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Alon Ilsar
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2020 – today
- 2024
- [c14]Sam Trolland
, Melinda Smith
Visual instrument co-design embracing the unique movement capabilities of a dancer with physical disability. MOCO 2024: 17 - [i2]Sam Trolland, Melinda Smith, Alon Ilsar, Jon McCormack:
Visual instrument co-design embracing the unique movement capabilities of a dancer with physical disability. CoRR abs/2406.07874 (2024) - 2023
- [c13]Kurt Mikolajczyk, Sam Trolland, Alon Ilsar, Jon McCormack, Sam Ferguson, Oliver Bown:
Gestural Interactions with Object-Based Audio in an Internet of Sounds Ecosystem. IS2 2023: 1-9 - 2022
- [j1]Alon Ilsar
Inclusive Improvisation: Exploring the Line between Listening and Playing Music. ACM Trans. Access. Comput. 15(2): 9:1-9:21 (2022) - [c12]Leona M. Holloway, Cagatay Goncu, Alon Ilsar, Matthew Butler, Kim Marriott:
Infosonics: Accessible Infographics for People who are Blind using Sonification and Voice. CHI 2022: 480:1-480:13 - [c11]Sam Trolland
AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. NIME 2022 - [i1]Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton:
Explainable Computational Creativity. CoRR abs/2205.05682 (2022) - 2021
- [c10]Emma Frid, Alon Ilsar:
Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools. NIME 2021 - 2020
- [c9]Alon Ilsar, Gail Kenning
Inclusive improvisation through sound and movement mapping: from DMI to ADMI. ASSETS 2020: 49:1-49:8 - [c8]Alon Ilsar, Matthew Hughes:
A New Audio-Visual Gestural Instrument for Unlocking Creativity. CHI Extended Abstracts 2020: 1-4 - [c7]Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton:
Explainable Computational Creativity. ICCC 2020: 334-341 - [c6]Alon Ilsar, Matthew Hughes, Andrew Johnston:
NIME or Mime: A Sound-First Approach to Developing an Audio-Visual Gestural Instrument. NIME 2020: 315-320 - [c5]Alon Ilsar, Matthew Hughes:
Harmony across Music, Visuals and Movement in a New Audio-visual Gestural Performance. TEI 2020: 625-630
2010 – 2019
- 2018
- [b1]Alon Ilsar:
The AirSticks: a new instrument for live electronic percussion within an ensemble. University of Technology Sydney, Australia, 2018 - 2015
- [c4]Alon Ilsar, Andrew Johnston:
Choreography in the Mapping of New Instruments. Creativity & Cognition 2015: 161-164 - [c3]Alon Ilsar, Andrew Bluff:
'AirStorm, ' A New Piece for AirSticks and Storm: Gestural Audio-Visual for Electronic Percussionists. Creativity & Cognition 2015: 389-390 - 2014
- [c2]Alon Ilsar, Mark Havryliv, Andrew Johnston:
Evaluating the Performance of a New Gestural Instrument Within an Ensemble. NIME 2014: 339-342 - 2013
- [c1]Alon Ilsar, Mark Havryliv, Andrew Johnston:
'I & I, ' a new piece for the AirSticks: a new interface for electronic percussionists. Creativity & Cognition 2013: 394-395
Coauthor Index
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last updated on 2024-10-22 20:16 CEST by the dblp team
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