evolutionary Computation 2012: 1-7 - [c9]Palle Dahlstedt:
Pencil Fields: An Expressive Low-Tech Performance Interface for Analog Synthesis. NIME 2012 - 2011
- [c8]Malik Nairat, Palle Dahlstedt, Mats G. Nordahl:
Character evolution approach to generative storytelling. IEEE Congress on Evolutionary Computation 2011: 1258-1263
2000 – 2009
- 2009
- [c7]Palle Dahlstedt:
On the Role of Temporary Storage in Interactive Evolution. EvoWorkshops 2009: 478-487 - [i1]Palle Dahlstedt:
Ideas and Tools in Material Space - an extended spatial model of creativity. Computational Creativity: An Interdisciplinary Approach 2009 - 2008
- [c6]Palle Dahlstedt:
Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation. CMMR 2008: 227-242 - [c5]Kjell Bäckman, Palle Dahlstedt:
A Generative Representation for the Evolution of Jazz Solos. EvoWorkshops 2008: 371-380 - [c4]Palle Dahlstedt, Per Anders Nilsson:
Free Flight in Parameter Space: A Dynamic Mapping Strategy for Expressive Free Impro. EvoWorkshops 2008: 479-484 - 2007
- [c3]Daichi Ando, Palle Dahlstedt, Mats G. Nordahl, Hitoshi Iba:
Interactive GP with Tree Representation of Classical Music Pieces. EvoWorkshops 2007: 577-584 - 2006
- [c2]Daichi Ando, Palle Dahlstedt, Mats G. Nordahl, Hitoshi Iba:
Computer Aided Composition by Means of Interactive GP. ICMC 2006 - 2001
- [c1]Palle Dahlstedt:
Creating and Exploring Huge Parameter Spaces: Interactive Evolution as a Tool for Sound Generation. ICMC 2001
Coauthor Index
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