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Computer Music Journal, Volume 33

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Volume 33, Number 1, Spring 2009

Sonification and Sound Synthesis

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Eduardo Reck Miranda, Larry Bull, François Gueguen, Ivan S. Uroukov:
Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks. 9-18

Computer-Aided Composition

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Mikael Laurson, Mika Kuuskankare, Vesa Norilo:
An Overview of PWGL, a Visual Programming Environment for Music. 19-31
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François Rose, James E. Hetrick:
Enhancing Orchestration Technique via Spectrally Based Linear Algebra Methods. 32-41

Music Information Retrieval

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Katy C. Noland, Mark B. Sandler:
Influences of Signal Processing, Tone Profiles, and Chord Progressions on a Model for Estimating the Musical Key from Audio. 42-56

Music Cognition

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Freya Bailes, Roger T. Dean:
When Is Noise Speech? A Survey in Sonic Ambiguity. 57-67
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Amalia de Götzen:
Rondà da Passeggio. 68-70
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Karen Sunabacka:
Electroacoustic Music Studies Network 2008: Musique concrète - 60 Years Later. 70-73
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Tae Hong Park, James Harley:
Toronto Electroacoustic Symposium. 73-74
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Iroro Orife:
Tae Hong Park: Introduction to Digital Signal Processing: Computer Musically Speaking. 74-76
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Ian Whalley:
Ken Greenebaum and Ronen Barzel (Editors): Audio Anecdotes: Tools, Tips, and Techniques for Digital Audio. 76-78
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Ross Feller:
Various: Music from SEAMUS, Volume 17. 78-80
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Andrew Fletcher:
Dennis Miller: Seven Animations. 80-81

Volume 33, Number 2, Summer 2009

Interview

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Yiorgos Vassilandonakis:
An Interview with Trevor Wishart. 8-23

New Implementations of Electroacoustic Classics

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Vincenzo Lombardo, Andrea Valle, John P. Fitch, Kees Tazelaar, Stefan Weinzierl, Wojciech Borczyk:
A Virtual-Reality Reconstruction of Poème Électronique Based on Philological Research. 24-47

Automated Composition

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Christopher Ariza:
The Interrogator as Critic: The Turing Test and the Evaluation of Generative Music Systems. 48-70

Musical Applications of Audio Signal Processing

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William A. Sethares, Andrew J. Milne, Stefan Tiedje, Anthony Prechtl, James Plamondon:
Spectral Tools for Dynamic Tonality and Audio Morphing. 71-84
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Jyri Pakarinen, David T. Yeh:
A Review of Digital Techniques for Modeling Vacuum-Tube Guitar Amplifiers. 85-100
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Jeremy C. Baguyos:
Seoul International Computer Music Festival 2008. 101-103
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James Harley:
Évelyne Gayou: GRM - Le Groupe de Recherches Musicales: Cinquante ans d'histoire. 103-105
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Ross Feller:
Drew Krause: Powder. 105-107
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Jeffrey Treviño:
Zbigniew Karkowski/Atsuko Nojiri: Continuity. 107-108

Volume 33, Number 3, Fall 2009

Erratum

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Elizabeth Hellmuth Margulis, Andrew P. Beatty:
Erratum: Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool. 3

Contents

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Tae Hong Park:
Editor's Notes. 4

A Tribute to Max Mathews

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Tae Hong Park:
An Interview with Max Mathews. 9-22
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Jon Appleton:
My Friend Max. 23-25
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Jean-Claude Risset:
Max Mathews's Influence on (My) Music. 26-34
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John Chowning:
Wave Studies: Sailing an Ocean with Max and Marjorie Mathews. 35-40
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Hubert Howe:
My Experiences with Max Mathews in the Early Days of Computer Music. 41-44

Algorithmic Composition

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Dimitrios Tzimeas, Eleni E. Mangina:
Dynamic Techniques for Genetic Algorithm-Based Music Systems. 45-60
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Frode Holm:
NAMM 2009. 61-64
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Michael Robert Barnhart:
Nick Collins and Julio d'Escriván, Editors: The Cambridge Companion to Electronic Music. 64-65
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Ian Whalley:
Charles O. Nussbaum: The Musical Representation: Meaning, Ontology, and Emotion. 65-68
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Michael Boyd:
Matthew Ostrowski: vertebra. 68-69
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Patricia L. Dirks:
Frances White: Centre Bridge: Electroacoustic Works. 69-70

Volume 33, Number 4, Winter 2009

Interview

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Christopher Jette:
Decompartmental: Conversing with Clarence Barlow. 10-22

Sound Synthesis

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Esteban Maestre, Rafael Ramírez, Stefan Kersten, Xavier Serra:
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. 23-42
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Stefan Bilbao:
Direct Simulation of Reed Wind Instruments. 43-55

Algorithmic Composition

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François Pachet:
Description-Based Design of Melodies. 56-68

New Performance Interfaces

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Dan Overholt, John Thompson, Lance Putnam, Bo Bell, Jim Kleban, Bob L. Sturm, JoAnn Kuchera-Morin:
A Multimodal System for Gesture Recognition in Interactive Music Performance. 69-82
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Osvaldo Budón:
Eleanor Stubley, Editor: Compositional Crossroads: Music, McGill, Montreal. 83-87
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Laurie Radford:
Eric Chasalow: Left to His Own Devices. 87-88
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Laurie Radford:
Meta Duo: Korea-Sax. 88-89
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Matthew McCabe:
Dan Trueman: Machine Language. 90
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Ian Whalley:
Electronic Music, Vol. III, Música Viva Competition Prize Winners 2004 - 2005 - 2006: Adrian Moore, Joshua Goldman, Panayiotis Kokoras, Pedro Almeida, Santiago Díez Fischer, Ingrid Obled, Manuella Blackburn, Thomas Peter. 91-92
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Martin Eckart:
Percussa AudioCubes Sensors/Controllers. 93-95

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