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19th ICMC 1993: Tokio, Japan
- Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, ICMC 1993, Tokio, Japan, September 10-15, 1993. Michigan Publishing 1993
- John Chowning:
Computer Music: A Grand Adventure and Some Thoughts About Loudness. - Joji Yuasa:
Cosmology and Technology in Music. - Satosi Simura, Tuneko Tukitani, Toru Seyama, Osamu Yamaguti:
Simplicity as complexity - technicalities and aesthetics of Japanese musical instruments and music. - Gerard Pape, Didier Rocton:
UPIC Special Session. - David Cope, Larry Austin, Jean-Baptiste Barrière, Martin Herman, D. Gareth Loy, Otto E. Laske, Atau Tanaka:
Panel Discussion: Algorithmic Music. - Atau Tanaka, Larry Austin, David Cope, Martin Herman, Otto E. Laske:
Position Papers for the Second Panel on Algorithmic Music. - Vesa Välimäki, Matti Karjalainen, Timo I. Laakso:
Modeling of Woodwind Bores with Finger Holes. - Scott A. Van Duyne, Julius O. Smith III:
Physical Modeling with the 2-D Digital Waveguide Mesh. - Xavier Rodet:
Flexible Yet Controllable Physical Models: A Nonlinear Dynamics Approach. - Matti Karjalainen, Vesa Välimäki, Zoltán Jánosy:
Towards High-Quality Sound Synthesis of the Guitar and String Instruments. - Julius O. Smith III:
Efficient Synthesis of Stringed Musical Instruments. - Nicolas Szilas, Claude Cadoz:
Physical Models That Learn. - Chris Chafe:
Tactile Audio Feedback. - Barry Traux:
Time-Shifting and Transposition of Sampled Sound with a Real-Time Granulation Technique. - Richard Kronland-Martinet, Philippe Guillemain:
Towards Non-Linear Resynthesis of Instrumental Sounds. - Philippe Depalle, Guillermo García, Xavier Rodet:
Analysis of Sound for Additive Synthesis: Tracking of Partials Using Hidden Markov Models. - Adrian Freed, Xavier Rodet, Philippe Depalle:
Synthesis and Control of Hundreds of Sinusoidal Partials on a Desktop Computer without Custom Hardware. - Curtis Roads:
Musical Sound Transformation by Convolution. - Jeff Pressing, Chris Scallan, Neil Dicker:
Visualization and Predictive Modelling of Musical Signals using Embedding Techniques. - Gilbert A. Soulodre, Dale Stammen:
A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls. - Gary S. Kendall:
PinnaWorks: a NeXT Application for Three-Dimensional Sound Processing in Real-Time. - Theodore Apel:
Spectral Transformation and Cross Synthesis of Sinusoidal Analysis Peaks. - Atau Tanaka:
Musical Technical Issues in Using Interactive Instrument Technology with Application to the BioMuse. - Tsutomu Kanamori, Haruhiro Katayose, Satosi Simura, Seiji Inokuchi:
Gesture Sensor in Virtual Performer. - Perry R. Cook, Dexter Morrill, Julius O. Smith III:
A MIDI Control and Performance System for Brass Instruments. - Miller S. Puckette, Zack Settel:
Nonobvious roles for electronics in performance enhancement. - Haruhiro Katayose, Tsutomu Kanamori, Katsuyuki Kamei, Yoichi Nagashima, Kosuke Sato, Seiji Inokuchi, Satosi Simura:
Virtual Performer. - Stephen Travis Pope, Lennart E. Fahlén:
The Use of 3-D Audio in a Synthetic Environment: An Aural Renderer for a Distributed Virtual Reality System. - Wataru Inoue, Shuji Hashimoto, Sadamu Ohteru:
A Computer Music System for Human Singing. - Robin Bargar:
Virtual Sound Compostion for the CAVE. - David Zicarelli:
Remote Control Applications using 'Smart-Controllers' in Versatile Hardware Configurations. - Dale Skrien, Jonathan Hallstrom:
Krayola: A Flexible, Robust, and User-friendly Precompositional Sketching Environment. - Kurt J. Hebel, Carla A. Scaletti:
The Software Architecture of the Kyma System. - Roger B. Dannenberg:
The Implementation of Nyquist, A Sound Synthesis Language. - Michael A. Lee, David Wessel:
Real-Time Neuro-Fuzzy Systems for Adaptive Control of Musical Processes. - Kevin Elliot:
A Behavioral or Actor-Based Paradigm of Sound Production and Studio Composition. - Tapio Takala, James K. Hahn, Larry Gritz, Joseph Geigel, Jong Won Lee:
Using Physically-Based Models and Genetic Algorithms for Functional Composition of Sound Signals, Synchronized to Animated Motion. - Philippe Depalle, Xavier Rodet, Thierry Galas, Gerhard Eckel:
