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4th MOCO 2017: London, UK
- Marco Gillies, Kiona Niehaus:
Proceedings of the 4th International Conference on Movement Computing, London, United Kingdom, June 28-30, 2017. ACM 2017, ISBN 978-1-4503-5209-3 - Rebecca Stewart, Sophie Skach
:
Initial Investigations into Characterizing DIY E-Textile Stretch Sensors. 1:1-1:4 - Jihye Ryu, Joseph Vero, Elizabeth B. Torres
Methods for Tracking Dynamically Coupled Brain-Body Activities during Natural Movement. 2:1-2:8 - Teoma J. Naccarato
Critical Appropriations of Biosensors in Artistic Practice. 3:1-3:7 - Andreas Schlegel
Digital Oxymorons: From Ordinary to Expressive Objects Using Tiny Wireless IMUs. 4:1-4:8 - Federico Visi, Theodoros Georgiou
Assessing the Accuracy of an Algorithm for the Estimation of Spatial Gait Parameters Using Inertial Measurement Units: Application to Healthy Subject and Hemiparetic Stroke Survivor. 5:1-5:7 - Pablo Palacio, Daniel Bisig:
Piano&Dancer: Interaction Between a Dancer and an Acoustic Instrument. 6:1-6:8 - Cláudia Sofia Ribeiro
Capturing and Documenting Creative Processes in Contemporary Dance. 7:1-7:7 - Petra Gemeinboeck, Rob Saunders:
Movement Matters: How a Robot Becomes Body. 8:1-8:8 - Luis Molina-Tanco
The Delay Mirror: a Technological Innovation Specific to the Dance Studio. 9:1-9:6 - Andreas Bergsland, Robert Wechsler:
Issues and Strategies of Rhythmicality for MotionComposer. 10:1-10:4 - Tejaswinee Kelkar
Representation Strategies in Two-handed Melodic Sound-Tracing. 11:1-11:4 - Elisabetta Bevacqua, Gireg Desmeulles:
Real and virtual body percussionists interaction. 12:1-12:4 - Álvaro Sarasúa, Baptiste Caramiaux
Datasets for the Analysis of Expressive Musical Gestures. 13:1-13:4 - Baptiste Caramiaux
Individuality in Piano Performance Depends on Skill Learning. 14:1-14:7 - Robert H. Jack, Tony Stockman, Andrew P. McPherson:
Rich gesture, reduced control: the influence of constrained mappings on performance technique. 15:1-15:8 - Luke Dahl, Jon Bellona, Lin Bai, Amy LaViers:
Data-Driven Design of Sound for Enhancing the Perception of Expressive Robotic Movement. 16:1-16:8 - Sung-A Jang, Graham Wakefield
Incorporating Kinesthetic Creativity and Gestural Play into Immersive Modeling. 17:1-17:8 - Daniel Berio, Sylvain Calinon, Frederic Fol Leymarie
Dynamic Graffiti Stylisation with Stochastic Optimal Control. 18:1-18:8 - Andrew Bluff, Andrew Johnston:
Storytelling with Interactive Physical Theatre: A case study of Dot and the Kangaroo. 19:1-19:8 - Jonas Jørgensen
Leveraging morphological computation for expressive movement generation in a soft robotic artwork. 20:1-20:4 - Yves Candau, Jules Françoise
Cultivating kinaesthetic awareness through interaction: Perspectives from somatic practices and embodied cognition. 21:1-21:8 - Lauren Hayes
Towards an Aesthetics of Touch. 22:1-22:8 - Cumhur Erkut
Embodied Interaction through Movement in a Course Work. 23:1-23:8 - Caroline P. Whyatt
The social-dance: decomposing naturalistic dyadic interaction dynamics to the 'micro-level'. 24:1-24:8 - Daniel Berio, Memo Akten, Frederic Fol Leymarie
Calligraphic Stylisation Learning with a Physiologically Plausible Model of Movement and Recurrent Neural Networks. 25:1-25:8 - Mickaël Tits
Morphology Independent Feature Engineering in Motion Capture Database for Gesture Evaluation. 26:1-26:8 - Carl Peter Robinson, Baihua Li, Qinggang Meng, Matthew T. G. Pain:
Pattern Classification of Hand Movements using Time Domain Features of Electromyography. 27:1-27:6 - Kirk A. Woolford
Breakdown Harmonica: Extending Laban Notation with Video Game Development Tools. 28:1-28:7 - Paolo Alborno, Nikolas De Giorgis, Antonio Camurri
Limbs synchronisation as a measure of movement quality in karate. 29:1-29:6 - Ksenia Kolykhalova, Giorgio Gnecco
Graph-restricted game approach for investigating human movement qualities. 30:1-30:4
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