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Alice C. Eldridge
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2020 – today
- 2024
- [j5]Kieran A. Gibb, Alice Eldridge, Christopher J. Sandom, Ivor J. A. Simpson:
Towards interpretable learned representations for ecoacoustics using variational auto-encoding. Ecol. Informatics 80: 102449 (2024) - 2021
- [c11]Alice Eldridge:
Listening to Ecosystems as Complex Adaptive Systems: Toward Acoustic Early Warning Signals. ALIFE 2021: 20 - [c10]Alice Eldridge, Chris Kiefer, Dan Overholt, Halldór Úlfarsson:
Self-resonating Vibrotactile Feedback Instruments \textbar\textbar: Making, Playing, Conceptualising : \textbar\textbar. NIME 2021 - 2020
- [c9]Chris Kiefer, Dan Overholt, Alice Eldridge:
Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics. NIME 2020: 343-348
2010 – 2019
- 2019
- [j4]Zhengguo Sheng, Saskia Pfersich, Alice Eldridge, Jianshan Zhou, Daxin Tian, Victor C. M. Leung:
Wireless acoustic sensor networks and edge computing for rapid acoustic monitoring. IEEE CAA J. Autom. Sinica 6(1): 64-74 (2019) - 2018
- [c8]Alice Eldridge, Chris Kiefer:
Toward a Synthetic Acoustic Ecology: Sonically Situated, Evolutionary Agent Based Models of the Acoustic Niche Hypothesis. ALIFE 2018: 296-303 - [p1]Alice Eldridge, Oliver Bown:
Biologically-Inspired and Agent-Based Algorithms for Music. The Oxford Handbook of Algorithmic Music 2018 - 2017
- [c7]Alice Eldridge, Chris Kiefer:
Self-resonating feedback cello: interfacing gestural and generative processes in improvised performance. NIME 2017: 25-29 - 2016
- [c6]Sharon Webb, Chris Kiefer, Ben Jackson, Alice Eldridge, James Baker:
Music Information Retrieval Algorithms for Oral History Collections. DH 2016: 948-949 - [c5]Patrice Guyot, Alice Eldridge, Ying Chen Eyre-Walker, Alison Johnston, Thomas Pellegrini, Mika Peck:
Sinusoidal Modelling for Ecoacoustics. INTERSPEECH 2016: 2602-2606 - [i2]Alice C. Eldridge, Michael A. Casey, Paola Moscoso, Mika Peck:
A New Method for Ecoacoustics? Toward the Extraction and Evaluation of Ecologically-Meaningful Sound Objects using Sparse Coding Methods. PeerJ Prepr. 4: e1407 (2016) - 2015
- [j3]Alice Eldridge:
You Pretty Little Flocker: Exploring the Aesthetic State Space of Creative Ecosystems. Artif. Life 21(3): 289-292 (2015) - [i1]Alice C. Eldridge, Michael A. Casey, Paola Moscoso, Mika Peck:
A new direction for Soundscape Ecology? Toward the extraction and evaluation of ecologically-meaningful soundscape objects using sparse coding methods. PeerJ Prepr. 3: e1407 (2015) - 2012
- [c4]Alice Eldridge:
Generative sound Art as Poeitic Poetry for an Information Society. ICMC 2012
2000 – 2009
- 2009
- [j2]Alice C. Eldridge:
The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Juan Romero and Penousal Machado (Eds.), 2007, Springer-Verlag, 458 pages. Artif. Life 15(2): 255-258 (2009) - [c3]Alice C. Eldridge, Alan Dorin:
Filterscape: Energy Recycling in a Creative Ecosystem. EvoWorkshops 2009: 508-517 - 2008
- [c2]Alice C. Eldridge, Alan Dorin, Jon McCormack:
Manipulating Artificial Ecosystems. EvoWorkshops 2008: 392-401 - 2006
- [j1]Alice C. Eldridge:
Issues in Auditory Display. Artif. Life 12(2): 259-274 (2006) - 2005
- [c1]Alice C. Eldridge:
Extra-Music(ologic)al Models for Algorithmic Composition. EvoWorkshops 2005: 557-562
Coauthor Index
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