Generalized Diphone Control. - Cort Lippe:
A Musical Application of Real-time Granular Sampling Using the IRCAM Signal Processing Workstation. - Martin Herman:
Deterministic Chaos, Iterative Models, Dynamical Systems and Their Application in Algorithmic Composition. - Larry Austin:
Modeling a Hypermedia Composition/Performance System. - Linda Seltzer:
A Confluence of Computer Music and Ancient Chinese Aesthetics. - Gérard Assayag, Camilo Rueda:
The Music Representation Project at IRCAM. - Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière:
On the Realization of NoaNoa and Près, Two Pieces for Solo Instruments and Ircam Signal Processing Workstation. - Jean-Baptiste Barrière, Xavier Chabot:
Integration of Aid to Composition and Performance Environments: Experiences of Interactions between Patchwork and Max-ISPW. - Peter Desain, Henkjan Honing:
On Continuous Musical Control of Discrete Musical Objects. - Charles Bestor:
MAX as an Overall Control Mechanism for Multi-Discipline Installation Art. - Bruce W. Pennycook, Dale Stammen, Debbie Reynolds:
Toward a Computer Model of a Jazz Improviser. - Dale Stammen, Bruce W. Pennycook:
Real-time Recognition of Melodic Fragments Using the Dynamic Timewarp Algorithm. - Johannes Feulner:
Neural Networks that Learn and Reproduce Various Styles of Harmonization. - Michael A. Casey:
Distal Learning of Musical Instrument Control Parameters. - Ian J. Taylor, Mike Greenhough:
An Object Oriented ARTMAP System for Classifying Pitch. - Kunio Kashino, Hidehiko Tanaka:
A Sound Source Separation System with the Ability of Automatic Tone Modeling. - Steve Berkley:
A Neural Network Model for Sound Localization in Binaural Fusion. - Giovanni De Poli, Paolo Tonella:
Self-organizing Neural Network and Grey's Timbre Space. - Neil P. McAngus Todd:
Wavelet Analysis of Rhythm in Expressive Musical Performance. - Gerhard Widmer:
Understanding and Learning Musical Expression. - Jeff A. Bilmes:
Techniques to Foster Drum Machine Expressivity. - Andranick Tanguiane:
An Artificial Perception Model and Its Application to Music Recognition. - Yuzuru Hiraga:
A Computational Model of Music Cognition Based on Interacting Primitive Agents. - Michael Bridger:
Narrativisation in Electroacoustic and Computer Music - Reflections on Empirical Research into Listener's Response. - Pauli Laine:
SIbelius Academy Computer Music Studio. - Wayne Siegel:
DIEM (The Danish Institute of Electroacoustic Music) Studio Report. - Patte Wood, Chris Chafe, Perry R. Cook:
Studio Report: Center for Computer Research in Music and Acoustics (CCRMA). - Wu Jian:
Computer Aided Composition in Chinese Studio. - Takayuki Rai, K. Matsunuma, K. Takasaki, S. Mokushou:
Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music. - Stephen Arnold:
A Network for Music Research, Composition and Pedagogy in the University of Glasgow. - Folkmar Hein, Bernhard Feiten:
Studio Report Elektronisches Studio TU Berlin. - W. Andrew Schloss:
Studio Report: The University of Victoria's Laboratory for Extended Media. - Thomas Gerwin:
The International Digital ElectroAcoustic Music Archive - A new source for research into the history of electroacoustic music. - Marc Battier:
Computer Music Enters the Museum: Recent Developments in Paris. - Kevin Elliot:
The Sound Studios of the Banff Centre for the Arts. - Jonty Harrison, Robert Dow:
Studio Report: The Electroacoustic Music Studio at The University of Birmingham (UK). - Dominik Hörnel:
SYSTHEMA - Analysis and Automatic Synthesis of Classical Themes. - Jeff Pressing, Peter Lawrence:
Transcribe: A Comprehensive Autotranscription Program. - Curtis Roads:
Organization of Clang-tint. - Tetsuya Kageyama, Kazuhiro Mochizuki, Yosuke Takashima:
Melody Retrieval with Humming. - Jukka-Pekka Kervinen, Kai Lassfolk:
Helsinki Music Tools. - Andrea Szigetvári:
MicroTuner: An Interactive Tuning System for the MAX Environment. - Miguel Calzón:
AREM/ARMS - Reinterpretation of musical structures. - Peter Castine:
