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Rebecca Rouse
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2020 – today
- 2022
- [j5]Citational Justice Collective, Syed Ishtiaque Ahmed
, Sareeta Amrute, Jeffrey Bardzell
Citational justice and the politics of knowledge production. Interactions 29(5): 78-82 (2022) - [c12]Lissa Holloway-Attaway
When You Hear the Chime: Movable Books and the Dramaturgical Functions of Sound in Mixed Reality Interactive Narrative Design. ICIDS 2022: 427-440 - 2020
- [c11]Björn Berg Marklund, Rebecca Rouse, Lissa Holloway-Attaway:
Contextualizing Game Literacy: A transhistorical approach to understanding Game-Based Learning environments. FDG 2020: 108:1-108:6
2010 – 2019
- 2019
- [c10]Rebecca Rouse:
Someone Else's Story: An Ethical Approach to Interactive Narrative Design for Cultural Heritage. ICIDS 2019: 47-60 - [p1]Rebecca Rouse:
VR and Media of Attraction: Design Lessons from History. VR Developer Gems 2019: 21-39 - 2018
- [c9]Rebecca Rouse, Lissa Holloway-Attaway:
Re-Engineering Computational Curricula with Postdigital Heritage, Critical Humanities, and Community Engagement. DigitalHERITAGE/VSMM 2018: 1-4 - [c8]Rebecca Rouse:
Partners: Human and Nonhuman Performers and Interactive Narrative in Postdigital Theater. ICIDS 2018: 369-382 - [e1]Rebecca Rouse, Hartmut Koenitz, Mads Haahr:
Interactive Storytelling - 11th International Conference on Interactive Digital Storytelling, ICIDS 2018, Dublin, Ireland, December 5-8, 2018, Proceedings. Lecture Notes in Computer Science 11318, Springer 2018, ISBN 978-3-030-04027-7 [contents] - 2017
- [c7]Lissa Holloway-Attaway, Rebecca Rouse:
Designing Postdigital Curators: Establishing an Interdisciplinary Games and Mixed Reality Cultural Heritage Network. DCH@ICE/ITMC 2017: 162-173 - [c6]Rebecca Rouse, Evan Barba:
Design for Emerging Media: How MR Designers Think About Storytelling, Process, and Defining the Field. ICIDS 2017: 245-258 - [c5]Rebecca Rouse, Benjamin Chang, Silvia Ruzanka:
Diving into the multiplicity: Liberating your design process from a convention-centered approach. VR 2017: 429-430 - 2016
- [c4]Rebecca Rouse:
Media of Attraction: A Media Archeology Approach to Panoramas, Kinematography, Mixed Reality and Beyond. ICIDS 2016: 97-107 - 2015
- [j4]Rebecca Rouse, Maria Engberg, Nassim Jafarinaimi
MRX: an interdisciplinary framework for mixed reality experience design and criticism. Digit. Creativity 26(3-4): 175-181 (2015) - [j3]Rebecca Rouse:
MRx as a performative and theatrical stage. Digit. Creativity 26(3-4): 193-206 (2015) - [j2]Rebecca Rouse, Maria Engberg, Nassim Jafarinaimi
MRx design and criticism: the confluence of media studies, performance and social interaction. Digit. Creativity 26(3-4): 221-227 (2015) - 2014
- [c3]Kirk Quinsland, Rebecca Rouse:
The Digital Alchemist: A Mixed Reality Exploration of Jonson's Alchemist as Site-Specific Theatre. DH 2014 - 2012
- [c2]Evan Barba, Jay D. Bolter, Maria Engberg, Isaac Kulka, Rebecca Rouse:
Tutorial 2: Integrating and using panoramas and photographic images in AR experiences. ISMAR 2012
2000 – 2009
- 2009
- [c1]Evan Barba, Blair MacIntyre, Rebecca Rouse, Jay David Bolter:
(in)box with Malcom. Creativity & Cognition 2009: 455-456 - 2004
- [j1]William B. Rouse, Rebecca Rouse:
Teamwork in the performing arts. Proc. IEEE 92(4): 606-615 (2004)
Coauthor Index
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