Whatever Happened to CMAP for Macintosh? A Status Report. - Kenzi Noike, Nobuo Takiguchi, Takashi Nose, Yoshiyuki Kotani, Hirohiko Nisimura:
Automatic Generation of Expressive Performance by using Music Structures. - Peter Desain, Tom Brus:
What Ever Happened to our Beautiful Schematics. - Peter Lundén:
Knowledge Representation of Sounds and Sonic-Structures Based on Constraints and Mulitple Inheritance. - Rick Bidlack, Kevin Elliot, Peter Otto:
MixNet - A Comprehensive Realtime Automated Production System: Progress Report. - Russell Tincher, Allen Strange:
The ICMC 92 CD Stack. - Yoichi Nagashima, Haruhiro Katayose, Seiji Inokuchi:
Pegasus-2: Real-Time Composing Environment with Chaotic Interaction Model. - Steve Shihong Chen, J. Richard Dennis:
Linking Different Cultures with Computers. - Noam Amir, Giora Rosenhouse, Uri Shimony, Itai Shelef:
Losses in Tubular Acoustic Systems - Theory and Experiment in the Sampled Time and Frequency Domains. - Perry R. Cook, Dimitris Kamarotos:
IGDIS (Instrument for Greek DIction and Singing): A Modern Greek Text to Speech/Singing Program for the SPASM/Singer Instrument. - Gordon Monro:
Synthesis from attractors. - Bruno Degazio:
Towards a Chaotic Musical Instrument. - Andrew Horner, James W. Beauchamp, Norman H. Packard:
Timbre Breeding. - Chris Scallan, Thomas Stainsby:
A New Software Package for Spectral Investigation and Analysis/Synthesis Using FFT and Sinusoidal Modelling Techniques. - Jarkko Vuori, Vesa Välimäki:
Parameter Estimation of Non-Linear Physical Models by Simulated Evolution - Application to the Flute Model. - Toshiaki Matsushima:
The Recognition and Editing System for Shakuhachi Score. - Dennis Thurmond:
Developing Jazz Improvisional Skills with the Use of Music Sequencing Software. - Kim Steffensen, Bjarne Slipsager, Mads Folmer, Steffen Brandorff:
DIEM Multi DSP Box for Live Performance. - Kwang Rip Hyun, Raja Banerjea, Munchurl Kim, Haniph A. Latchman, Subramania I. Sudharsanan:
A Real-Time Implementation of MPEG Audio Layer I Decoding on a Fixed-Point DSP Platform. - Shigeru Igarashi, Takashi Tsuji, Tetsuya Mizutani, Tsuyoshi Haraguchi:
Experiments on Computerized Piano Accompaniment. - Yasuo Horiuchi, Hozumi Tanaka:
A Computer Accompaniment System with Independence. - Daniel V. Oppenheim, Tim Anderson, Ross Kirk:
Perceptual Parameters-Their Specification, Scoring and Control within Two Software Composition Systems. - Jonathan Bachrach:
A High-Performance Dylan Implementation. - Eiji Hayashi, Tatsuya Ishikawa, Kazuhiro Yamamoto, Masami Yamane, Hajime Mori:
The Development of a Piano Player. - Koichi Sekiguchi, Ryoji Amemiya, Hiroshi Kubota, Masami Yamane:
The Development of an Automatic Drum Playing Device. - Hiroshisa Ohta, Hiroshi Akita, Motomu Ohtami, Satoshi Ishikado, Masami Yamane:
The Development of an Automatic Bagpipe Playing Device. - Tsutomu Oohashi, Emi Nishina, Yoshitaka Fuwamoto, Norie Kawai:
On the Mechanism of 'Hypersonic Effect'. - Eliot Handelman:
Listening Simulations: Concepts, Design and an Application to Virtual Reality. - D. Derrien-Péden:
A Knowledge Based System for Recognition and Transcription of XVIth Century Guitar Tablatures. - Rick Bidlack, Dorota Blaszczak, Gary S. Kendall:
An Implementation of a 3D Binaural Audio System within an Integrated Virtual Reality Environment. - Cort Lippe, Miller S. Puckette, Zack Settel, Vincent Puig:
The IRCAM Signal Processign Workstation and IRCAM Max User Groups: Future Developments and Platforms. - Mara Helmuth:
Granular Synthesis with Cmix and MAX. - David Zicarelli, Michael Lee:
The MAX Timeline Object. - Bernard Mont-Reynaud:
SeeMusic: A Tool for Music Visualization. - Frank Weinstock:
Demonstration of Concerto Accompanist, a Program for the Macintosh Computer. - David A. Jaffe, Julius O. Smith III:
Real Time Sound Processing and Synthesis on Multiple DSPs Using the Music Kit and the Ariel Quint Processor. - Daniel V. Oppenheim:
Slappability: A New Metaphor for Human Computer Interaction. - Brad Garton, Damon Horowitz:
The 'Blues-o-Matic' Real-time Interactive Performance Model.
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